Sombra no Escuro

Four college-bound students arrive too late for on-campus housing and are then forced to rent rooms in the creepy old hilltop mansion inhabited by a weird family hiding a dark and disturbing secret. Yvonne De Carlo is the mysterious matriarch who always stays upstairs and always seems to be guarding the attic, and Brad Rearden is her strange son. Cameron Mitchell and Avery Schreiber are detectives called in to investigate when a brutal murder occurs at the eerie place. There's also a nice role for sixties scream queen Barbara Steele. I"ll admit, before I actually saw the film I thought, considering the release date and R rating, that this was just going to be another one of those bloody teen slasher flicks. I couldn't have been more wrong! There actually is a plot, a surprisingly low body count, and even the few characters that do get knocked off are appealing in their own strange way, so you can't help but care what happens to these people. And above all, there is some terrific suspense sequences. It usually takes alot to get my adrenaline running, but at some points in the film, I literally jumped out of my seat! Any horror movie that can do this for me is truly something special. It appears to have been made on a small budget, but the cast handles it all so professionally that it hardly matters. Indeed, there are some real professionals involved, including horror mavens Barbara Steele and Yvonne DeCarlo. Unfortunately, it's a tough movie to find and not likely to be sitting on the shelf of your local retail/rental store, but it's well worth the extra effort.

Let it begin. Post-Halloween slashers are in force. But this just made it in before the major onslaught, and admirably it's a above par entry. Actually it probably has more common with "Psycho" , and touch of "Black Christmas", than most brain-dead slashers. The one-note story is quite typical and fairly bare on building much in the way of sub-plots, but it's the dreary, underlining atmosphere that smothers the gloomy seaside mansion and invokes a real unsteadiness of slow-burn tension. Even the performances lend well, and the central outlook on a dysfunctional family (who rent out spare rooms in their mansion to students) grows incredibly eerie. A silently steely Barbara Steele is memorably striking in her support role, while Rebecca Balding is competently fine as the main heroine. Cameron Mitchell and Yvonne De Carlo also show up. There's a subtle stylishness to Denny Harris' direction in many effective sequences, where obviously his less concerned about a body count and ghastly shocks. The feel is more like an old-fashioned Gothic-tale, with psychotic-drama currents. A problem though, would that there happened to be many flat (or dead-air) moments. Dead silence, and believable actions aplenty. It's low-budget shows, and minimal scope gives the film a tight, dank and creaky vibe that works. Even the vast, forlorn coastal location choices, and shadowy, cob-web house-bound settings are nailed down to perfection. Roger Kellaway's hysterically sombre music score had that familiar sound to it, but Michael D. Murphy & David Shore's murkily prying cinematography really sneaks up onto the viewer. Even within the empty passages, it still emit's a spine-tingling ambiance and workably solid performances by the cast.

A better than average cast helps to make this horror film a decent watch, along with a reasonably good script (written by brothers Jim & Ken Wheat and Wallace C. Bennett) that has some memorable twists. It's graphically bloody at times but also has fine atmosphere, and a healthy nod to "Psycho" in its use of an imposing beach side house.

College student Scotty (Rebecca Balding) is in desperate need of a place to live and ends up at this house, owned by a weird family, the Engels. Unfortunately, Scotty and her fellow roommates won't know just *how* creepy this family is until it's almost too late. When one of the kids is murdered, a subplot develops with two detectives (Cameron Mitchell, Avery Schreiber) investigating the case.

The cute Balding is an appealing lead in this story, given effective theatrical treatment by commercial veteran Denny Harris (in his only feature credit). Helping a great deal is a grandiose music score by the under-rated Roger Kellaway, who also composes a period style song for the show. There is some good suspense and many ominous shots of the house and its interiors. The shocks are well realized, as well.

Yvonne De Carlo is also among the familiar faces appearing. Mitchell and an effectively serious Schreiber are fine as the detectives. In addition to Balding, Steve Doubet and Juli Andelman are similarly likable. Brad Rearden is great in the role of the nerdy Mason Engels, the films' one true tragic character. And horror genre icon Barbara Steele is a treat to watch in a non-speaking role.

Lovers of the horror films from this period should find a fair deal to enjoy here. "The Silent Scream" is enjoyable stuff that deserves a viewing from them.

Seven out of 10.

This movie scared the bejezzus out of me when I was a kid. I think I was scarred for life. I haven't seen the movie since I was a kid, but at that age I went to see a movie more than once so I still recall the movie pretty well. Silent Scream was one of the first ‘psycho killer on a rampage' kinds of horror movies I had ever seen. Most of my childhood movie experiences were supernatural gore fests. I had gone through life blissfully believing that all things horrific where relegated to the realm of the supernatural, where they couldn't hurt me. That ended for me in the summer of 1980: the year Silent Scream and Friday the 13th came out. I was glued to my seat, eyes like saucers, watching some wacked-out person hacking people up with a butcher knife or trying to pull them through a hole in the attic wall so they could hack them up. It was pure magic for an adolescent boy. It didn't matter that there was no mystery to figure out. All that mattered was that I was getting the you-know-what scared out of me and loving it. I look back now and think of how truly silly those kinds of movies were but, hey, they were great summer entertainment for a junior high school kid. I still have a soft place in my heart for all of those mindless slasher movies. I would recommend Silent Scream for anyone who loves classic ‘80's horror (the best decade for horror in my opinion). Here are some other recommendations for horror/thriller from my childhood (I'll try to stick to the less well known ones): Humanoids from the Deep, The Boogens, The Boogeyman, Sleepaway Camp, Dead of Winter,Evil Speak, Scanners (well known but a must), Mausoleum, Motel Hell, Blood Beach, Happy Birthday to Me, April Fools Day, Sole Survivor, Galaxy of Terror. There is also from the seventies: Suspiria, Alice Sweet Alice, The Other, Burnt Offerings, Children Shouldn't Play with Dead Things, Piranha and Giant Spider Invasion: most of which I saw in the eighties. There are a lot more that don't come to mind right away but suffice to say that I made it my goal to see all the horror movies I could when I was young and there were a ton of them. I'm sure I loved them all. Please feel free to contact me for any recommendations to give or receive.

When Scotty Parker and three other students move into Mrs Engels' boarding house on the coast,they soon begin to suspect that something strange is happening.Landlady Mrs Engels hides away in her attic room and her son Mason is a creepy character who likes to watch brutal TV shows.Then the students start to disappear..."Silent Scream" is pretty good.It's true that some of its elements are stolen from Alfred Hitchcock's "Psycho"(check out the shower scene!),but still the film manages to be quite creepy.The characters are reasonably appealing-a horror queen Barbara Steele is another reason to see "Silent Scream".Overall I enjoyed this little suspense horror.Check it out.8 out of 10.