Eu Te Amo

This movie is the antithesis of Hollywood film. It's not afraid to celebrate lust, sensuality, carnality & the games one exercises to indulge in those "vices". The "anonymous" review quoted here is a sorry example of the fear that far too many puritans live with. This film is a CELEBRATION of life. The review is a dirge.

A marvellous film. Claustrophobic apartment and all. Braga and Paulo are brilliant. And the film 'is' about the celebration of life. Made during Braga's Brazilian heyday the film is somewhat known for it's explicit sex scenes. It was ahead of it's time considering whats being done as far as sex in films today. Some people may not have grasped this film but it's basically about two people who meet through some circumstances(exchanging phone nos. in a bar actually)and are undergoing a change in their lives. Braga's Maria/Monica masquerades as a hooker but she's not & has a degree in Art History. Paulo has lost his job in a brassiere factory after 37 years because his company sold out to the Americans. Sounds familiar to those of us in the U.S.! But I thought the dark almost undershot cine-photography was right on time & Braga is outstandingly beautiful even in dark photography. Finally the ending is as incongruent as it is wonderful. Braga & Paulo dance a musical duet ala Astaire & Rogers which as the credits roll out signifies the whole essence of this film. Life, despite it's ups & downs, is a celebration!

(**pluses in film: much action takes place in a real Rio apartment which seemed bigger than most peoples' houses. Dig that Proscenium like feature in Paulo's living room. Also great hand held camera shots as well as nice nighttime shots of Rio.)

I personally admit I'm into Brazilian cinematic experimentation. Here, the plot could seem surreal but it isn't at all. Just think about the socio-political context existing in Brazil at that epoch. Alternative and "controversial" issues were always severely banned, since Sganzerla and Rocha began in 1960s.

Actors and filmmakers who believed and embraced the idea in order to make a radical change are ALWAYS precious gems to keep alive and kicking in our heritage. People to treasure, then.

I cannot stand all this bigotry comments/reviews merely concerning sex scenes and full nudity. People who are miserably interested in peeking Braga's tits or "X rated action" stuff, among this movie, would better get a quick search entering Xhamster or Youporn.

The 1980 climate is astonishing. The photography is excellent, as well as the scenography.

The acting, especially by Sonia Braga, is outstanding… The film is quite sensual, revealing, comic, even at times tragic... A warm, friendly film that takes its time developing its view of the erotic attraction between the sexes…

The story is quite simple, transparent even... A member of the Brazilian upper-class has a bra factory that just went bankrupt and a beautiful blonde wife that just left him… He revels in self-pity in his expensive penthouse apartment… He finally goes out, gets drunk, and ends up in the middle of a lover's angry dispute… He asks the woman in the altercation to come up to his place, and surprisingly she accepts… She pretends to be a whore, and a comic repartee comes as a result, ending in a impudent erotic affair…

For a mainstream film, the sexual encounters are quite graphic, but do not dwell… Instead, the scenes are shot from a distance, rapidly and teasingly, with numerous close-ups of the lovers' faces twisting in ecstasy…

The cinematography is appealing, colorful, and contains a lot of black space for effect… It creates a world filled with shadows and only an occasional bright spot… The bedroom is bathed in golden light

What no one seems willing to admit is that "Eu Te Amo" qualifies as a XXX-rated hardcore film with almost every ingredient except for clinical close-ups. If this same film were produced in English in the USA or England it would have been tagged as porn and put on the shelf with "Debbie Does Dallas," but it gets a free ride because it is in Portuguese and comes across as "Sonia Does Sao Paolo". There is nothing wrong with raunch as long as it proudly proclaims what it really is, but this "Art Film" is deep down about as artistic as what used to run at The Pussycat Theater. Let the viewer beware.