AVALIAÇÃO DA IMDb
6,9/10
2,2 mil
SUA AVALIAÇÃO
Um cineasta de Hollywood cria um curta para um estúdio de cinema maligno. Sem que ele saiba, o produtor apostou US$ 25.000 que não conseguiria criar nada que servisse para ele.Um cineasta de Hollywood cria um curta para um estúdio de cinema maligno. Sem que ele saiba, o produtor apostou US$ 25.000 que não conseguiria criar nada que servisse para ele.Um cineasta de Hollywood cria um curta para um estúdio de cinema maligno. Sem que ele saiba, o produtor apostou US$ 25.000 que não conseguiria criar nada que servisse para ele.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Deven Chierighino
- Brian Lucas
- (as David Conrad)
- …
Will Ryan
- All the Unions
- (narração)
- (as William Z. Ryan)
- …
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I first saw this movie back in 1989 with some friends of mine, we were in the habit of going to the video store and TRYING to find a movie none of us had seen. One trip brought us this rare gem. We watched it and were thoroughly amused by this story of Mike Jittlov vs. Hollywood. The stop-motion effects were simply amazing, executed with skill that would make ILM green with envy. The story was funny in a poking-fun-at-Hollywood-and-ourselves kind of way. NOTE: Our rental copy included the movies own hilarious trailer, this trailer does not seem to be included in copies available today (5 YEARS in the making! 5 DAYS in the theaters! ect). Watch it, love it, share it with your friends.
The truth is, eye came across this movie in a video store and thought it looked like the most stupid thing ever. Im 17 & interested in film-making & so like to watch total low-budget crap and laugh at how poor some low budget movies are!
But not this. The wizard of speed & time is literally more than a movie. I feel like Mike J is a movie & magic pioneer in the industry showing that Creativity and magic are still very much alive:)
The film is just so magical & feel-good. There are odd sequences cut & pasted together & look so different. There are 3 unicorn references (I love unicorns) and the fact Mike J basically MADE THIS MOVIE HIMSELF is a testament to how much passion he put into this project. The Prince of the movie industry! The sequence with Mike going to all the unions is a clever & witty dig at the ugly crapiness of hollywood. This movie is a reminder of all the guys & girls sitting in their rooms making the most magical stories,pictures & music that only they will hear. I just wish that Mike J had been sucessful and given us more movies like this. Well, at least the movie lives on.....
Peace Nyrone (uk)
But not this. The wizard of speed & time is literally more than a movie. I feel like Mike J is a movie & magic pioneer in the industry showing that Creativity and magic are still very much alive:)
The film is just so magical & feel-good. There are odd sequences cut & pasted together & look so different. There are 3 unicorn references (I love unicorns) and the fact Mike J basically MADE THIS MOVIE HIMSELF is a testament to how much passion he put into this project. The Prince of the movie industry! The sequence with Mike going to all the unions is a clever & witty dig at the ugly crapiness of hollywood. This movie is a reminder of all the guys & girls sitting in their rooms making the most magical stories,pictures & music that only they will hear. I just wish that Mike J had been sucessful and given us more movies like this. Well, at least the movie lives on.....
Peace Nyrone (uk)
I finally managed to track this down at a cult-film video store, and it was worth all the effort. Do whatever you have to do to see this one! It vaguely reminded me of the low-budget inventiveness of Weird Al's "UHF," only multiplied 1000 times, and the "let's make a movie while the executives are out to lunch" zaniness of "Pee-Wee's Big Adventure."
There's a lot more to this movie (or movie-within-a-movie, or is it a movie-within-a-movie-within-a-movie?) than might appear. Subliminal messages, Hollywood major-studio politics, art vs. commerce, a startling new use for a chrome bust of Mickey Mouse, fantasy vs. reality, the horrors of dealing with unionized labor, some plugs for the Church of the Sub-genius, lots of deftly-employed stock footage, and the most terrifying "pizza with everything" you'll ever see. And there's even an intentionally-horrible musical number about the creation of the universe, which is thankfully interrupted by a ridiculous Presidential announcement.
You'll also get a fascinating look at the art of low-budget special effects production. Some of the visual treats Jittlov comes up with are astonishing, even in the post-CGI era, and particularly since he shows you how a lot of it is done.
There are some profound insights and a lot of laughs. I nearly fell on the floor laughing during the scene with the police helicopters, and why is one of the thugs Canadian? (why not?) How in the world did Jittlov film the suitcase/car chase at the end? Look for Philip Michael Thomas in a rare post-Miami Vice role. And make sure you stick around for all of the credits!
Mike Jittlov may not think of himself as a "real" actor, but he's got a lot of charm and he comes off as a genuinely likeable guy. And it was nice of him to cast his friends and family as themselves.
It might be too weird for some viewers, but if you're game, "The Wizard of Speed and Time" will put a smile on your face like few other films.
