Os Mortos Vivos

'Dead & Buried' is one of the most interesting and original American horror movies of the 80s. Co-written by Dan O'Bannon of 'Alien' and 'Lifeforce' fame, this underrated movie should get a larger audience once it is available on DVD. (It already is here in Australia, but I'm not sure about the US and UK just yet). TV regular James Farentino stars as a small town sheriff who finds that a series of puzzling murders is just the tip of the iceberg when it comes to bizarre secrets hiding right underneath his nose. He's not sure exactly what's going on but quickly begins to suspect the involvement of his lovely wife ('Flash Gordon's Melody Anderson) and/or the creepy local eccentric mortician (Jack Albertson, best know from 'Willy Wonka'), and basically just about everyone else in Potter's Bluff, the residents of which includes horror icon Robert Englund, Lisa Blount ('Prince Of Darkness'), and Barry Corbin ('Northern Exposure', 'WarGames'). The plot is a little bit hard to swallow when it is finally revealed, but up until that point this movie has plenty of suspense, atmosphere and shocks, and if you can suspend your disbelief at certain crucial moments you'll be in for a good time. Recommended.

Recently I rented 'Bleeders', one of director Gary Sherman's newer films, and remembered this movie from my past while reviewing it. So, I dug through our video collection until I found it.

'Dead & Buried' is a surprisingly good movie. Released in the time where there was either one murderous main person (Freddy/Jason/Micheal Myers) or a strange pervert slaying half naked teenage girls (Slumber Party Massacre, among others), it was a surprise to see a large group of people get in on the killings. This somewhat original idea is probably one of the most appealing points of the film.

The story goes somewhat like this: strangers keep on getting killed as soon as they show up in the small town in which the movie is set. The local sheriff is somewhat baffled about what's going on -- he's a new cop, so he isn't used to dealing with murders. All this time everyone's acting a little strange: his wife seems to be developing a strange addiction for voodoo and the local mortician seems to enjoy preparing bodies for burial a little too much. When the cop finally starts to realize what's going on, he learns why his town is a little different than most other ones.

Any horror fan would enjoy 'Dead & Buried'. It's should be known as one of the few horror movies from the early eighties that doesn't make you want to crack up laughing. Zombie film fans would probably find it quite interesting as well, as long as they don't expect the run of the mill green skinned 'Bloodsuckers from Outer Space' zombies.

"Dead & Buried" is a classic horror "small town with a secret" film, this time concerning a tiny little seaside town called Potter's Bluff. The formerly peaceful community has suddenly been plagued by a series of grisly murders for the town sheriff Dan (James Farentino) to investigate. Creepier still, the murder victims reappear as walking, talking, friendly townsfolk. And what does the eccentric town mortician (Jack Albertson) have to do with it?

This rarely talked about flick, above all else, is a masterpiece of atmosphere...moodily lit, foggy, with a genuine sense of claustrophobia as the horrors seem to be closing in closer and closer to Dan's own home and family, especially the strange new habits his wife (Melody Anderson) has taken up lately.

All of the actors are solid enough, but Jack Albertson steals the show as the eccentric, big band loving Mortician Dobbs. In one of his final performances, he delivers a character whose unsettling realism and reverence for the dead will make you completely forget his also classic turn as the kindly grandpa in "Willy Wonka and The Chocolate Factory". Rather than just play this character, he inhabits his psyche and becomes Dobbs, and it shows.

Everything from the low key bits of airy score music to the often slow and dreamlike pacing of the plot, is dedicated to heightening the viewer sense of disconnection and dread, leading up to a well known sort of "twist" climax, which in this context doesn't seem hackneyed.

My only real problem with this film is that the pacing can sometimes seem jarring, with little connection to scenes preceding it, almost to the point of breaking the well crafted mood. Also, the climax was a bit too abrupt and a few more seconds of that final anguished scene would've done a lot to increase the film's overall impact.

I'd still highly recommend "Dead & Buried", as a solid reminder of what imaginative and well made R rated horror used to be, before the parade of dull remakes and tamed to PG-13 bore fests that now clutter the genre.

Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.

The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.

DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.

Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.

The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.

A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.

The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.

Exceptional.

Neat seldom talked about horror film made by Gary Sherman, the man who brought us Deathline, Vice Squad, and Poltergeist III. Like most of Sherman's films, Dead & Buried is laced with a rather large dose of gore. One man is beaten and burned(later to survive and get needled in the worst possible way), another is beaten and marred with fishing hooks, another hacked to death, another with acid, and you get the general picture...and you get all the details as Sherman is not shy showing us these things with the camera lens either. The story centers on these deaths and their investigation by sheriff James Farentino. Farentino soon realizes that few if any can be trusted in the not-so-quaint New England town of Potter's Bluff, and that the cause of the deaths and the mystery soon fall on town mortician Jack Albertson. The film looses some credibility with the ambiguous nature of the script but is enhanced by the atmospheric direction of Sherman and the quality performances by the cast as a whole. There are definite frightening moments in the film that will make you jump in your seat. Farentino is good in his role and Melody Anderson is adequate(certainly attractive) in her role as his wife. The supporting cast with Barry Corbin, Robert Englund, and a host of familiar faces do very nicely, but the real star is Jack Albertson in one of his last roles. Albertson gives a fine performance and is suitably creepy. His entrance down a hillside in the coroner's car while playing big band music was a scenic highlight for me. A good...not great..film that is good for some honest scares.