AVALIAÇÃO DA IMDb
6,7/10
11 mil
SUA AVALIAÇÃO
Esta é a história das primeiras experiências amorosas de uma adolescente.Esta é a história das primeiras experiências amorosas de uma adolescente.Esta é a história das primeiras experiências amorosas de uma adolescente.
- Direção
- Roteiristas
- Artistas
Diane Bellego
- Éliane
- (as Evelyne Bellego)
Avaliações em destaque
When I watched the film as a teenager, I was instantly falling in love with Sophie Marceau and have watched nearly all of her films later on. I was searching for the films for years, but on ebay in Germany the old VHS version always reached 40 . But since 6 months we have both parts on DVD her in Germany and of course I bought them and still love them. The song "Dreams are my reality" had been a big hit. I think it was a No. 1 for several weeks. Every woman and man of my age know the song and nearly all men between 30 and 45 I know, get a melancholic smile on there face, when they think about Sophie Marceau in those films... Of course, there exist more intellectual scripts and from a view of the art of cinematography there are a lot of better films, but less that makes you feel so good.
Like many, I recall watching this film as a teenager in French class at a US high school. At that time, the appealing qualities for me were the "kids just trying to have fun" elements: the discotech dance parties, and the effusive French culture which at the time (anyone still remember the Cold War?) showed the affinity of the western world states for their different social values.
I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.
I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).
I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.
I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).
This is the film that launched the film career of Sophie Marceau. The 14 year old star goes through the "growing pains" as an only child of successful professionals. The age where kids are granted to have a "boom" (party) without parent supervision has arrived at last! Nervous fathers are sitting in parked cars, uncertain whether to "see what's going on" in the apartment where the teenagers are celebrating their independence.
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
I saw this movie when I was 15 and instantly developed a crush on Sophie Marceau. But seeing it again as an adult wasn't quite the experience it had been. It's sweet and lovely and teen-age painful, establishing the tone if not the actual plot for 80s John Hughes movies - it's a bit deeper than and not as wacky as "Sixteen Candles" and Marceau has a bit better screen presence than Molly Ringwald.
I was disappointed that it wasn't as wonderful the second time around (I've become jaded) but it was still entertaining.
I was disappointed that it wasn't as wonderful the second time around (I've become jaded) but it was still entertaining.
I'm not so sure what to say about this movie, it's not a masterpiece, there were many other movies like this made before but on the other hand it is a good teenage movie. Teenagers who go party and have fun. Love stories on the side. Good soundtrack. I enjoyed it.
Você sabia?
- CuriosidadesActing debut of Sophie Marceau, who was discovered late in the process by casting director Françoise Menidrey after the then 13 year old with no drama training whatsoever had just days earlier joined a child modeling agency to earn some pocket money and auditioned by chance. The role immediately propelled her to international superstardom and she has since been consistently named as one of, if not the favorite celebrity of the French.
- Erros de gravaçãoVic says that Juliet from 'Romeo & Juliet' was only fifteen. Actually, Juliet is thirteen in the play.
- ConexõesFeatured in Fan des années 80: 1980 #1 (2009)
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- How long is The Party?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Party
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 50 min(110 min)
- Mixagem de som
- Proporção
- 1.66 : 1
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