AVALIAÇÃO DA IMDb
4,3/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the wo... Ler tudoAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!An ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
David Moses
- Detective Lou Capell
- (as Jonathan David Moses)
Mike Muscat
- Howard Tindall
- (as Michael Muscat)
David Daniels
- Michael, roller skater
- (as Joseph Daniels)
John Moskal
- Police Lab Man
- (as John Moskal Jr.)
Avaliações em destaque
Rather than use his scientific genius to benefit mankind, a genetics expert creates a vicious synthesised life-form that uses its forked tongue to drain the spinal fluid of its victims. Why? I dunno
must've seemed like a good idea at the time, I suppose. Cop turned novelist Ted Lonergan (John Stinson) helps his police pal Lou (David Moses) to investigate.
This one starts out in classic B-movie monster mode with a naked blonde babe slipping into sexy, silky red underwear before becoming another victim of the Syngenor (Synthesised Genetic Organism). Its a fun, trashy way to kick things off, but the rest of the film offers very little to get excited about: lots of dull chit chat, a few gore-free deaths, and some roller-skating, all leading to the inevitable showdown between Ted and the incredibly slow moving H.R.Giger-style creature in a factory (an ending that might possibly have influenced The Terminator!).
Missable stuff, unless you absolutely have to see every movie inspired in some way by Ridley Scott's Alien.
This one starts out in classic B-movie monster mode with a naked blonde babe slipping into sexy, silky red underwear before becoming another victim of the Syngenor (Synthesised Genetic Organism). Its a fun, trashy way to kick things off, but the rest of the film offers very little to get excited about: lots of dull chit chat, a few gore-free deaths, and some roller-skating, all leading to the inevitable showdown between Ted and the incredibly slow moving H.R.Giger-style creature in a factory (an ending that might possibly have influenced The Terminator!).
Missable stuff, unless you absolutely have to see every movie inspired in some way by Ridley Scott's Alien.
This is your typical regional horror sci-fi filmaking from the late 70's early 80's period, the ones without any "names", with slow pacing, foggy cameras, poor lighting, and music that can actually put you to sleep! In fact it reminds me of another small town sci-fi film called ALIEN FACTOR! This creature, SYNGENOR, is actually cool looking, so cool someone made another film with the syngenor titled, what else, SYNGENOR, but with a better budget, and a professional cast (not sure why William Malone didn't get involved in this one.). This film the violence is very tame, not really scarely, the random act of attacks by the creature to nameless victim is few and far between, in between you get a boring cop and his partner trying to solve the crime, losts of talk, overall a slow film that probably bored the audeince to tears! This film actually got a decent release back in 82, but didnt play here in Seattle, but was playing in Oregon as a double bill with SCREAMER! The creature is really cool looking for its time, so I don't know why they didn;t show it more often.`
Something has emerged from the sewers of Los Angeles and started killing people. Private Investigator, Ted Lonergan (John Stinson) is brought in when the police are stumped, and unable to stop the slaughter. Not even roller skating enthusiasts are safe from hideous doom! It is soon discovered that the murders might have something to do with a genetics experiment gone horribly awry.
SCARED TO DEATH is an extremely low-budget monster movie. The monster itself looks a lot like some of H.R. Giger's early, rejected test drawings for ALIEN. The creature is best left in the shadows, since it isn't overly impressive. Others have commented on its glacier-like speed. Watching it creep through the sewer system is like watching an earthworm climb stairs!
While not at all frightening, this movie is enjoyable enough for one viewing. Just don't expect anything spectacular...
SCARED TO DEATH is an extremely low-budget monster movie. The monster itself looks a lot like some of H.R. Giger's early, rejected test drawings for ALIEN. The creature is best left in the shadows, since it isn't overly impressive. Others have commented on its glacier-like speed. Watching it creep through the sewer system is like watching an earthworm climb stairs!
While not at all frightening, this movie is enjoyable enough for one viewing. Just don't expect anything spectacular...
I thought this movie (for being so bad) was very entertaining. The main characters are the biggest geeks! Especially the male lead. I'm talking about Dorkenstein with a capital D. It was fun making fun of them while hoping the monster eats them. This film seemed to merge cheesey 50's Sci Fi elements with 80's slasher gimmick to create a movie that worked on some level. Mystery Science Theatre would have a field day on this one. I must give it props though. The creatures actually looked good and were indeed creepy.
William Malone didn't exactly deliver a good movie here. Far from, actually, but heck, it was his first one. Still, you'll have to tolerate some atrocious 'chop-chop' editing, some bad acting and a plot way too basic for its own good. All the events in this film move at the pace of a snail that's stuck in the mud. The whole story is played by the book, and it's one with not many pages in it (just enough to write down the premise: a murderous creature is loose in the city and two people must stop it). Surprisingly, things do remain watchable most of the time, somehow. The creature design is pretty cool, but also nothing more than a man in a rubber suit. A bit of full frontal female nudity during the opening-scene and a lack of gore throughout the entire film is what we get. But my guess is that it's still worth a watch for lovers of obscure creature features (honestly, I myself didn't mind watching it). "Scared To Death" always seemed to me a bit of a stupid, unsuitable title for this kind of film though. Given the place where the creature resides, why not dub it... "The Sewer Dweller"? Malone's first outing even got some sort of a semi-(un)official sequel nine years later, called "Syngenor" (1990). Would have been much easier if they had called that one "Syngenor 2" and this one simply "Syngenor". Aw, what the hell am I talking about.
Você sabia?
- CuriosidadesDirector William Malone had to sell most of his possessions (including his car and mortgaging his house) in order to raise enough money to make the movie.
- Cenas durante ou pós-créditos[Before the film commences, this is placed across the screen] PROLOGUE: The events portrayed in the film, although fictional, are based on scientific fact. If they have not already happened, they soon could. Genetic engineering is real, and soon we may all have to deal with new values and definitions for life and death.
- Versões alternativasA TV print that aired on USA Network included a scene not included on Media's VHS: a group of teens searching for their lost friend in a parking garage find her body hanging upside down much like a scene in Halloween (1978).
- ConexõesFeatured in Working with a Master: William Malone (2006)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Scared to Death?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Grito de pánico
- Locações de filme
- 12142 Ventura Blvd, Studio City, Califórnia, EUA(Ted and Victor argue while walking to car. Ted then rear-ends Jennifer Stanton. Specifically the rear parking lot of then 'Harry's camera'. Building and area still remain.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 74.000 (estimativa)
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente