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IMDbPro

Um Lobisomem Americano em Londres

Título original: An American Werewolf in London
  • 1981
  • 14
  • 1 h 37 min
AVALIAÇÃO DA IMDb
7,5/10
130 mil
SUA AVALIAÇÃO
POPULARIDADE
2.268
228
Um Lobisomem Americano em Londres (1981)
Official Trailer
Reproduzir trailer1:42
2 vídeos
99+ fotos
Buddy ComedyComédia de humor negroHorror corporalTerror de lobisomemTerror popularTerror sobrenaturalComédiaHorror

Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.

  • Direção
    • John Landis
  • Roteirista
    • John Landis
  • Artistas
    • David Naughton
    • Jenny Agutter
    • Joe Belcher
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    130 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.268
    228
    • Direção
      • John Landis
    • Roteirista
      • John Landis
    • Artistas
      • David Naughton
      • Jenny Agutter
      • Joe Belcher
    • 545Avaliações de usuários
    • 285Avaliações da crítica
    • 55Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 3 vitórias e 4 indicações no total

    Vídeos2

    An American Werewolf in London
    Trailer 1:42
    An American Werewolf in London
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    Interview 3:25
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    'The New Mutants' Cast Reveal Characters & Film Inspirations
    Interview 3:25
    'The New Mutants' Cast Reveal Characters & Film Inspirations

    Fotos349

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    Elenco principal99+

    Editar
    David Naughton
    David Naughton
    • David Kessler
    Jenny Agutter
    Jenny Agutter
    • Alex Price
    Joe Belcher
    Joe Belcher
    • Truck Driver
    Griffin Dunne
    Griffin Dunne
    • Jack Goodman
    David Schofield
    David Schofield
    • Dart Player
    Brian Glover
    Brian Glover
    • Chess Player
    Lila Kaye
    Lila Kaye
    • Barmaid
    Rik Mayall
    Rik Mayall
    • 2nd Chess Player
    Sean Baker
    Sean Baker
    • 2nd Dart Player
    Paddy Ryan
    • First Werewolf
    Anne-Marie Davies
    • Nurse Gallagher
    John Woodvine
    John Woodvine
    • Doctor Hirsch
    Frank Oz
    Frank Oz
    • Mr. Collins…
    Don McKillop
    • Inspector Villiers
    Paul Kember
    • Sergeant McManus
    Colin Fernandes
    • Benjamin
    Albert Moses
    Albert Moses
    • Hospital Porter
    Jim Henson
    Jim Henson
    • Kermit the Frog
    • (cenas de arquivo)
    • Direção
      • John Landis
    • Roteirista
      • John Landis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários545

    7,5130K
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    Avaliações em destaque

    10Quinoa1984

    both entertaining as a technical marvel, as comedy, and even as horror

    John Landis has one of his most memorable films, as it challenges him as a director of comedy and horror, and he's rarely done better in the latter. While many of his best films are among the comedies that he directed for SNL alumni Belushi and Aykroyd and Eddie Murphy, An American Werewolf in London stands apart from those by casting David Naughton, Jenny Aguter, and Griffin Dunne in the parts- all practically unknowns then- and giving them some of the best kinds of genre roles imaginable. The two friends played by Naughton and Dunne are out on vacation, sort of, and they stumble upon a town loaded with superstition about wolves and other things. When Dunne gets killed and something, uh, peculiar happens to Naughton, it changes both of them- principally because Naughton keeps seeing Dunne, deteriorating throughout the rest of the film, even as he both turns into the werewolf ("Beware the moon, David, beware the moon") and falls for a kind nurse played by Aguter. All three roles are realized well, though it might be prudent to put a lot of good will on the male leads, as they both go under Rick Baker's still show-stopping make-up jobs.

    This is the kind of production that could go in a few different directions, and for someone like Landis's skills it could've gone in those directions, either one, considering his background. It could have been a send-up much like his Kentucky Fried Movie. It could have been just dumb, pure camp like one of his lesser comedies of the 90s. But here he's really sticking to his guns to make it really believably scary, but also with a sly, coarse, and crude sense of humor about it. It's almost in tune to what would come a few years later with Ghostbusters, only without the mega-wit and overall mainstream appeal. It's a cult item that probably isn't seen by many as Landis's other films, yet I still remember things very well from the film years later, indelible things like the use of songs (obvious, sure, by 'moon' being all over the place, but everything from Van Morrison to CCR to the main Blue Moon theme used during the crossover are really dead-perfect for what's needed). Aside from the obvious make-up scenes, I remember being both freaked and delighted by the undead exchanges with David, especially when it finally reaches its purest absurdity in the movie theater scene.