There's a lot more to this movie (or movie-within-a-movie, or is it a movie-within-a-movie-within-a-movie?) than might appear. Subliminal messages, Hollywood major-studio politics, art vs. commerce, a startling new use for a chrome bust of Mickey Mouse, fantasy vs. reality, the horrors of dealing with unionized labor, some plugs for the Church of the Sub-genius, lots of deftly-employed stock footage, and the most terrifying "pizza with everything" you'll ever see. And there's even an intentionally-horrible musical number about the creation of the universe, which is thankfully interrupted by a ridiculous Presidential announcement.
You'll also get a fascinating look at the art of low-budget special effects production. Some of the visual treats Jittlov comes up with are astonishing, even in the post-CGI era, and particularly since he shows you how a lot of it is done.
There are some profound insights and a lot of laughs. I nearly fell on the floor laughing during the scene with the police helicopters, and why is one of the thugs Canadian? (why not?) How in the world did Jittlov film the suitcase/car chase at the end? Look for Philip Michael Thomas in a rare post-Miami Vice role. And make sure you stick around for all of the credits!
Mike Jittlov may not think of himself as a "real" actor, but he's got a lot of charm and he comes off as a genuinely likeable guy. And it was nice of him to cast his friends and family as themselves.
It might be too weird for some viewers, but if you're game, "The Wizard of Speed and Time" will put a smile on your face like few other films.
Some years ago, the USA cable network carried a late-night program called "Night Flight" which featured an assortment of entertainment, including rock videos and short films. Although I wasn't a regular viewer, I stumbled across "Night Flight" when it aired a live-action animated short called "The Wizard of Speed and Time." I was blown away by the film's ingenious use of stop-motion photography and other camera trickery as it told the story of a green-robed wizard who possesses the ability to run around the world in just a matter of minutes.
"The Wizard of Speed and Time," it turned out, began as a short subject made in 1979 by filmmaker Mike Jittlov. Some years after making the original film, Jittlov took his idea and expanded it into a low-budget feature, also called "The Wizard of Speed and Time," which tells the story of a young filmmaker named Mike Jittlov and his struggle to make a special-effects-laden short film for a TV special despite having few resources (i.e., money) while battling the Hollywood bureaucracy.
The five minutes or so of "Wizard" material in the feature are a triumph of shoestring ingenuity. We see a one-minute "work in progress" featuring marching tripods, dancing light stands and flying film cans as well as an infectiously catchy title tune (this was part of Jittlov's original short, with new music added). The film's climax is the finished product mentioned above (a remake and elaboration of the first part of the 1979 short - I think the remake is what I saw on USA). I marvel at Jittlov's ability to visualize in advance the dazzling images he's reaching for and his skill in achieving those images through frame-by-frame animation and undercranking. And notice how the camera refuses to stand still for the animations - other stop-motion films may seem rooted to the floor one set-up at a time, but Jittlov refuses to let his camera be tied down.
I just wish I could praise the rest of the movie as highly. It's friendly, it's likable, but when the Wizard isn't conjuring up his magic, the feature turns into what is, at best, only a mildly funny takeoff on Hollywood. I was hoping the ingenuity that Jittlov displayed in the Wizard sequences would also transform the surrounding story, which supposedly is based on his real-life experiences, but what we get is pretty thin stuff.
Jittlov's love of movie-making is much in evidence; there's at least one visual homage to the Walt Disney Company, and one of Disney's original "nine old men," animator Ward Kimball, makes a brief appearance as an examiner for the "Infernal Revenue Service." That's right, "infernal," and I'm afraid that's an indicator of the general level of verbal wit in "Wizard." We also get a studio head with a supposedly comic Jewish accent.
Still, Jittlov comes across as such an engagingly eccentric fellow - an animated character in his own right - that I wanted to believe in him and his house chock full of film-related gadgets and toys. Former Miss Virginia Paige Moore makes for a charming leading lady, both in the movie and the movie-within-the-movie. Philip Michael Thomas, the biggest name in the cast, plays a cop far removed from Miami. Fans of "Get Smart" may remember Angelique Pettyjohn, who was undercover agent Charlie Watkins in the 60s TV spy spoof; fans of the original "Star Trek" series will remember her from "The Gamesters of Triskelion."
"The Wizard of Speed and Time," it turned out, began as a short subject made in 1979 by filmmaker Mike Jittlov. Some years after making the original film, Jittlov took his idea and expanded it into a low-budget feature, also called "The Wizard of Speed and Time," which tells the story of a young filmmaker named Mike Jittlov and his struggle to make a special-effects-laden short film for a TV special despite having few resources (i.e., money) while battling the Hollywood bureaucracy.
