Adicionar um enredo no seu idiomaA group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.A group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.A group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.
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This little known Italian thriller (which is "correctly" spelled Trhauma) tells a typical giallo story, but has clearly been influenced by John Carpenter's Halloween. A group of people spend a weekend at a friend's house. Early in the movie, one of the females is killed by a disfigured killer, who rapes his victim post mortem. Soon after this, it becomes clear that the simple minded murderer is paid by an unknown person for the crime - with Lego (that's a cheap contract killer... toys instead of cash)! Soon, the other guests worry about the first victim, because (naturally) she hasn't returned. But before they find the body or realize that they are stalked by a maniac, one by one falls victim to the crazed lunatic.
This film by Gianni Martucci, who also made the awfully boring film I Frati Rossi (aka The Red Monks) in 1988, is a very entertaining and sleazy picture. He succeeds in delivering a nice uncanny atmosphere, and through moving camera and creepy scenes in the dark, Martucci keeps up the suspense. The murder scenes are mostly off screen, which probably will disappoint splatter freaks, but towards the end, the film delivers some gore and gets quite messy. Towards the end, the identity of the person who contracted the killer isn't that difficult to find out, but that's no surprise considering that only two people are left and one of them is stalked by the killer for about ten minutes. The only a little bit disappointing thing is the abrupt end, which doesn't make too much sense. All in all, even though it's far from being a masterpiece, it's a highly watchable movie that will satisfy giallo-, slasher- and sleaze-fans alike. Rating: 7 out of 10.
By the way: Assistant director and screenplay co-writer was Alessandro Capone who directed the gory Witch Story (aka Streghe) in 1989.
This film by Gianni Martucci, who also made the awfully boring film I Frati Rossi (aka The Red Monks) in 1988, is a very entertaining and sleazy picture. He succeeds in delivering a nice uncanny atmosphere, and through moving camera and creepy scenes in the dark, Martucci keeps up the suspense. The murder scenes are mostly off screen, which probably will disappoint splatter freaks, but towards the end, the film delivers some gore and gets quite messy. Towards the end, the identity of the person who contracted the killer isn't that difficult to find out, but that's no surprise considering that only two people are left and one of them is stalked by the killer for about ten minutes. The only a little bit disappointing thing is the abrupt end, which doesn't make too much sense. All in all, even though it's far from being a masterpiece, it's a highly watchable movie that will satisfy giallo-, slasher- and sleaze-fans alike. Rating: 7 out of 10.
By the way: Assistant director and screenplay co-writer was Alessandro Capone who directed the gory Witch Story (aka Streghe) in 1989.
Andrea (Gaetano Russo) and Lilly (Domitilla Cavazza) invite a group of friends to spend the weekend at their country villa.
Guest Paul (Timothy Wood) escorts Olga (Anna Maria Chiatante) into the woods to take some photographs. Paul tells Olga to 'drop her dress'; she happily obliges to reveal that she is wearing nothing underneath. Trhauma ticks the nudity box early on.
Paul has an argument with Olga and leaves the woman on her own. She is attacked and killed by a drooling, half-blind loony with a gammy leg (Per Holgher) who makes out with her dead body, taking time out to strangle a dog. Trhauma also quickly establishes itself as sleazy and twisted.
The killer then goes to his home where he meets a mysterious figure who pays him for his nefarious work in plastic building bricks (not even Lego, but some dodgy knock-off rubbish, like you would get down the market): Trhauma takes the weirdness factor up a few notches.
So far, so entertaining.
Unfortunately, the film then turns into a rather routine slasher that clearly takes its cues from John Carpenter's Halloween, but without that film's high-calibre cast or sense of style. Characters wander round the woods and are routinely dispatched by the psycho until only 'final girl' Lilly is left to discover the mutilated bodies littering her property, which might have been fun if there had been some decent gore—but there isn't.
A final 'twist' is extremely easy to predict and the film closes in an incredibly abrupt fashion, leaving me to wonder whether I had a dodgy copy that was somehow missing the real ending.
Guest Paul (Timothy Wood) escorts Olga (Anna Maria Chiatante) into the woods to take some photographs. Paul tells Olga to 'drop her dress'; she happily obliges to reveal that she is wearing nothing underneath. Trhauma ticks the nudity box early on.
Paul has an argument with Olga and leaves the woman on her own. She is attacked and killed by a drooling, half-blind loony with a gammy leg (Per Holgher) who makes out with her dead body, taking time out to strangle a dog. Trhauma also quickly establishes itself as sleazy and twisted.
