Canibal Ferox

You can't take it seriously. It's really silly, poorly acted and really cheesey in parts. But it does have a hefty bucket load of blood to keep gorehounds like my good self happy. Make sure to see it uncut, because to be honest, there isn't much else going for it(!) I just wish they left the animals alone in these films. But keep your eyes out for the highlights; the unfortunate John Morghen, who has his manhood sliced clean off and eaten by one of the Cannibals. This film is not as bad as it is supposed to be, though.

Otherwise a good Cannibal flick, better than the rest of them, but naturally nowhere near as good as Deodato's masterpiece - Cannibal Holocaust, which sits safely on it's throne.

There are so many versions of this movie floating around that I have absolutely no idea what was cut from the version I saw, and what wasn't. All I know is that it was the recent Grindhouse Releasing version.

I expected absolutely nothing from this movie, other than completely amateurish nonsense in the vein of an updated Hershell Gordon Lewis. I was shocked to find that Cannibal Ferox really isn't a bad movie at all. The storyline, acting and production values were as solid as you could expect from such a multi-lingual low budget exploitation flick, especially considering the amount of outdoor location shooting, and Grindhouse have done a really good job with the remastering. Lorraine De Selle is great, trying to take the whole thing seriously while Giovanni Lombardo Radice chews the scenery around her with leering, bog-eyed abandon. Zora Kerova looks like she wandered in from the set of Friday 13th Part II, all blond curls and pert tits, and suffers the consequences. The whole New York subplot stinks of running-time-filler and could be totally done away with.

The gore is minimal but effective – a blink and you'll miss it latex castration and a rather more shocking breast-on-hook impalement. The much criticized animal cruelty really isn't as bad as everyone tries to make out – usually consisting of little more than Discovery Channel style documentary footage of animals chasing and killing each other. On the few occasions in which people actively kill animals, they do so quickly and efficiently, and there's no sense that the animals are suffering, or no more than they would in the average abattoir. It's interesting that when animals are butchered for your viewing pleasure in Italian exploitation movies it's banned in a dozen countries, but when Coppola does it (far less humanely) in Apocalypse Now, it's art.

This was my first journey into the Cannibal genre, and if I can get my hands on Cannibal Holocaust, it won't be my last. Ferox is a fun, trashy, low budget, exploitation fest that is far more enjoyable than some of the big-budget mainstream dross that I've had to endure (Constantine anyone?).

I love this flick, so am I perverted or even totally weird?!? None of both, because "Cannibal Ferox" is a great guilty pleasure and an excellent stare-if-you-dare-movie! It is banned in 31 countries and there are truly good reasons for that: nearly no film delivers such an immense load of explicit gore, blood and guts, castration and sadism as this one features! But even though you like to hear it or not, Lenzi´s film is pretty suspense-packed, full of dramatic and entertaining from beginning till the end! Once more the a whole zoo of animals was slaughtered and the most disgusting take is when in a nearly heart-braking scene a little tethered and despaired screaming anteater gets strangulated by a huge Anaconda! However this shot has an almost symbolic character in view of the plot... The cast includes such exploitation-greats like Robert Kerman ("Eaten Alive"), John Morghen ("Cannibal Apocalypse"), Perry Pirkanen ("Cannibal Holocaust") and in the first line the wonderful Zora Kerova ("The New York Ripper"), who makes some really bad experiences with meathooks at the unhappy end..! Faint-hearted persons will surely turn away in deeply disgust, however all those who threw their political correctness over board may surely enjoy this sick symphony of sheer cruelty!

This is one of the better cannibal boom films out there. Umberto Lenzi does a great job with the directing of this movie.

Bong it up and burn it down.

The film begins with the murder of a drug addict in an unknown apartment by some gangsters looking for a man named Mike Logan. As the police begin their investigation into the shooting, the action relocates to the Paraguayan jungle, where two students, Gloria (Lorraine De Selle) and Rudy (Danilo Mattei), and one tag-along Pat (Zora Kerova) are making their way into the heart of the jungle looking for native tribes who have been accused of cannibalism. Gloria is out to disprove the claims of cannibalism for her dissertation, and after they come across two mangled bodies of tribesmen, they also come across Mike Logan carrying his injured partner Joe (Walter Lucchini), who both claim to have been attacked by savage cannibals.

Between 1977 and 1981 there was a huge boom in cannibal films. They boasted exotic locations, horrific gore, real animal killings, and the threat of the unknown in the primitive tribes. It was Ferox's director Umberto Lenzi who kick-started the sub-genre with Deep River Savages in 1972, but they only really hit their stride in 1977, when the Grindhouse theatres were at their most popular. The cannibal genre died out pretty quickly, thankfully, as they represent everything that is ugly about the horror genre, and Cannibal Ferox, possibly the second most notorious after Cannibal Holocaust, is no exception.

The gore and violence is by no means convincing, or even disturbing, but it is clear from the off that the film's sole purpose is to be more repulsive than anything else before it. Multiple cocks are hacked off (and one is eaten - yummy), a woman is lifted into the air with fish- hooks through the breasts, there is an eye-gouging, and of course, no cannibal film would be complete without a bit of the ol' brain eating. This is all well and good and what can be expected from an Italian exploitation film at the height of the nasties era, but the animal killings are simply needless.

I always found myself defending Cannibal Holocaust for the animal cruelty, as that is a genuinely good film, and the horrific animal scenes really do add to the horrible and deeply unsettling atmosphere. But after seeing Ferox, I realised there is really no excuse for it. Regardless of the film's quality, there is no place for the pointless killing of animals. Radice refused to wield the knife during the pig- killing scene, and in the DVD commentary, director Lenzi said 'Robert De Niro would have done it!', to which Radice replied 'Robert De Niro would have told you to f**k off!'

Anyway, the film really is pretty damn awful. Why the action keeps shifting back to New York is anyone's guess. Mike is a wanted drug pusher that legged it off to Paraguay in search of cocaine and a fortune in gemstones, but surely knowing this is enough? There is a rescue attempt near the end that looks like joining the two stems together, but nothing comes of it. It seems to be there only to add a few more minutes onto the running time, allowing the film to render itself a feature. As you would expect, the acting/script/story is guff, but the strange thing is the moral message it seems to be putting out. When it revealed that Mike was lying and it was in fact him that attacked the tribe (shock horror), it seems to be a 'don't judge a book by it's cover' type message. But when the tribe acts out their revenge, they revel in the torturing.

Well anyway, the real torture victim was me, who had to sit through this. There's a few more cannibal films to get through for the nasties project (maybe I'll leave them to Marc), and although I'll welcome (if that's the right word) another viewing of Cannibal Holocaust, I have to say that I would be happy not to have to sit through another cannibal film. And there's always the Mondo sub-genre I suppose!

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