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When It was first released in 1981, this film was dismissed as a disaster !! Most critics disliked and or dismissed it.. audiences stayed away...STREISAND was criticized for not only being miscast but replacing Lisa Eichorn who was fired... Streisand was repaying a favor for agent Sue Mengers/ & this was not a typical Streisand film..no singing. no hit record associated with it/ no directorial or producing chores done by Babs here..This was a small movie,about the mid life crisis of the main character played very well by Gene Hackman ! He needs a change from his job, his nagging wife, played by Diane Ladd, and his annoying son, Dennis Quaid... Along comes,sexy, blonde, Cheryl riding her motor bike..an atypical role portrayed by Streisand.. and Hackmans life progressively is altered. Streisand is excellent in this role, she totally loses all the Streisand mannerisms& personna that she is famous for,: she is not Fanny, not Dolly, not Katie or even Esther, she is Cheryl, with a hint of Marilyn Monroe, even sings off key... gives a very believable performance..much underrated!!!The film is short,sweet and to the point not a great movie, but certainly not the disaster thought to be..nicley directed by Jean Claude Tramont with a European flair...Hackman is really wonderful in his role and there is a nice chemistry between the leads...Give it a chance you wont be disappointed!!

Gene Hackman plays a man who was just fired from his executive job. He's demoted to being the night manager at a 24 hour drug store. He doesn't get along with his wife (Diane Ladd) or his 18 year old son Freddie (played by 26 year old Dennis Quaid). Freddie is sleeping around with his 4th cousin Cheryl (Barbra Streisand). George tries to put a stop to it and Cheryl dumps Freddie and starts sleeping with him! This is a strange one. It came out in 1981 and bombed immediately. It had a lot of bad publicity with Lisa Eichorn being fired and replaced with Streisand. Also Streisand re-wrote the entire script to make her part bigger. She wanted to try something different with this movie. That's fine but why redo the script? This story was about George and his dealing with being fired and being middle-aged--Streisand should have left the script alone. As it is it's a terribly uneven movie--veering wildly from drama to comedy. The drama is pretty heavy and the comedy is, at best, subtle. It was pushed as a romantic comedy which it certainly was not. However it was never dull and works as a mild dramady. W.D. Richter wrote the original screenplay and he always writes (and directs) offbeat movies so this being a strange movie makes sense.

Acting is all over the map. Streisand (wearing a blonde wig) plays her role in a muted way. She only sings one song (badly) and doesn't play the tough-acting role she's well known for. She tries for something different but it doesn't work. Hackman is just great in his role--he really brings the movie to life. Ladd is hardly in this and Quaid is WAY too old for his role--and looks it. So it is uneven and strange but worth a look. I give it a 5.

Streisand is on record saying ( god please let this be right and I"m not put on her TRUTH ALERT) website, that she was an Actress who sings.

For almost all her films, she acts, but is always being Streisand. In ALL NIGHT LONG, she's actually acting. And is pretty good at it.

Yet today people still look at it as a disaster and it's not. Not at all. Yet when all clips of Streisand were on display during the American Film Institute when she was honored, not one clip of ALL NIGHT LONG was shown. I don't know if she's ashamed of it (I would think she wouldn't be) or more than likely, she probably could care less.

Same here. ...Yet I'm taking time out to express my thoughts. That makes no sense.

Stuck-in-a-rut businessman Gene Hackman gets fed up with the rat race after being demoted from company executive to manager of an all-night convenience store. He longs to be an inventor (he creates a reverse-image mirror), and ends up divorcing his non-supportive wife over speculation he's having an affair with his teenage son's married girlfriend, a flighty sexpot in lavender chiffon. Comedy-drama has some early promise but not enough jokes, and it starts to sag just 40 minutes in. Hackman displays his effortless charm, and Barbra Streisand attempts something offbeat--though it's a gamble which doesn't quite pay off, as we never get a grip on her wispy Cheryl. The picture is a cracked egg: interesting conception and design, yet unsatisfactory. There are a handful of funny lines and trenchant bits of satire scattered about, and every scene in the drug store is ripe with possibilities which are then left unformed and unrealized. *1/2 from ****

Everything about "All Night Long" is off and never turns on. Why is it always the films with the best people that wind up being so bad? In this film's case of wasted star talent, the victim here is Gene Hackman. He portrays a middle aged drug store employee who feels that he has squandered his life so he solves his boredom problems by going on little nighttime charades with the odd insomniacs who prowl the streets during late night. Hackman is extremely miscast in this kind of role and Barbra Streisand's presence doesn't help to save it either.