The killer then goes to his home where he meets a mysterious figure who pays him for his nefarious work in plastic building bricks (not even Lego, but some dodgy knock-off rubbish, like you would get down the market): Trhauma takes the weirdness factor up a few notches.
So far, so entertaining.
Unfortunately, the film then turns into a rather routine slasher that clearly takes its cues from John Carpenter's Halloween, but without that film's high-calibre cast or sense of style. Characters wander round the woods and are routinely dispatched by the psycho until only 'final girl' Lilly is left to discover the mutilated bodies littering her property, which might have been fun if there had been some decent gore—but there isn't.
A final 'twist' is extremely easy to predict and the film closes in an incredibly abrupt fashion, leaving me to wonder whether I had a dodgy copy that was somehow missing the real ending.
Arriving at a secluded house in the countryside, a group of friends looking to spend a quiet weekend away together suddenly realize that several of them have gone missing, and when they realize that a hulking, maniacal killer is on the loose tries to find a way to get the survivors away alive.
There's very little to like about this slasher/giallo effort. Among the few positives here is the general atmosphere of the situation featuring the killer lurking about the house as this one generally tries to feature some atmosphere at times. The first stalking after the photoshoot has a few genuinely eerie moments of the point-of-view tracking her through the woods, while the scenes of the group going through the woods looking for their friend has some suspenseful moments where the darkness and the noises outside creatures a fine sense of atmosphere. Moreover, the frantic finale here offers a genuinely enjoyable series of stalking throughout the house as the activity is rousing enough, especially the final confrontation which has genuine creepy and chilling sections provided by the location and situation. The only other bit that's enjoyable is a nicely sleazy touch where the killer fondles a nude victim for several minutes for no reason giving this a nice touch of necrophilia added to the mix, but that's all the good points here. Among the film's biggest flaws here are the completely out-of-character mannerisms affected to the killer. The fact that the killer is shown off five minutes into the running is a huge departure for the genre which leaves one of the greatest qualities in the genre to be completely voided out. That means we get to see him interacting on-screen with a fake eye-piece and a sluggish limp trying to chase after younger, healthier victims who are struck down by his physical stature allowing for a series of some of the most laughable and awkward kill scenes here featuring no gore and very little actual interaction leaving this to feature scenes including strangulation, heart attack or shadow actions on the wall behind them exposing some of the most atrocious gore effects ever filmed as the aftermath shots. These are wholly disappointing and depressing which lowers the film significantly. That also leads to the wholly detrimental factor of how cheap and lay the film is. The overwhelming sense throughout here is one of incompetence, from the lack of locations to the inability to tell anyone apart because it's rarely giving out names for people or the utterly infuriating way things drag out simply to allow them to remain in the killers' crosshairs. These here are so poorly handled that the film comes off with little semblance of rational thought where the group is continually going out to look for people alone without coming up with reasonable motivations to do so. The last flaw here, and another stalwart example of the films' incompetence is the finale, which is the greatest, most creative, unique and mind-numbingly infuriating way to end a film ever which absolutely screams they've run out of money and had to do something to end this. It's insulting and leaves this on a forgettable note.
Rated Unrated/R: Graphic Language, Full Nudity, Violence, a rape attempt and violence-against-animals.
There's very little to like about this slasher/giallo effort. Among the few positives here is the general atmosphere of the situation featuring the killer lurking about the house as this one generally tries to feature some atmosphere at times. The first stalking after the photoshoot has a few genuinely eerie moments of the point-of-view tracking her through the woods, while the scenes of the group going through the woods looking for their friend has some suspenseful moments where the darkness and the noises outside creatures a fine sense of atmosphere. Moreover, the frantic finale here offers a genuinely enjoyable series of stalking throughout the house as the activity is rousing enough, especially the final confrontation which has genuine creepy and chilling sections provided by the location and situation. The only other bit that's enjoyable is a nicely sleazy touch where the killer fondles a nude victim for several minutes for no reason giving this a nice touch of necrophilia added to the mix, but that's all the good points here. Among the film's biggest flaws here are the completely out-of-character mannerisms affected to the killer. The fact that the killer is shown off five minutes into the running is a huge departure for the genre which leaves one of the greatest qualities in the genre to be completely voided out. That means we get to see him interacting on-screen with a fake eye-piece and a sluggish limp trying to chase after younger, healthier victims who are struck down by his physical stature allowing for a series of some of the most laughable and awkward kill scenes here featuring no gore and very little actual interaction leaving this to feature scenes including strangulation, heart attack or shadow actions on the wall behind them exposing some of the most atrocious gore effects ever filmed as the aftermath shots. These are wholly disappointing and depressing which lowers the film significantly. That also leads to the wholly detrimental factor of how cheap and lay the film is. The overwhelming sense throughout here is one of incompetence, from the lack of locations to the inability to tell anyone apart because it's rarely giving out names for people or the utterly infuriating way things drag out simply to allow them to remain in the killers' crosshairs. These here are so poorly handled that the film comes off with little semblance of rational thought where the group is continually going out to look for people alone without coming up with reasonable motivations to do so. The last flaw here, and another stalwart example of the films' incompetence is the finale, which is the greatest, most creative, unique and mind-numbingly infuriating way to end a film ever which absolutely screams they've run out of money and had to do something to end this. It's insulting and leaves this on a forgettable note.
