Adicionar um enredo no seu idiomaA wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad school. There she meets many self-confident women who help her find her own voice.A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad school. There she meets many self-confident women who help her find her own voice.A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad school. There she meets many self-confident women who help her find her own voice.
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- Indicado para 4 Primetime Emmys
- 4 indicações no total
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I LOVE THIS MOVIE. I watch it every time I see that it's going to be on. I cannot fully explain it. Sure its a hackneyed plot done in that late 70's cheesy made-for-tv fashion but-dare I say it- that only adds to its allure for me. Something in its predictability and familiarity is reassuring. Go figure. I think that it all boils down to the fact that it is your basic LIFETIME KIND OF CHICK FLICK. Not to mention that Lee and Colleen are just fantastic.
Satisfactory adaptation of the Marilyn French bestseller. Lee Remick is Myra, a thirtyish housewife who decides to abandon her cheating husband (a pre-Cheers Ted Danson) and dull suburban lifestyle, and return to graduate school. There, she becomes involved in the burgeoning women's movement and eventually finds sexual fulfillment in the arms of a younger man (Gregory Harrison). As Remick's character develops from a naive, sheltered young bride to an aware, independent woman, the viewer is introduced to two sets of female characters (Patty Duke, Tyne Daly and Kathryn Harrold are her suburban friends, all trapped in unhappy marriages, and Colleen Dewhurst, Tovah Felshuh, Lisa Pelikan and Mare Winningham are her graduate school associates) who, through their own experiences, help to shape and inform Myra's self-identity. Ultimately, Remick concludes that her happiness need not be dependent on any man. While I wouldn't characterize the film as "man-hating", as other on-line comments have suggested, it very definitely has a feminist sensibility. The acting is generally quite fine. Remick offers her usual capable performance, Dewhurst excels as her sexually frank, liberated friend and Winningham is very good as Dewhurst's neglected daughter. Patty Duke, while often compelling, is occasionally over the top as Remick's emotionally unstable friend; Tyne Daly manages a similar role with far more subtlety.
This movie was shown last week on Irish tv.The acting and script were outstanding.It was obviously written straight from the heart.Lee Remick wouldn't have known how to give a bad performance,but in this she really excels.As a male I found the film to be in no way man hating.Take no notice of the first reviewer. The romantic teaming of Colleen Dewhurst and Dynasty's Al Corley was certainly bizarre.He looked more like her grandson!!.I hope more people get to see this film.
If your idea of a good time is to watch a movie about a group of women p***ing and moaning about men, this is your film. One of their complaints is that men simply cannot aim properly in the bathroom.
In the book the main character decides she and her grad school friends are definitely gay--but given that era--the book makes then closeted and sort of indirect about their sex lives,. On the TV version she finds love with a guy instead of women.
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- CuriosidadesLead actress Lee Remick and co-star Patty Duke had both received Oscar nominations - the sole one for each actress - at 35th Annual Academy Awards (1963), Remick being best actress nominated for Vício Maldito (1962) and Duke winning best supporting actress for O Milagre de Anne Sullivan (1962) (the latter film's star Anne Bancroft winning best actress over Remick).
- ConexõesFeatured in The 33rd Annual Primetime Emmy Awards (1981)
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