O Domínio do Olhar

Mr. Friedman's review says it all. I loved this film when I first saw it and have never forgotten it. The premise includes the notion that, one day, it will be possible for computers to create lifelike images of real people. 20 yrs. later, we're still working on it, but close. Haven't seen it in a long time but remember it was dramatic and well executed. And yes, I'd personally see this film again just for that scene of Susan Dey's gorgeous bod being turned on a pedestal, being laser scanned into a computer.

Michael Crichton's "Looker" is a challenging and intelligent thriller that's better than you would expect. Since most reviews of the film are negative, that's created an unfair bias against it. That's a shame because this film is a pleasure to watch.

The plot is like a Rubik's Cube. Just when you thought you had it figured out, WHAM!! a twist comes out of nowhere and confounds the viewer. That's one of the films' pleasures.

The stylish photography is another plus. A key part of all of Crichton's films is the flashy, stylish photography and that's no exception here. Shot by Paul Lohmann in Panavision, "Looker" often looks and feels like "Westworld" mixed with "Coma" polished with lemon pledge. It's atmospheric and great to look at.

The performances are another key. Albert Finney, entering the horror cycle of his career (with this and another 1981 release "Wolfen", which contains many of the same elements that make this so good), projects fear and calm every scene he's in and it's another strong performance from one of our most underrated actors (he's never won an Oscar; a thought that boggled the mind). It seems fitting that he's paired up with another underrated actor, James Coburn. In a time where he was making one horrible film after another (until his renaissance in 1997), it's good to see him in a good film for a change.

I have some problems with the plot, mostly things that are left unexplained (the American TV/European theatrical version restores 15 minutes of story that fills in these holes) Now that I think about it, that's a good thing. Crichton wants us to be confused just like his hero and part of the fun is figuring everything out as he does.

"Looker" is a film that deserves to be mentioned in the same breath as "Westworld", "Coma" and "The Great Train Robbery". It shows impeccable skill and masterful direction that lesser talents have shown in bigger hits than this. It's worth a look.

**** out of 4 stars

Nearing its 20th birthday, "Looker" still holds up today as a solid techno-thriller. Expertly tucking a government/industrial conspiracy beneath a blanket of computer-phobic tension, the film manages to predate the success of the "X-Files" before cyberspace became a household word.

Finney and Coburn are subtly superb in their roles, while Crichton (unintentionally) satirizes a media-saturated culture ripe for the string-pulling. Barry De Vorzon's score is hauntingly impressive (and sadly, unavailable in soundtrack form) as is the cheesy 80's title track performed by Sue Saad (later covered by Kim Carnes on her "Voyeur" album).

People have slammed the script for its lack of explanation... however, a 15-minute scene depicting a rather detailed "summing up" of the plot was deleted from the theatrical/home video cut, but did make the film's network TV airings. With or without the scene, the film is an often-overlooked gem I would strongly recommend to anyone in the mood for a slick, sci-fi thriller.

Dr. Larry Roberts (Albert Finney) is a top Beverly Hills plastic surgeon who finds himself embroiled in a sinister mind-control conspiracy. After three of his patients are killed in suspicious circumstances, Larry takes it upon himself to protect the apparent next victim, Cindy (the beautiful Susan Dey) and also solve the mystery.

‘Looker' is possibly director Michael Crichton's most criminally underrated film. Admittedly the screenplay often leaves a lot to be desired but the initial premise is both intriguing and fear-provoking. Crichton's script makes some rather fascinating, and in hindsight rather perceptive, comments about how corporations can abuse both the media and the general public simply through the use of television. Towards the end a particularly pertinent speech is made by John Reaston (James Coburn) on how the general public is willing to submit automatically to the enormous power that television possesses. However, much of the power that ‘Looker' could have potentially possessed is lost with poor pacing, inappropriate and unrealistic dialogue and a couple of major plot-holes. In fact, some eminent questions remain unanswered and the movie ends on a sort of anti-climatic note.

Crichton's direction appears to be somewhat disjointed as the pace of the movie alternates constantly. To begin with ‘Looker' has the correct proportion of suspense to action and is quite thrilling to behold. Unfortunately, certain scenes such as a car chase drag on and become somewhat tedious. One particular sequence of events towards the end of the movie drags on for fifteen minutes and while to begin with is compellingly suspenseful, the sequence begins to feel old and certainly spoils what could have been an effective ending. ‘Looker' also suffers from some particular bland performances, particularly from central actor Albert Finney. His performance was predominantly lacklustre and featured uninspired sequences in which Finney would avoid gunfire by unenthusiastically throwing himself across the floor. That being said Finney did seem to fit the role of Larry Roberts and was fairly entertaining to watch. Susan Dey and James Coburn were both enjoyable in their respective roles and one wonders why more was not done with their characters. Had more time been spent trying to develop these characters then maybe something more could have been done with the movie.

Surprisingly, despite all its flaws ‘Looker' is still somewhat compelling. It is certainly not Crichton's best film but is still vastly underrated in my opinion. The opening sequence is suspenseful and intriguing which is occasionally echoed throughout the rest of the movie, though unfortunately not enough. ‘Looker' is blessed with some wickedly delightful black humour, particularly towards the end and a bizarre, yet mesmerizing, electric musical score from Barry de Vorzon. Some fans will be happy to know that there are unnecessary scenes of full frontal nudity, including one from Susan Dey. The humorous overtones of that particular scene undoubtedly shine through. The ideas of hypnotic and subliminal messaging are what make ‘Looker' compelling even though the film is still heavily damaged by the lack of decent characterisation and storytelling. I think ‘Looker' is worth watching but is most certainly not to everyone's taste. My rating for ‘Looker' – 6.5/10.

This movie still holds up. I'm incredibly impatient for films to get going. So, this one is a keeper. Truly entertaining from start to finish. Even the theme song is catchy. Visually fun. Well directed.