O Último Tubarão

Somewhat nicely done Italian derivative of 'Jaws' shares many of the same themes and set-ups and compresses them into 90 minutes, but is still worth a shot for advocates of Nature-Runs-Amok movies. As history states, this film was notoriously crowbarred out of its cinema release by Universal for being *too* like the Spielberg film (and also its sequel).

In its own right, 'L'Ultimo Squalo' is an entertaining - if not trashy - killer shark movie which throws in some of the typical Italian touches of humour and ambitious technical trials. The shark - when it appears - is only marginally less convincing than Spielberg's Bruce, but looks okay from high angles and while it's under the surface. Also, the stock footage of real fish is used to better effect here and shows the savagery of the shark attacking the many pieces of meat that varying characters attempt to lure the creature with.

Unfortunately, the evident budget used here hampers some moments: underwater and night shots are hard to make out and the toy helicopter that crashes into the water is pretty obvious. The shark chomps 7 people, drowns an 8th, and destructs a pier, a surf board, a couple of boats, and sub-aqua cave.

Final verdict, a nice distraction if you don't mind skipping some logic. 6/10.

I was fortunate enuff to see THE LAST SHARK on a double bill with BEYOND THE DOOR (an Italian ripoff of The Exorcist) ad as many have commented here - Last Shark was threatened with a lawsuit by Spielberg's studio and was yanked from theatres so it is not always easy to see it. For fans of bad movies that are soooo bad that they are enjoyably hilarious - this is a winner. There are many long, drawn out scenes where absolutely nothing happens and yet there are tons of scenes of really bad special effects, hammy acting, and some decent attempts at gore. I love the fact that they try and tie the whole plot around a WINDSURFING CONTEST! So lots of talk about windsurfing, who is the best windsurfer, how excited the whole town is, etc. Vic Morrow (god rest his soul) shows up as the obvious Robert Shaw Cap'n Quint character but Morrow (who appears good and soused) does one of the worst accents I've ever heard - sometimes it's Irish, other times it is a thick Scottish brogue, other times, who knows what it is - the mayor of the town - sorry the Governor in this version - is this fey, badly dressed guy who looks like more of a fashion designer than a powerful politico. The scenes of the actual attacks (especially when the Governor's snotty assistant gets it) is hysterically bad. So as long as you don't go in thinking you are going to see anything of true quality, you should have fun. It is a mess - a true frothy shark toothed mess!!!

Obvious mannequins are propelled skyward for some unexplained (and unintentionally funny) reason, as a shark, or in some scenes, a dolphin, terrorizes a small coastal community, just like in that other shark movie. Intro scene has seemingly never-ending windsurfing footage culminating with the shark causing the guy and his board to explode out and fly up out of the water! The bite marks in what's left of the board look more like razor slashes, at angles which could not have possibly been made by a shark, as we go back to the "bite radius" bit from Jaws. And remember when the head in the boat scared Hooper (and us, the audience) in Jaws? There is even a rip off of that here, as we find an arm bitten off by the shark. And, aww, innit that cute, they even tied a pink balloon around the shark to track it. Are you kidding me? Is that the low rent substitute of Quint's yellow barrels, pink ballons?

There actually is a little bit of tension toward the end of this one, in between bouts of unintended comedy, and some of the modelwork is amusing, The shark looks okay at a distance or at high angles, but when we're shown the shark at closer angles and for longer amounts of time, we realise just how inferior to Jaws it really is.

Ron succumbs to a fate similar to Quint's, in Peter Benchley's original novel, but the film is too derivative and slowly paced to amount to much more than a third-rate ripoff. Such a close ripoff, in fact, that Steven Spielberg and co. took legal action against the makers of this one, and had the movie effectively banned.

A quaint little beach town is terrorised by a bloodthirsty great white shark.

Universal Pictures' Jaws law suit aside, the film became the 72nd highest-grossing film in Italy 1980-1981. Enzo G. Castellari's offering suffers from the usual Italian ripoff trappings poor editing and ill-fitting music. Sadly the cut away stock footage of sharks really spoils an already chummy film. That said, it has some redeeming features including some of the shark special effects and James Franciscus performance.

When it was released, The Last Shark (aka Great White) got quickly pulled from theaters due to threats of a lawsuit from Universal Studios, producers of the Jaws movies. Having seen the film on DVD, I can see why. The writers of The Last Shark basically watched the first two Jaws movies and stole every good scene from them, even going so far as to clone characters.

All the main elements from Jaws are here. The gnarled seaman...check. The heroic everyman...check. The corrupt government official who tries to cover up the attacks...check. Even some of the attack scenes mimic specific scenes in Jaws I and II.

These things are made worse by the fact that the Italian studio behind this film had nowhere near Spielberg's budget. Consequently, we have an obviously fake shark model that appears every time the shark sticks it's head out of the water, which is quite often. The underwater shots are accomplished by a mixture of stock shark footage and very fake looking stop motion animation.

Making things even more ludicrous is that the shark appears to be intelligent, engaging in uncharacteristic shark behavior such as trying to trap people in caves with rocks and using ropes as tow lines. At times, it comes across as a comedy.