Max Devlin e o Diabo

Elliott Gould dies in an accident and goes straight to hell to meet the devil himself (Bill Cosby), but that is not the end. Gould makes a deal to get out of hell by going back to Earth to get the souls of three young people in this would-be-comedy that is just not funny. Cosby is not on screen enough to even make a lasting impression and it is up to Gould and some sub-par young actors to carry the project. Gould does do his best, but all in all the film is just a project that wants to entertain and provide messages to its audience and failed to do either of those things. An odd production from the Disney studios. 2.5 out of 5 stars.

I remember seeing this movie as a kid and loving it. Recently, I watched again as an adult and found it to still be a sweet, charming little movie. The basic plot has Elliot Gould's character signing a pact with the Devil (Bill Cosby)to recruit three good souls and thus saving his own from eternal damnation. Gould gets three young people including an aspiring young singer (Julie Budd)and a fatherless young boy (Adam Rich), to sign a contract with the devil in exchange for making their dreams come true while on Earth. It all works out happily as all Disney films do, but there are several laughs, touching moments, and lesson learned along the way. I was really intrigued by Julie Budd after this film who more than resembled a young Barbra Streisand in both looks and talent. Loved the song that she sang in the film "Any Fool Can See." I wonder what happened to her after this film. Seems she never worked again.

Horror veteran Jimmy Sangster got himself attached to the Disney company by way of his story concerning a crooked apartment manager in Los Angeles who is hit by a car and goes to Hell. To save himself from eternal damnation, he must return to Earth and find three unsullied innocents who will sign away their souls in exchange for their life's wish to be granted. Sangster shares credit for the plot with screenwriter Mary Rodgers of "Freaky Friday", who apparently added the accoutrements of a single mom and her son looking for a husband and father to love, a teenage nerd who wants to be a motocross champion and a nervous songbird who wants to be a star. Disney, who had not yet developed the Touchstone subsidiary for more grown-up product, was attempting to change their image a bit here, but the swear words and a scary scene down in Hades just seem out of place in a movie about an old softie (Elliott Gould) charming everyone with his rumpled panache. Bill Cosby is cast as Satan, who dresses up for different occasions even though nobody but Gould can see him, and Susan Anspach is the daycare worker burned by broken romances. Both are good, but it's Gould movie and he carries it to a treacly but satisfying finish. **1/2 from ****

With the past several years and all the bad publicity that has come out about Bill Cosby the fact that he could be cast as an emissary of Satan himself seems less ironic these days. The other half of the title of The Devil And Max Devlin is played by Elliott Gould who is destined for the lower depths after falling into a manhole unless he agrees to get three innocents to pledge their souls.

Where to find innocent souls in 1981 is the question, but in his new guise as a manager/promoter he finds promising singer Julie Budd, a BMX racer David Knell and a little kid Adam Rich with a real pretty mom in Susan Anspach.

I have to tell you that I was a bit uneasy in the scenes involving Gould and Rich. It was like he was stalking as a pedophile would. How Disney Studios were comfortable with that God only knows.

The Devil And Max Devlin has some interesting moments, a few laughs but not quite the hit it could have been. I would have not used the whole business with Adam Rich if I were producing the film

After a promising opening ten minutes, highlighted by some good gags, this movie quickly slips into dreariness and never recovers. It's not that there's anything particularly wrong with this film, it's just that there's nothing particularly good about it either and it wastes a potentially interesting leading duo.

The best thing that can be said about it is that it's inoffensive and easy to take but it's also totally forgettable and one of the more uninventive films you're likely to come across.