    And even the ending, unlike other Landis films, is with a tinge of tragedy and sadness. This is not the ending a typical comedy director would bring, as by now we've really gotten on the side of David, the scorned protagonist turned bloody villain by way of a curse. Some of the scenes that end up cutting back to the old rural village, as I also remember it, were not my favorite scenes as they brought more of the superstitious stuff that is not necessarily needed. It's the bits with Naughton, with Dunne, and even with the lady of the film that make it worthwhile. It's fun but not too goofy or bad B-movie-like, and it's scary without being cheap. It's basically the finest synthesis yet from the filmmaker to combine his gory theatrics with his firm, cool sense of humor. It's also one of my favorite films of 1981.
    9connorjw

    Amazing Film

    An American Werewolf in London (1981) is a flat out great movie. There are good characters, good humor, a hilarious ending, and some scenes scared the hell out of me. The film's pretty inappropriate, with some nudity and awesome gore. This film is one of if not the best werewolf movie you can watch. Some of this makes you feel like you're in the protagonist/antagonist's mind, and the movie had some good suspense too! Overall, the film is definitely watchable, scary, humorous, and one of my favorite films.
    Deviant-7

    Great film, full of humor and thrills.

    One of the best werewolf movies ever made, full of dark humor and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history! The only other movie to show such detail is The Howling. This movie is really fun to watch, and if you are seeing it for the first time you will be shocked at some of the things you see. Great performances from the cast, and an excellent script make this a memorable experience. Unlike monster/horror movies today, this film has no computer-aided special effects. It doesn't need them, for this is a landmark film.
    8SamJamie

    Terrifying & Funny.

    An American Werewolf in London is a 1981 horror comedy film written and directed by John Landis. An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, and Griffin Dunne. The film's plot follows two American backpackers, David and Jack, who are attacked by a creature while traveling in England, causing David to question whether he will become a werewolf under the next full moon.

    After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.
    jbirtel

    Going Out On A Limb (no pun intended)!!

    A Film maker's film that's an homage and a refreshing take on the werewolf legend. It's scary; rich in dialogue; practical... (in a horror movie???) AND Funny!

    Especially in DTS sound... It's Scary!!!

    Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.

    The story unfolds!...And the tension begins!...slowly!

    Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.

    But the real star of the film is director John Landis!

    Along with the Cast!

    And make-up artist Rick Baker.

    Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.

    A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...

    Well...everyone's got their opinion.

    But this film ranks way up their in horror. A Classic!!

    With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.

    Grab the popcorn! And Hang On!

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    Interesses relacionados

    Steve Martin and John Candy in Antes Só do que Mal Acompanhado (1987)
    Buddy Comedy
    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Comédia de humor negro
    Jeff Goldblum in A Mosca (1986)
    Horror corporal
    David Naughton in Um Lobisomem Americano em Londres (1981)
    Terror de lobisomem
    Florence Pugh in Midsommar: O Mal Não Espera a Noite (2019)
    Terror popular
    Daveigh Chase in O Chamado (2002)
    Terror sobrenatural
    Will Ferrell in O Âncora: A Lenda de Ron Burgundy (2004)
    Comédia
    Mia Farrow in O Bebê de Rosemary (1968)
    Horror

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Due to the controversial lack of recognition for O Homem Elefante (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on As Sete Caras do Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa (2005).
    • Erros de gravação
      Repeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
    • Citações

      David: I want you to arrest me, you asshole!

      Bobby in Trafalgar Square: There's no call for that kind of language.

      David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!

      Bobby in Trafalgar Square: That's enough.

      David: No! Let go of me!

      Alex: David, please!

      David: Shakespeare's French! Fuck! Shit! Cunt! Shit!

    • Cenas durante ou pós-créditos
      Kermit the Frog and Miss Piggy star as themselves.
    • Versões alternativas
      Universal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Tubarão (1975)).
      • Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
      • The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
      • All the gunshots and car crash sound effects have been replaced.
      • The train in the "London tube" scene can now be heard moving from one channel to another
      • Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
    • Conexões
      Edited into Poppers (1984)
    • Trilhas sonoras
      Blue Moon
      Music by Richard Rodgers (uncredited)

      Lyrics by Lorenz Hart (uncredited)

      Performed by Bobby Vinton

      Courtesy of Columbia Records

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    Perguntas frequentes47

    • How long is An American Werewolf in London?Fornecido pela Alexa
    • Jack says his spirit is trapped in limbo, until the werewolf that killed him's bloodline is severed, so no other werewolf in David's bloodline had taken a life before Jack, Shouldn't there be an army of ghouls, or the werewolf that bit David's ghost?
    • What did Dr. Hirsch mean when he said to Alex, about "witnessing some form of Mass neurosis in East Proctor"?
    • How did David escape Alexs flat, without causing damage to the door as a werewolf?

    Detalhes

    Editar
    • Data de lançamento
      • 25 de agosto de 1983 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Un hombre lobo americano en Londres
    • Locações de filme
      • Crickadarn, Powys, Gales, Reino Unido(East Proctor)
    • Empresas de produção
      • Polygram Pictures
      • Lyncanthrope Films
      • American Werewolf
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 10.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 30.565.292
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.786.512
      • 23 de ago. de 1981
    • Faturamento bruto mundial
      • US$ 30.833.580
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
      • Dolby Digital
      • D-Cinema 48kHz 7.1
      • Dolby Surround 7.1
      • 12-Track Digital Sound
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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