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IMDbPro

A Cara do Pai

Título original: Carbon Copy
  • 1981
  • PG
  • 1 h 32 min
AVALIAÇÃO DA IMDb
5,6/10
3,6 mil
SUA AVALIAÇÃO
Denzel Washington and George Segal in A Cara do Pai (1981)
Assistir a Official Trailer
Reproduzir trailer2:26
2 vídeos
30 fotos
ComedyDrama

Quando um rico executivo corporativo branco descobre que tem um filho negro ilegítimo, as coisas começam a desmoronar para ele em casa, no trabalho e em seus círculos sociais.Quando um rico executivo corporativo branco descobre que tem um filho negro ilegítimo, as coisas começam a desmoronar para ele em casa, no trabalho e em seus círculos sociais.Quando um rico executivo corporativo branco descobre que tem um filho negro ilegítimo, as coisas começam a desmoronar para ele em casa, no trabalho e em seus círculos sociais.

  • Direção
    • Michael Schultz
  • Roteirista
    • Stanley Shapiro
  • Artistas
    • George Segal
    • Susan Saint James
    • Jack Warden
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    3,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Schultz
    • Roteirista
      • Stanley Shapiro
    • Artistas
      • George Segal
      • Susan Saint James
      • Jack Warden
    • 44Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Remember Denzel's First Roles?
    Video 3:31
    Remember Denzel's First Roles?
    Remember Denzel's First Roles?
    Video 3:31
    Remember Denzel's First Roles?

    Fotos30

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    Elenco principal24

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    George Segal
    George Segal
    • Walter Whitney
    Susan Saint James
    Susan Saint James
    • Vivian Whitney
    Jack Warden
    Jack Warden
    • Nelson Longhurst
    Dick Martin
    Dick Martin
    • Victor Bard
    Denzel Washington
    Denzel Washington
    • Roger Porter
    Paul Winfield
    Paul Winfield
    • Bob Garvey
    Macon McCalman
    Macon McCalman
    • Tubby Wederholt
    Vicky Dawson
    Vicky Dawson
    • Mary Ann
    Parley Baer
    Parley Baer
    • Dr. Bristol
    Vernon Weddle
    Vernon Weddle
    • Wardlow
    Edward Marshall
    • Freddie
    Ed Call
    • Basketball Father
    Angelina Estrada
    • Bianca
    Carmen Filpi
    Carmen Filpi
    • Wino
    Warren Munson
    • 2nd Guard
    Kenneth White
    • Burly Man
    Tom Poston
    Tom Poston
    • Reverend Hayworth
    Greg Finley
    Greg Finley
    • 1st Guard
    • Direção
      • Michael Schultz
    • Roteirista
      • Stanley Shapiro
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários44

    5,63.5K
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    Avaliações em destaque

    6merklekranz

    You've seen it all before..... but it still works .............

    One part "Fire Sale" ( White family adopting Black child ), one part "Guess Who's Coming to Dinner?" ( the culture clash surprise ), one part "Life Stinks" ( the reality of life on the streets ), and you pretty much have "Carbon Copy". The movie can stand on it's own however, because George Segal and Denzel Washington compliment each other nicely as mismatched Father and Son. There are a number of laugh out loud moments, and some social lessons too. If you go in not expecting too much in the way of logic, you will not be disappointed. I think George Segal is very underrated as a comedy actor. Just take a look at "Where's Poppa?" if you disagree. - MERK
    vchimpanzee

    Very funny and politically incorrect, with lessons

    Walter Whitney has a mansion in San Marino and a great job that comes with a Rolls Royce and numerous credit cards. Hisd life isn't quite perfect, since his uptight wife Vivian won't let him touch her or even let him see her without her clothes on. And her daughter Mary Ann won't accept Walter as her father, even though he adopted her when he married her mother. Mary Ann considers herself to be engaged to her boyfriend, but apparently this isn't important enough to tell Walter.

    Nelson, Vivian's father and Walter's boss, has a talk with Walter because he is concerned that his daughter isn't happy. But this is the least of Walter's problems. It seems that when he was in college at Northwestern, Walter lived with a black woman. And that woman's son Roger is here to see him. His mother is now deceased, and Roger feels the need to find his father. Guess who it is!

    The opening credits said "Introducing Denzel Washington". This respected and usually serious actor comes across more like Will Smith in TV's "Fresh Prince of Bel Air"--appealing, smart-alecky, intelligent though apparently not book-smart (and we know Smith progressed from that image to a career similar to Washington's, though in less serious roles). Washington does show potential here, though it's not immediately obvious he will someday win an Oscar. He does comedy well, but he also has at least one fine dramatic scene.

    But this is not "Fresh Prince". On that show, only Carlton and Hilary thought they were better than everyone else. Their parents never forgot where they came from. In this movie, Vivian, Mary Ann, Nelson, and even the family doctor and pastor think blacks are inferior, and that Walter has done something unthinkable. And wait until you find out the hilarious consequences!

    Most of the leading actors here give good performances. Dick Martin is funny as Walter's pot-smoking best friend and lawyer, and Paul Winfield does a good job as another lawyer.

    One of the many highlights: Roger's '59 Chevy, which makes Al Bundy's Dodge Dart look like a BMW. The only movie car more pathetic that I can remember was one of the cop cars in "Smokey and the Bandit", but that was only after numerous wrecks.

    And you have to see how Walter and Vivian solved their difficulties in the bedroom!

    Eventually, lessons about prejudice are learned, but not by all. Those who don't think there should be racial prejudice should keep in mind what was said about Archie Bunker. We learn prejudice is wrong by making fun of it.

    The ending was not neat and tidy, but it showed promise.

    This was very good.
    6lovejam

    Redeemably Watchable

    Before watching this, I feared I was in for some cringy, eye rolling moments. Not as many racial slurs as I'd thought, plus two great actors (Denzel Washington and George Segal) starring in this. I was thrilled that I was about to witness Denzel's film debut, and I'd hoped it wasn't as offensive as I'd imagined. I mean, for young Denzel to be in such a film? I had expected something... better.

    There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!
    9leczorn

    My favorite culture clash comedy ever!

    I first saw one scene of this largely forgotten movie on TV in the early '80s. A white man told his white wife that the black teenage boy with them was his son. She became hysterical and told her husband that God would never forgive him. He responded by saying "How do you know? Maybe he's pleased? Maybe God is black!" As a white kid about 12 years old, somehow I found "Maybe God is black" to be one of the funniest things I'd ever heard! Over the years, I quoted that line many times, mostly in arguments with my mother and maternal grandmother about inter-racial marriage. I supported it and they opposed it, though their opposition was out of fear of the social stigma rather than hatred for other races.

    That scene was all that I ever saw of "Carbon Copy" until I was 19, when I saw it in a video store and rented it. I loved it but didn't see it again until getting the newly released DVD for Christmas last month. Now 34 and in an inter-racial marriage, I find the movie funnier than ever!

    Now for my synopsis of the movie! Walter Whitney (played by George Segal) is a wealthy businessman who lives a high society lifestyle with his snobbish wife Vivian (Susan St. James) and his equally snobbish step-daughter Mary Ann (Vicky Dawson). That changes one day when a 17-year old black boy named Roger Porter (Denzel Washington in his first movie) arrives at Walter's office and, after an extensive display of crude behavior, cheerfully says "Hi, Daddy!"

    It turns out that Roger was the product of Walter's relationship with a black woman, now dead, who he loved. But he left her when his longtime employer and now father-in-law Nelson Longhurst (Jack Warden) advised him that it would be harmful to his career to be with a black woman. It's also revealed that Walter changed his last name from Weisenthal to hide his Jewish ethnicity.

    Walter is shocked to learn that he has a son and nervous about the way it might disrupt his life. But he attempts to help Roger by telling Vivian that he wants to adopt a poor child for the Summer to show him a better way of life. Vivian reluctantly agrees, then changes her mind shortly after meeting Roger, which leads to the scene that I mentioned to start this review.

    Vivian proceeds to kick out Walter and her father fires him, takes his company Rolls Royce and his many job benefits. Walter learns that his total worth is the $68 in his wallet.

    So Walter and Roger, the day after meeting, seek shelter together. They first check into a cheap motel and later move into an apartment in Watts while Walter looks for a new job. But in the town of San Marino, his reputation turns out to be ruined and out of desperation to make some quick cash, he ends up shoveling horse manure.

    As the movie progresses, it's obvious that Walter regrets leaving Roger's mother. And now he must decide whether to keep Roger at a distance for the sake of social acceptance or try to make up for the mistakes of his past by attempting to build a close relationship with his son.

    Throughout the movie, the interaction between Walter and Roger is fabulous. Though they are father and son, their lives have been radically different. Their cultures often clash and this results in many hilarious situations. The movie does a great job striking the very difficult balance between having fun with racial stereotypes but still condemning racism.

    And during the last 15 minutes, when the movie makes the transition from comedy to drama, it does so surprisingly smoothly.

    In conclusion, "Carbon Copy" gets my vote as the best culture clash comedy ever. I also consider it to be one of the most underrated movies ever. It's a great movie to watch for lots of big laughs. 9/10.
    9tsarevich1

    Funny and poignant

    This was the first time I had seen Denzel Washington and our family really enjoyed the movie. We are a Black family, so the White dad buying into the stereotypes about Black people struck us as quite amusing and he deserved his comeuppance for his sorry thinking. The movie was funny and also touching. True, there was a lack of depth in some of the acting, but not all movies that are made contain a great amount of depth. For the most part, if you want to watch a movie that won't assault your eyes or ears, yet entertain you with some true and humorous depiction of slices of life, this is a good one to check out. I've been a Denzel fan ever since I saw "Carbon Copy" and it is a part of my "favorites" collection.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Theatrical feature film debut of actor Denzel Washington.
    • Erros de gravação
      When Walter and Roger check into a hotel the sign says "Free Ice and TV". Later in the room, Roger wants to watch TV and states that the TV requires payment of a quarter (25 cents) to watch it. This is most likely due to shady business tactics which can promise something but later retrieve that promise with diverse excuses.
    • Citações

      Reverend Hayworth: God is white. It's simple logic. His son is white.

      Walter Whitney: That's not proof. I'm white. My son is black.

    • Conexões
      Featured in Vintage Video: Carbon Copy (1981) (2022)
    • Trilhas sonoras
      I'm Gonna Get Closer to You
      Music by Bill Conti

      Lyrics by Paul Williams

      Performed by Dan Seals (as England Dan Seals)

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    • How long is Carbon Copy?
      Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 25 de setembro de 1981 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Llámame Mr. Charly
    • Locações de filme
      • 417 Amapola Ln, Bel Air, Los Angeles, Califórnia, EUA(Home the family lived in located in Bel Air, though the storyline stated they lived in San Marino)
    • Empresas de produção
      • DeHaven/Shapiro Productions
      • Hemdale
      • RKO Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 6.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 9.566.593
    • Faturamento bruto mundial
      • US$ 9.566.593
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 32 minutos
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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