O Antropófago

This is a pretty cool movie, although I do reckon that you need to be a little sick in the head in order to truly enjoy Joe D'Amato's wicked imagination. "Antropophagus" (LOVE the title!!) is a notorious video-nasty because it contains shock-sequences that ...well...aren't exactly for the squeamish! The pivot figure is a savage and bloodthirsty man that prowls a Greek island (Greek islands are dangerous tourist places apparently...anyone remember 'Island of Death'?) and devours pretty much everything and everyone that crosses his path. The film focuses on the encounter between this maniac and a group of young tourists that coincidentally strand on the island. Apart from the downright nauseating gore (he eats a fetus, for Christ's sake!), this is a rather suspenseful and atmospheric Italian horror film that surely ranks among D'Amato's best work, alongside "Beyond the Darkness" and "Death Smiles at Murder". In case you're a fellow Italian horror fanatic, you'll love the cast that includes George Eastman, Tisa Farrow and Serena Grandi. True, there are some really tedious moments to sit through but the gore is rewarding and the music is terrific. There equally is some gratuitous sleaze to enjoy, as well as some nice photography. Due to its violent and raw nature, "Antropophagus" is one of the most cut films ever. Avoid any version that says "Grim Reaper" on the cover because that's the version that leaves out all the sweet nastiness you're so desperately looking for :)

Antropophagus from director Joe D'Amato is a pretty notorious movie, mainly for making it's way onto the infamous UK "Video Nasty" list. When your hear about this movie you probably hear about its gore, mainly 2 infamous scenes that cemented its place in the list. I think this reputation hurts the film though because, in all honesty, the gore in this movie is pretty weak (except one scene that I will get to). People go into this movie expecting a very nasty and extremely gory horror movie but come out pretty disappointed at the shoddy gore effects and extremely slow pace...Well, that's because they overlooked all the great and more subtle things that the movie DOES deliver on.

First off, this movie is creepy, a combination of atmosphere, music and a wonderfully over-the-top performance from George Eastman make this movie one of the spookiest Italian slasher flicks I have ever seen. Scenes of characters exploring darkened corridors by candle light are some truly creepy scenes and sort of remind me of more classic horror movies from decades before. There are also some really great jump-scares too. The cat is cheap, but effective, the girl popping out of the wine barrel is definitely effective and lastly, the scene at the end where Eastman's character emerges from the well nearly stops my heart every time I see it! There is some fantastic atmosphere in this movie as well, the deserted Greek town is beautiful but haunting, whether they are walking through the halls of a house or the streets of the town there is always a feeling of something not quite being right.

The Music heightens the creepiness of all the scenes so well. Some might consider it to be annoying but I would call it nerve-wracking. Finally, and most important, is Eastman's character... this man is disgusting, disturbed and definitely somebody you would NEVER want to meet in real life. He towers over everyone with his immense stature, the make-up is excellent in giving him a monster quality. His performance is so over-the-top but it provides the energy the movie needs to keep it going.

If there is one thing that I think sets Joe D'Amato apart from the rest of the Italian horror directors, it's the way he ends his movies. All his movies I have seen contain a wonderfully shocking and over-the-top climax. I think Antropophagus has the best climax of all too. I will try not to give too much away but basically Eastman's character reveals how truly mad he really is (as if he could be any madder) and in a fit of insanity we finally get rewarded with the one truly excellent and extremely disturbing gore effect that wont leave your mind for days to come.

Everything else is pretty standard when it comes to Italian exploitation but I do think it's worth mentioning that there are some above average performances from Tisa Farrow (Zombi 2) and Zora Kerova (Cannibal Ferox) that make the characters a little more likable than your average slasher.

In the end, I think Antropophagus is a really great Italian horror that should be appreciated for it's scares, not its gore. Don't listen to the hype, cause it's misleading.

I tend to shy away from Joe D'Amato's more sleaze & sex orientated efforts. But I don't mind giving his horror outings a watch. Up until now, I thought "Buio Omega" (aka "Beyond The Darkness") was about the only film I found to really live up to its notorious reputation, while still being a reasonably good film. And as far as I'm concerned, after just having watched "Atropophagus", it still is the only one. Plain and simple, "Antropophagus" was a mild disappointment of the boring kind. It couldn't fascinate me the way "Buio Omega" did, mainly because it drags in so many places, it becomes tedious very quick. So, a bunch of characters on a holiday - all good folks, as they don't drink alcohol, they don't smoke, do drugs or have sex either - get stranded on a Greek island. Not ship wrecked, just stranded as they loose their boat. They find an abandoned village, decide to spend the night there, and rather later than sooner, some mysterious killer starts abducting and killing them off one by one. It takes even longer for them to figure out exactly what's going on behind their backs.

