Quite an imaginative concept (though it feels like its borrowing ideas from other films) is variably compiled, even with its cheap aurora it's commendably executed by director Bert I. Gordon. What starts off straight-forward and atmospheric transcends into silly plot devices, especially when it's focusing on the occurrences in the modern period. The muddled narrative does moves back and forth between 1692 when the Salem witch trails where performed and the present time. How this is connected is used through witchcraft, reincarnation and time travel. The latter aspect is vaguely touched upon, but it remains an interesting twist. While its offbeat, you couldn't help but think of such films like "The Exorcist", "Blood on Satan's Claw", "Witchfinder General" and "Audrey Rose", in which Susan Swift also played a similar role in. Swift gives an illustratively emotive performance (but I got to say the whining did become annoying during stages) when she is asked to play two characters. The scenes which it has her as the reincarnation of Ann Putman; The girl who falsely accused around twenty people of witchcraft and was under influence of the despicable Reverend Parris (an unnerving John Peters) wanting to install fear are eerily staged. Astute performances from the rest the cast with Guy Stockwell (the level-headed doctor), Tisha Sterling, David Rounds, Albert Salmi and Beverly Ross. During moments Gordon looks like his stuck between wanting to go out by exploiting the matter with some exaggerated shocks and gaudy icky make-up FX, but still he never over does it with some well-rounded psychological and composed dramatics that are lingeringly haunting. Capable direction keeps it resourceful with its smooth pacing and hypnotic location work of Salem Massachusetts, although some of the night time sequences where hard to make out what was happening. A modest little witchcraft film.
