Midnight

This is actually a pretty good low budget horror film. It does bear the marks of a regional production (filmed in Pennsylvania), complete with the (mostly) amateurish acting that fans come to expect in such a thing. It does indeed start slow, so people may have a hard time sticking with it, but it's worth it in the end. The story is a familiar one, but is well realized by writer / director John A. Russo (an associate of George A. Romero who'd co-written the classic "Night of the Living Dead"), who adapted his own novel. Tom Savini supplies some typically well done splatter, but certainly the best aspect to the presentation are the very rural settings that give "Midnight" some potent atmosphere.

Melanie Verlin - in the first of only two movie roles - stars as Nancy, who has to live with a policeman stepfather (legendary tough guy and wildman Lawrence Tierney) who's a lecherous alcoholic. After he harasses her, she runs away from home, hooking up with seemingly nice young guys Tom (John Hall) and Hank (Charles Jackson). After they get her involved with their (mild) life of crime, she ends up in the backwoods where she's soon abducted by backward Satan worshipping lunatics. This lovely bunch of people force their victims into too-small cages in preparation for sacrifices to their dark lord.

One thing from this movie that people will likely remember the most is that staggeringly silly theme song that's heard a few times. Otherwise, this is pretty fun to watch. It's always a hoot to see Tierney in action, especially when his less-than-honourable character becomes an unlikely heroic figure. There's some delicious creepiness going on throughout, and Catholicism is a big theme. Nancy isn't an innocent type, but falls back on prayer when things look their bleakest. Verlin is reasonably appealing, but the standouts are obviously the antagonists: David Marchick as portly and bearded Cyrus, Greg Besnak as bald headed Luke, and John Amplas, star of Romero's "Martin", as Abraham. The electronic music score is priceless stuff.

The climactic action has its fair share of tension, but ultimately "Midnight" ends a little too abruptly. But until then it proves to be decent entertainment.

Seven out of 10.

While watching Midnight it is pretty clear to me where the majority of the talent lies in the Romero/Russo relationship. Now, I'm not saying John Russo is a bad screenwriter or novelist, but he's no director. Midnight, based on his own novel, claims to be a cross between On The Road and Rosemary's Baby. That is not accurate at all. It's The Texas Chainsaw Massacre...CLEARLY. It's about a crazy family who kidnaps and sacrifices young people to appease their dead mother (who they keep in the attic). It's pretty straightforward and boring. Mostly it's just bad; on both sides of the camera. Even the special effects aren't anything to write home about...and it's Tom Savini! Along with Savini, John Amplas (Martin) has also come from the Romero camp to help out, but he doesn't add anything significant. Lawrence Tierney is the only name actor in Midnight, but he doesn't have a big part. He's not the villain of the piece, but he is the only truly creepy character here. Just watch Chainsaw again and thank me later.

I first saw this in the early 90s on a vhs.

Revisited it recently.

The movie has lots of stupidity but it is creepy n atmospheric at times.

One of the best part is that most of the movie is shot in broad daylight n the night scenes r well shot.

The director of this movie John Russo is the writer of NOTLD (1968), n he incorporated the cemetary scene in this one too with almost the same atmosphere.

Some really wtf moments - A stupid girl hides in the shower n can't even out run a fat slob killer.

Check out the scene at 1:30:52.

The guy who is shot is standing as if he is like a mannequin.

Luke the big, bald guy conveniently stands on the place where kerosene has been sprinkled by the final girl.

(**1/2 out of *****) Actually, I'm not quite sure what to think about this movie -- it's very cheap-looking, the original songs have that terrible '70s/'80s cheesiness, it's cruel and sadistic (in the opening, pre-credits scene, for instance, a young girl is caught in a bear trap and beaten to death with a stick!), the acting's mostly pretty weak, and the dialogue is awful (honestly, it couldn't be more stiff if you added heavy starch.) Just the same, there's something so luridly compelling and skin-crawlingly depraved about the whole thing (particularly the second half) that I guess I can understand why it has become something of an underground cult favorite among people like -- well, hell -- among people like me. Nancy Johnson plays a teenager who, after almost getting raped by her alcoholic stepfather (Lawrence Tierney, who ends up being the hero!), runs away from home and is picked up by a couple of young shoplifters (John Hall and Charles Jackson) on their way to Daytona. Unfortunately for them, they get sidetracked along the way in the typical, backwoods, deep-South `town from Hell,' where racist townsfolk, murderous psychopaths and satanic hillbillies (including horror movie vet John Amplas) abound. There are disturbing religious undertones (the movie opens with Johnson, a lapsed Catholic, giving her confessions to a priest) that don't exactly sit well alongside graphic scenes of throats being sliced open and blood being drank at a black mass. Still, there's just enough of a creepy, claustrophobic sort of "Texas Chainsaw Massacre" atmosphere to make this one worth sticking out to the grisly finale. The always-resourceful Tom Savini provided the bloody effects (mostly involving long butcher knives and gunshots to heads). Russo also wrote the book (and the screenplay) on which this movie is based, so he has no one to blame for the crummy, stilted dialogue but himself.

HIGHLIGHT: After a so-so first half, the movie takes a nightmarish turn as Johnson finds herself locked up in a dog cage with another girl, waiting to be sacrificed to Satan at midnight on Easter Sunday. Hey, that deserves half a star for some kind of originality.

When drunken cop Bert Johnson (Lawrence Tierney) makes sexual advances towards his teenage stepdaughter Nancy (the rather boyish Melanie Verlin), she packs her bags and sets off to see her sister in California, hitching a ride with Tom and Hank (John Hall and Charles Jackson), two college students on their way to Florida (!?!?). After a night camping out under the stars, the trio fall foul of a family of redneck Satanists who are ritually sacrificing young women to try and resurrect their dead mother.

With a screenplay and direction from John A. Russo, writer of seminal horror classic Night of the Living Dead, and make-up effects from genre legend Tom Savini, one might reasonably expect Midnight to deliver the goods in terms of terror and gore, but sadly it fails to deliver on both counts: Russo's script, based on his own novel, suffers from a dreadfully dull first half and the guy is clearly no Romero when calling the shots behind the camera, consistently failing to deliver the requisite chills; Savini also disappoints, his gore FX on this project being far from his best work (I can only presume that he knocked them out on the cheap as a favour to Russo).

It's not all a total loss though: the film's pace picks up considerably once Nancy and pals meet the devil-worshipping backwoods clan (a memorable group consisting of two nutters posing as cops, a demented babe, and a fat guy in dungarees who can't stop laughing), and bonus points are scored for a willingness to tackle the taboo, a few surprisingly brutal deaths, and a cool grind-house vibe achieved through cruddy picture quality and a menacing, lo-fi synthesiser score (the horribly dated theme song, on the other hand, is simply atrocious and only serves to irritate).

5.5 out of 10, rounded up to 6 for IMDb.