Now, D'Amato sure knows how to present us grisly images, creepy settings and at times inject his film with a bit of atmosphere. He also knows how to make gore look good on screen. But building up tension, clearly isn't his strongest skill (he does try, but doesn't really succeed). Also, the man has absolutely no clue how to make a decent film (with an interesting plot or how to construct a proper mystery) nor does he know how to get on with the story. The acting is awful, the dialogues are close to moronic and the movie suffers too often from scenes in which nothing is going on, really, and even senseless & illogical things occur. Like for instance, those two guys deciding to leave the village to go down to the beach to try and look for someone who was still left on the boat. Now, instead of walking down the hill, to the sea, one of them is suddenly seen walking up the mountain for no apparent reason, only to find some ruins of a castle. Him finding them by coincidence, is very convenient to the plot, of course, as it proves to be one of the hideouts of George Eastman, our demented Cannibal Man from the title of this film. And when it comes to his character, I'll admit I was thankful they gave him some sort of background story, as to why he became what he is. Though it was a very thin explanation, with little info and no elaborations, at least there was one. That did put my fear for this being merely a film about an unknown cannibalistic lunatic (of whom we learn nothing) on some island to rest.

On the other hand, the subplot about the mysterious woman in black was severely - shamefully, even - underused. Of course, you suspect from the get-go that she has certain ties with Eastman's character, but all she ever does, is stand behind a couple of windows. Well, actually, she does something else too (later on in the film), her act making up for a fine, short-lived scene. But what she does, doesn't add anything to her character, nor the story. To switch to a positive note again, Eastman's make-up was good. It really succeeds in making him look gruesome and menacing.

Then there was that one scene, earlier in the film, when a couple was investigating a basement. Another highlight, that's at the same time also a low-point. Suddenly and very obviously, some set assistant out of frame, just throws a kitten on a piano. A fantastic fake jump scare, of course. Well done, D'Amato! But then, the real shock-scare comes on, and that one really is priceless. Behind our couple, is a barrel. Suddenly, a woman covered in blood from head to toe, jumps out, screaming, waving a knife. Great shock-moment, I agree. But only if you don't think about it. If you do, for a second, then explain this to me: The barrel was filled to the top with blood - I presume, or was it wine? Inside, was a woman (waiting to jump out). Now all that time our couple was searching the basement, that woman was holding her breath in that barrel of blood? Or was she drinking the wine? This is typically D'Amato throwing logic and plausibility out the window, only to favor presenting us his precious shock-moment. It turns a cool moment, into sheer stupidity.

The musical score was at times, uh, both amusing and interesting. The big mansion near the end was a great location. And the film had that typical late 70's/early 80's gritty feel to it. But it takes more than all this to make a good film, doesn't it? The couple of death scenes we do see, are fine and bloody, with decent make-up effects. And the two most notorious gory shock-moments (which only happen near the end), are well worth seeing. But the whole film really isn't worth sitting through just for that. You might just ask a friend who was the film, to show you the nasty bits and be done with it. But make sure it's the complete uncut version.

I understand the cult following this film has (D'Amato, George Eastman and the few gory bits, I imagine), and I am glad I finally saw it myself (it is kind of a must-see, if you are into obscure & vintage Italian exploitation horror). But I can't say I watched a good film here. I would like to flunk it, even, but looking at it from all possible perspectives, I find myself able to conclude that as an exploitive shock horror feature, trying to be sickening & unsettling (and hoping to upset your stomach), well... it does succeed. So there you have it.

I originally watched this on SKY a few years back and I enjoyed it then as I did this time around.

That's right I said I enjoyed it and judging by low scores on IMDb and Rotten Tomatoes, I think I'm in the minority.

The worst thing about this film is the soundtrack. To say it's dreadful would be doing an injustice to the term understatement. There are a couple of scenes where the music sets the mood perfectly... but it is only a couple. The rest of the time the audience is assailed with a manic Wurlitzer pianist - I actually had a vision of an old time theatre (back in the silent movie days) and a man, half-crossed between The Phantom Of The Opera and The Joker, going insane of the ebony and ivories... all it lacked was a maniacal laugh.

Apart from that what the writers Joe D'Amato (Director) and George Eastman (Actor) give the audience is a new take on both the Cannibal and Zombie legends, by giving you Nikos Karamanlis, a man turned beast who is something other than alive and with a penchant for human flesh. He acquired this evil and unnatural taste after he and his family were shipwrecked... when you're miles from anywhere and starving you have to eat.