Rated Unrated/R: Graphic Language, Full Nudity, Violence, a rape attempt and violence-against-animals.
A couple invites some friends to spend a weekend together in an isolated cabin surrounded by woods and fields. But... there's a killer lurking around.... And... someone is monitoring him.
"Trhauma" is an Italian slasher/giallo film that seemingly took some inspiration from "Friday the 13th", but it has its own story and a completely different mood. The characters are not silly teenagers, but machiavelic young (mostly) adults. "Trhauma" was made on a low budget, but it's audio-visually creative and it takes good advantage of the natural surroundings (the cabin - interiors and grounds, the woods etc.). Most of the scenes (and killings) take place during the night. There are interesting scenes – people walking through the woods in the night carrying torches... illuminating bushes, boughs.... and...... to wrap it all up, a good soundtrack helps to stress the mood.
The film begins with a light touch and when the day turns into night, perplexity turns into apprehension and then fear... and from fear to terror...
"Trhauma" is not a film for gorehounds, but slasher/gialli fans that like non-mainstream films should like it. It's atmospheric and features a fast-paced story.
"Trhauma" is an Italian slasher/giallo film that seemingly took some inspiration from "Friday the 13th", but it has its own story and a completely different mood. The characters are not silly teenagers, but machiavelic young (mostly) adults. "Trhauma" was made on a low budget, but it's audio-visually creative and it takes good advantage of the natural surroundings (the cabin - interiors and grounds, the woods etc.). Most of the scenes (and killings) take place during the night. There are interesting scenes – people walking through the woods in the night carrying torches... illuminating bushes, boughs.... and...... to wrap it all up, a good soundtrack helps to stress the mood.
The film begins with a light touch and when the day turns into night, perplexity turns into apprehension and then fear... and from fear to terror...
"Trhauma" is not a film for gorehounds, but slasher/gialli fans that like non-mainstream films should like it. It's atmospheric and features a fast-paced story.
A group of people spend a weekend at a friend's house.One of the females is killed by a disfigured maniac using a machete.Then he rapes her corpse post-mortem.The other guests becomes worried about the absence of first victim.Soon they are all stalked and murdered by crazed killer.Very entertaining and pretty sleazy Italian giallo/slasher directed by Gianni Martucci,the man behind deadly dull "The Red Monks"."Trhauma" is a very beautiful giallo/slasher obviously inspired by "Halloween".The location used is serene and eerie and when you add some lovely and often fully naked ladies into the mix you have a giallo that was probably a lot of fun to make.Director Gianni Martucci manages to keep things interesting with only his small cast to rely on and fills the plot with gruesome murders.8 out of 10.
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- CuriosidadesOpening Title card is misspelled: TRHAUMA [sic]
- Erros de gravaçãoOpening Title card misspelled: TRHAUMA [sic]
- Citações
Opening Title Card: TRHAUMA
[sic]
- Cenas durante ou pós-créditosEpigram on title immediately preceding final credits, paraphrased from Ecclesiastes 3:17-20, from the Italian: God will judge the righteous and the wicked: for there is a time there for every purpose and for every work. Concerning the estate of the sons of men, that God might manifest them, and that they might see that they themselves are beasts, that a man hath no preeminence above a beast: for all is vanity. The Preacher, son of David, King of Israel.
- Trilhas sonorasDance, Baby, Dance
Written by Ubaldo Continiello
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- 1 h 30 min(90 min)
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