Tenko

Forget Paradise Road! If you really want to have any idea what the women who were prisoners of war of the Japanese this is the series to watch. At times the make up department are so realistic that you do not know these sores are not part of the women. What the men and women went through in these camps is nothing short of Hell. If the fact of malnutrition and hard work didn't kill you the malaria would! Congratulations to everyone who worked on this production because unlike Paradise Road they actually did their homework to make this as real as possible!

This and The Winds of War/War and Remembrance are outstanding examples of movies that get to the heart of the topic they portray. By all standards TENKO is actually superior due to the raw, less over produced, values.

I watched the original series by happenchance, just flicking through the channels to see what was on (yes, a very male thing to do) when I came across this series. As a lover of anything to do with this time period I stuck around for a few minutes... a fateful few minutes, because I got stuck into what I now consider to be the best drama television has produced.

I credit the superb cast, standouts all. Unlike most American movies, there are no major names so each actor stands equally in the spotlight and makes you believe the awful events are actually happening. I don't know that I could endure what these ladies went through, I would suspect not. I do have the epilogue movie, TENKO Reunion on tape (lousy copy), so at least I can revisit these characters when I want to, even if only through a lot of video noise.

So why is this series not available on DVD or tape in North America? I can only think that someone somewhere is deciding, even as I write this, that it is high time that a release date is set. Wishful thinking? I hope not!

I remember watching this with my mom when I was 12 & it still resonates with me 15 years later. There aren't very many shows/movies concerning the lives of women during World War II, and I seriously doubt anything in the future could top Tenko in terms of quality. Quality of cast, story, set design, make-up, etc. In the States, Tenko aired in the late 80's on the Arts & Entertainment Network (aka 'A&E'). During that time, A&E was primarily an outlet for WWII and British programing. It was with Tenko that I got my first taste of what the BBC could accomplish. I'd also recommend a movie called 'Bent' for its depiction of homosexuals in Nazi concentration camps. Although the plot is fictional, the premise is based on fact. 'Bent' may not be the best WWII movie but it's interesting because, like Tenko did for women, it sheds light on the plight of gays in WWII. As fascinating as Bent may be, it doesn't hold a candle to Tenko. Perhaps one day it will be released here in North America.

I can only agree with the praise from other reviewers.

As movie reviewers Siskel and Ebert used to say, you come to care about these people.

The situations are absorbing, full of suspense and moral dilemmas, and the actresses are uniformly excellent. In subsequent years, whenever I've seen one of them again in another context (Ann Bell, Rosemary Martin, Jean Anderson, and Elizabeth Chambers have shown up in other British dramas that have played in the States), it's been like meeting an old friend.

I discovered this series when it played on A&E (back when A&E was actually "artistic" and "entertaining"), but unfortunately, I never saw the first half of the first season. I was sorry when the series ended and even more sorry that it was never repeated.

I wish that someone would rebroadcast it or that the DVDs would be made available in the States. However, people who own region-free DVD players can order the series from retailers such as Amazon UK, as I have done with this and several other series that have never been released in the U.S.

Without doubt, Tenko is one of the BBC's most successful and popular drama series. Never repeated on BBC television, and only the first season available on video (and long since deleted), Tenko still holds strong and popular places in the memories of its audience. I managed to record the whole run on its recent digital television rerun, and became hooked, sometimes watching six episodes in one sitting.

Forcing a group of women to survive in a prison camp, Tenko explores the very human dramas, emotions and personality clashes that arise from this unbearable situation. We spend three-and-a-half years in the company of this group. They have little food, no clean water and no medication or sanitation. Forced into slave labour, sleeping on bare boards, the stresses and strains of their predicament are entirely believable, and make for edge of the seat viewing. Perfectly written (the series was created by a woman who survived a Japanese prison camp) and perfectly acted; blessed with truly amazing make-up (some of the women really do look starving, emaciated, covered in blisters and sunburn); some of the cast have only one dress to wear for the entire series. The human tragedy and awful, grinding horror of prison camp life is unforgettable.

The first series deals with the Japanese invasion of Singapore, disrupting lives of the ex-pats living in the British colony. Forced to evacuate, the survivors fall into Japanese hands, and we follow some of the women into prison. Mentioning "the survivors" is a very relevant point. Tenko is not afraid to show that life in this condition can result in awful, lingering death. Characters whom we grow to know and love, to understand and empathise with, are struck down with beriberi, cholera, malaria. The aching sadness and genuine humanity of Tenko is truly remarkable. Gradually revealing more about the characters, their past lives, and their hopes for the future, piles on the emotion, making it absolutely unmissable. There were some scenes I found I was watching while holding my breath, not wishing to disrupt the heart-and-soul being displayed onscreen.

Season two moves the women to a new camp, offloading several en route and picking up some new faces. The new camp, although better equipped, has a very different regime, and introduces us to Miss Hasan, the malicious and spiteful right-hand woman to the Commandant. The second half of season two deals with a prisoner receiving a gunshot wound: operating on her in a hut full of flies, with just a pair of sugar-tongs to remove the bullet, is absolutely gripping.

Season three deals with the war drawing to a close, and the survivors' return to Singapore. Their struggles to return to "normal" and realisation that they may have had more freedom in prison, away from the strictures of post-war austerity, are perfectly played.

No-one involved in Tenko has a happy ending. There's a definite feeling that, as the survivors climb about the ship to return to the UK, they have lost everything, and are fragile and broken. The horrors they've witnessed and cruelty they faced daily, will be with them forever more. Those who escaped Japanese capture will never understand.

Tenko is a real masterwork. One of the most intense and powerful pieces of television I have ever seen. Careful touches throughout the series never fail to amaze: Commandant Yamuchi occasionally allowing his humanity and honour to shine (witness the scene in season one where he stands beside a newly dug grave, lost in thought); old-fashioned bigot Sylvia Ashburton gradually letting her prejudices slip as she realises everyone is the same, underneath; season two's black marketeer Verna Johnson losing sight of her pole position in the camp as the war takes a turn for the worse; Dorothy Bennett's uncomfortably close relationship with some of the guards; Lillian's love for her young son gradually driving her mad; Sister Ulrica being forced to make decisions she would not make in the "real" world; Doctor Mason's horror at the death and disease she cannot solve ... Tenko is a special thing. Not to be missed, under any circumstances.