This is so much better than his follow on movie Absurd, which also fell foul of the dreaded Video Nasty title and banning.

The acting is above average. Tisa Farrow (Mia Farrow's sister) who gave a well-disposed portrayal of Julie, a student on her way to a Greek island and summer job. Along with Saverio Vallone who gives an affable portrayal of Andy, the unheralded leader of the group, these two hold the film together. Even the mostly silent Eastman as The Beast does a decent job of being menacing and actually uses his size and facial features to add power and unease (wish he'd done the same in Absurd)

For the time the effects are more than passable, the only let down is Eastman's "Beast" face as it looks like somebody has spilt cold porridge over him. Most of the dead look nasty enough, with decaying skin and maggots writhing in eye sockets. The scene with the rats would have looked more realistic had they not covered a skeleton in spam... they could have added more blood to disguise the fact - go Herschell-Lewis on them.

One thing that did impress me is most of the scenes are shot in daylight and D'Amato still builds a sense of tension and unease. The scene where Arnold is looking for his pregnant wife Maggie and stumbles into a clearing by a ruinated abbey sent a shiver down my spine. You can actually feel something watching him.

There is more to this film than I originally thought and I would recommend it to all horror fans who haven't seen it yet. And I will be watching this again in the future.

I have already seen this classic formula in horror films, in which a group of young friends go on vacation to a far-away land, only to find their trip cut short by a series of fortuitous and gory events, followed by an imminent death. "Antropophagus" manages to stand out in its own way, by offering a genuinely frightening villain, extreme gruesome deaths and a perfect setting for the story. I have always thought that the locations of a horror film sometimes have a greater role than the central characters of the story. In this case, the scenario in which the action takes place in a European island, which is actually a beautiful place, but also a devastating scenario that creates a feeling of isolation and vulnerability.

In "Antropophagus", a group of travelers go on a trip to Greece and are joined by a young woman named Julie, who asks them for a ride to an island because she wants to meet some friends.

While the group explores the seemingly deserted island, they come across a rotten dead body, which obviously prompts them to rush back to the boat, only to find it adrift. Julie suggests taking shelter at her friends' house, and when they get there, they find the family's blind daughter in an utter state of panic. The teenage girl, named Henerietta, explains them that her family was killed some days ago by a lunatic. Later, the friends find out that most of the island residents were murdered by the same insane killer, a man named Nikos, who feasts on human flesh and is now out to get them.

I have seen hundreds of horror films and while I can see that certain horror villains, such as Michael Myers, are frightening and creepy looking, that's basically it; I can acknowledge their creepiness, while not necessarily being afraid of them. With this film, I was genuinely afraid of the antropophagus (performed by the surprisingly good-looking Luigi Montefiori). The cannibalistic villain appears as a gruesome beast-like creature with hideous scars all over his face, shredded clothes, a sinister smile and deranged eyes that give the impression that he is some kind of ravenous wild animal that is out to catch his prey. The antropophagus is definitely one of the most intimidating villains I have seen and his image is haunting. "Antropophagus" features some very effective chase sequences full of suspense, in which the killer goes after his human prey with ferociousness in his eyes and a very disturbing smile.

The gore is plentiful and intense, which made my stomach turn once or twice, while not necessarily making this film a torture show. I admit I am easily impressed by gore and I tend to dislike extreme brutality, even when it looks ridiculously fake. However, sometimes gore serves a purpose, when is not just there for the sake of seeing guts scattered all over the place. In some cases, like it happens with this film, the crudeness of the gore help to convey a feeling of vulnerability and even anxiety.

The lead actress is Tisa Farrow (Mia's less known sister) who gave her last performance in this film, in which she accurately provided all the basics that the audience normally expect on a lead girl from a classic horror movie: she's beautiful, but also angelic and innocent. Her character is likable and nice, but also capable of becoming a warrior towards the end and facing that horrible man that is out to get her. And speaking of the devil, the antropophagus himself is played by Italian actor Luigi Montefiori (who goes by the name of George Eastman in this film). I have never seen Montefiori in anything else, except "Antropophagus", but I honestly have to say that this is one of the scariest horror villains I have seen in basically 20 years as a horror fan. He was amazing as the beast-like killer.

To this day, "Antropophagus" remains as one of my favorite horror films, although in all honestly, I don't see it very often, because I actually find it scary and even depressing for moments (that's a good thing, since horror films are not supposed to cheer us up)