A Noite dos Amantes

As the apprentice editor. My boss, Steve Rosenbloom, went on to edit most of Ed Zwick's films and supervise the editing of Bedford Falls shows (thirtysomething). The editor, Chris Greenbury, was English and was known for the occasional temper tantrum. I didn't know it at the time, but he was one of the fastest cutters in the business.

I was seventeen and studying film at HSPVA, Houston's High School for Performing and Visual Arts. There was an actors' strike going on in Los Angeles, so the cast and crew were really top rate for a low-budget local film.

I ran the edge coding machine. We worked on Moviolas in two rooms of a large hotel near Sharpstown. Cindy Fischer smiled at me once, and I saved enough money to make a 16mm film the next semester, before coming out to LA and going to film school at USC.

I gradually fell into the world of software development, which I love, and recently ended up at DreamWorks. So, if you watch the title crawl at the end of Shark Tale, way below the HP logo, you'll see my second feature film credit -- nearly 25 years after my first.

Gavin Doughtie

This movie is about a tragic romance that resulted because of lies. True love is found despite those lies, but the lies threaten to stop the love of Jack and Jenny. The viewer is hoping for the best and won't know until the very end of the movie. There were two endings made to this movie - one is sad and the other is happy. It all depends on what the doctor does when he comes out at the end. Watch to find out! It is a sweet movie of love and romance that'll leave the viewer in a teary suspense.

The real downfall to this movie is Mike, played by Jim Greenleaf. Unfortunately his over the top goofy portrayal of a doofus hillbilly is nowhere near genuine, and only detracts from the momentum of the film. The other friend is likewise forgettable, and the idiotic slapstick scenes they're in add nothing to the film's drama. Joe Don Baker is the same typical non-presence he always is. Thankfully he doesn't get much screen time. The rest of the cast is quite effective, albeit it not exactly very likeable. Ginny's father was way too overbearing for credibility. Not much subtlety in any of the performances. I liked the story, and Cindy Fisher and Matt Dillon were pretty good together. Despite some hokey scenes and awful music, it was still rather cute. Cindy was truly stunning in this movie. Matt Dillon is always a force in any role he tackles, and this is no exception. I'd say he's rather on the bland side in this one. It's not a classic movie or even an excellent one, but it's strong enough to keep the viewer watching and interested. 5.5 rounded up to 6. There's really not much here that the viewer will remember after the credits roll, but it's still all right. Light hearted fare.

I saw the 'lighter' version of this period drama which was still a somewhat depressing saga, but nonetheless bittersweet tale of romance between the classes in conservative 1950's Texas. Fisher and Dillon make a charming couple who run afoul their disapproving parents who've more in common than they realise.

Connelly is solid as Fisher's protective father, unable to endorse his daughter's newfound love, whilst country singer/actor Axton has a comparably much smaller role playing Dillon's hard-working, more understanding dad. I also really enjoyed the antics of Dillon's roustabout friends Greenleaf and Atkins, and then Tyrrell later in the film as the 'entertainer' who befriends Fisher. The film's big stars have small but sympathetic roles, Crawford playing a compassionate family patriarch, whilst DeCarlo has a strangely superficial role (looks like it may have been edited down) as a kindly landlady.

Attractive sets and a likeable cast make it a little easier to consume what is otherwise a rather disturbing drama which doesn't always handle its subject matter as effectively as the plot demands - the cliffhanger unfolds too quickly, despite there being sufficient time for greater suspense, especially given how unsettling the consequences were to contemplate. Instead, the plot threads connect too conveniently in the film's rushed climax, which doesn't do the rest of the otherwise carefully curated film justice.

Nevertheless despite some mishandling of the more sensitive moments, the overall film is still compelling viewing and worth a watch, although having only seen what's referred to as the 'happy' version, the alternative ending could be too much to endure, all things considered.

I saw this movie on TV in the 80's and loved it. I was a young teen in love myself at the time and totally related. I taped this on a VCR and watched it over and over until the tape broke. One of the things I enjoyed most was the soundtrack, especially the love song which I have been trying to find out the name and artist for over 20 years! I had wanted to use it in 1984 as my wedding song but no band or DJ knew the song or movie... Can anyone help? The song name might be "I'll Love you Forever"?? I am not sure, but it had those words in the song....would appreciate any help. This song was also used years ago in an episode of the soap opera All My Children. It has stayed with me for so many years and when I saw this site I thought maybe I can finally put this lingering question to rest (and use it at my 2nd wedding!) Thank you!