The five minutes or so of "Wizard" material in the feature are a triumph of shoestring ingenuity. We see a one-minute "work in progress" featuring marching tripods, dancing light stands and flying film cans as well as an infectiously catchy title tune (this was part of Jittlov's original short, with new music added). The film's climax is the finished product mentioned above (a remake and elaboration of the first part of the 1979 short - I think the remake is what I saw on USA). I marvel at Jittlov's ability to visualize in advance the dazzling images he's reaching for and his skill in achieving those images through frame-by-frame animation and undercranking. And notice how the camera refuses to stand still for the animations - other stop-motion films may seem rooted to the floor one set-up at a time, but Jittlov refuses to let his camera be tied down.
I just wish I could praise the rest of the movie as highly. It's friendly, it's likable, but when the Wizard isn't conjuring up his magic, the feature turns into what is, at best, only a mildly funny takeoff on Hollywood. I was hoping the ingenuity that Jittlov displayed in the Wizard sequences would also transform the surrounding story, which supposedly is based on his real-life experiences, but what we get is pretty thin stuff.
Jittlov's love of movie-making is much in evidence; there's at least one visual homage to the Walt Disney Company, and one of Disney's original "nine old men," animator Ward Kimball, makes a brief appearance as an examiner for the "Infernal Revenue Service." That's right, "infernal," and I'm afraid that's an indicator of the general level of verbal wit in "Wizard." We also get a studio head with a supposedly comic Jewish accent.
Still, Jittlov comes across as such an engagingly eccentric fellow - an animated character in his own right - that I wanted to believe in him and his house chock full of film-related gadgets and toys. Former Miss Virginia Paige Moore makes for a charming leading lady, both in the movie and the movie-within-the-movie. Philip Michael Thomas, the biggest name in the cast, plays a cop far removed from Miami. Fans of "Get Smart" may remember Angelique Pettyjohn, who was undercover agent Charlie Watkins in the 60s TV spy spoof; fans of the original "Star Trek" series will remember her from "The Gamesters of Triskelion."
Welcome to the church of Cinematology....
The story of one man's impossible dream: to create with the aid of Hollywood a feature length motion picture with a real story, with real people and special effects that mean something.
CAN it be done?
Mike Jittlov is employed by two producers to work an a special effects extravaganza for their network. Of course they make a bet whether he can do it all in time, cue: the sleaze trying to sabotage Jittlov at every turn.
Okay, babe.
It may not sound too original but the film's quirky sense of humour, staggering attention to detail, several thousand jokes and inspirational messages and cast of characters you actually CARE about set it apart from other formulaic hokey comedies.
What a way to make a living.
And as if that wasn't enough the film features some of the most amazing stop-frame work seen since Harryhausen (except less jerky and unnatural), all building towards the film's climax - Jittlov's finished piece the "Wizard Run".
Nothing can stop the creative spirit.
What more can I say? Be amazed, be happy and (you've guessed it) may all your good dream and fine wishes come true!
The story of one man's impossible dream: to create with the aid of Hollywood a feature length motion picture with a real story, with real people and special effects that mean something.
CAN it be done?
Mike Jittlov is employed by two producers to work an a special effects extravaganza for their network. Of course they make a bet whether he can do it all in time, cue: the sleaze trying to sabotage Jittlov at every turn.
Okay, babe.
It may not sound too original but the film's quirky sense of humour, staggering attention to detail, several thousand jokes and inspirational messages and cast of characters you actually CARE about set it apart from other formulaic hokey comedies.
What a way to make a living.
And as if that wasn't enough the film features some of the most amazing stop-frame work seen since Harryhausen (except less jerky and unnatural), all building towards the film's climax - Jittlov's finished piece the "Wizard Run".
Nothing can stop the creative spirit.
What more can I say? Be amazed, be happy and (you've guessed it) may all your good dream and fine wishes come true!
Você sabia?
- CuriosidadesMike Jittlov did his own stunt work in the pool - diving in, laying on the bottom, and holding his breath for two straight minutes.
- Erros de gravaçãoIn a shot of the studios from the air, the name is misspelled across the roof of one of the buildings ("Hollywod Studios" instead of "Hollywood Studios"). However, this misspelling is repeated in signs within the studio itself (ex. "Hollywod's Greatest Defects"), showing this not to be an error in the movie, but an intentional mistake to further demonstrate the incompetence of the studio.
- Citações
Mom Jittlov: You got a job today?
Mike: Yeah, almost; I sold my car.
Mom Jittlov: [aghast] Your wonderful car?
Mike: Mmm-hmm. Sold my property to pay property taxes.
- Cenas durante ou pós-créditosIn the section where they attribute other copyrights to their respective holders, the roman numerals are "expanded" to forms that use more letters than they have to.
- ConexõesEdited from The Wizard of Speed and Time (1979)
- Trilhas sonorasTime Tripper
by John Massari
Principais escolhas
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- How long is The Wizard of Speed and Time?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El mago de la velocidad y el tiempo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.535.000 (estimativa)
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was O Mago da Velocidade e do Tempo (1988) officially released in India in English?
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