Quatro amigos adolescentes passam a noite em uma casa de diversões de carnaval e são perseguidos por um homem deformado com uma máscara de Frankenstein.Quatro amigos adolescentes passam a noite em uma casa de diversões de carnaval e são perseguidos por um homem deformado com uma máscara de Frankenstein.Quatro amigos adolescentes passam a noite em uma casa de diversões de carnaval e são perseguidos por um homem deformado com uma máscara de Frankenstein.
Ralph Morino
- Truck Driver
- (as Ralph Marino)
Avaliações em destaque
A much glossier and classier film than most of Tobe Hooper's films that came before it. You can tell this was the first time he was playing with big studio money and the film looks beautiful, but it does lack some of the grit and intensity of his early work. The special makeup effects for the lead monster are terrific.
Fun-loving teenagers break into a carnival funhouse for an overnight spree and discover that there's a bloodthirsty and deformed murderer inside waiting to pick them off one by one.
The Funhouse can't help but be unfavorably compared to director Tobe Hooper's triumph, The Texas Chainsaw Massacre. It doesn't quite hold a candle to that film and it's intensity, but all the candy colors of the funhouse corridors aren't a terrible place to lounge around for 90 minutes and the makeup effects for the main bad guy are impressive.
The Funhouse can't help but be unfavorably compared to director Tobe Hooper's triumph, The Texas Chainsaw Massacre. It doesn't quite hold a candle to that film and it's intensity, but all the candy colors of the funhouse corridors aren't a terrible place to lounge around for 90 minutes and the makeup effects for the main bad guy are impressive.
Fast-paced and atmospheric thriller set in and around the carnival midway. Two couples visiting the local traveling carnival decide to spend the night in The Funhouse and fool around as a lark. After witnessing a murder, they become the targets of a deformed maniac and his barker dad who are determined they will not leave to report it to the police. I read the Owen West (aka Dean Koontz) novelization back in the day, which was infinitely more padded with back story, abortion issues, religious fanaticism, and a rather Byzantine attempt to link the heroine and her younger brother to the killers before they ever set foot on the midway. Mercifully, the film abandons all of the excess baggage and strips the story done to the bare essentials. I enjoy Tobe Hooper's direction here much more so than that shown in the original Texas Chainsaw Massacre as it seems we are seeing a much more polished effort. He nicely establishes the atmosphere of the midway, which by turns is colorful and sordid. The central characters are nicely delineated (although due to the abandoning of the subplots from the novelization, Shawn Carson's younger brother seems like a fifth wheel rather than integral to the story) and well played by an appealing cast. They seem like credible and overwhelmed young people rather than fodder for the axing. Lead Elizabeth Berridge, in particular, has a nice girl next door quality and radiates a resourcefulness through her terror without ever seeming like either Superwoman or a victim. The make-up for the primary killer is particularly effective and novel. The film builds up a substantial head of steam before going for broke in a wild Grand Guignol climax. The score is also worth mentioning as it provides a very effective counterpoint to the action. Ironically, this film is rarely mentioned by horror fans, having been buried amid the morass of Friday the 13th clones that proliferated in this period, but it is definitely one that should be rediscovered.
Four hormone-driven teens sneak into a funhouse at a traveling carnival, and plan to stay the night. Little do they know, it harbours a deformed sex-crazed maniac. Now, they've seen too much, and must find a way out, before the monster and his father find them...to dole out their own brand of carny justice.
The way the whole sub-plot with the little brother plays out is really weak. It's only included to offer a possible out that never comes to fruition...and it plays out as awkwardly as does that last molestey scene with the little kid in it.
Petty criticisms aside, however, it's an entertaining film. The funhouse robots are pretty rad, and the monster is badass. The kills could have been a little more gory...but the one where they accidentally axe their friend is great! There's a nice amount of tension in that final scene too.
While not a masterpiece of horror or anything, this Tobe Hooper film is certainly worth a watch. But it's not particularly scary.
6 out of 10.
The way the whole sub-plot with the little brother plays out is really weak. It's only included to offer a possible out that never comes to fruition...and it plays out as awkwardly as does that last molestey scene with the little kid in it.
Petty criticisms aside, however, it's an entertaining film. The funhouse robots are pretty rad, and the monster is badass. The kills could have been a little more gory...but the one where they accidentally axe their friend is great! There's a nice amount of tension in that final scene too.
While not a masterpiece of horror or anything, this Tobe Hooper film is certainly worth a watch. But it's not particularly scary.
6 out of 10.
Every time I'd see this film pop up on a streaming service I'd skip it because it has a low rating. I've seen some reviews say the first half is boring and has no direction, but I think that's what makes this movie great.
The first half of the film does a great job at making you feel the atmosphere of the carnival. You get to see how a night out with these characters is like, it felt very natural almost as if you're there hanging out with them. As the night goes on things begin to take a sinister turn and things just keep escalating from there on.
If you appreciate 80s horror I would highly recommend you watch this film and be your own judge. Sometimes the directors want to put you in the front seat with the characters and I think they did an awesome job. Just sit back and enjoy the night out at The Funhouse.
The first half of the film does a great job at making you feel the atmosphere of the carnival. You get to see how a night out with these characters is like, it felt very natural almost as if you're there hanging out with them. As the night goes on things begin to take a sinister turn and things just keep escalating from there on.
If you appreciate 80s horror I would highly recommend you watch this film and be your own judge. Sometimes the directors want to put you in the front seat with the characters and I think they did an awesome job. Just sit back and enjoy the night out at The Funhouse.
Você sabia?
- CuriosidadesDirector Tobe Hooper was at one point nearly struck by a flying cog but was saved by an extra who broke their arm in the process.
- Erros de gravaçãoDespite the funhouse being a portable carnival attraction, it has a basement.
- Citações
Richie Atterbury: Amy'll hit it off for sure. Buzz is a terrific guy.
Liz Duncan: She's stoned. When you're stoned, Charles Manson is a terrific guy.
- Versões alternativasAlthough the 1987 UK CIC video release was uncut in terms of violence it ran around 3 minutes shorter than the cinema version, and the differences appeared to be some dialogue and narrative edits. It contained the scenes of reefer smoking which were missing from some later Film Four showings.
- ConexõesFeatured in Terror in the Aisles (1984)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Funhouse?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Carnaval del terror
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.886.857
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.765.456
- 15 de mar. de 1981
- Faturamento bruto mundial
- US$ 7.886.999
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente