AVALIAÇÃO DA IMDb
5,3/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young Texas good ol' boy has a knack with electronic equipment, and that talent gets him a job as a roadie with a raucous travelling rock-and-roll show.A young Texas good ol' boy has a knack with electronic equipment, and that talent gets him a job as a roadie with a raucous travelling rock-and-roll show.A young Texas good ol' boy has a knack with electronic equipment, and that talent gets him a job as a roadie with a raucous travelling rock-and-roll show.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Sonny Carl Davis
- Bird
- (as Sonny Davis)
Avaliações em destaque
I'm probably one of about 5 people in the world who actually saw this in the theatres back in 1980, and I am absolutely thrilled it's now out on DVD. The film is a bonafide B-movie cult classic. Anyone who has ever lived in Austin, particularly in the pre-90's high-tech boom, will treasure the asthetics of the film. It has all the elements that make Austin the weird, unique town that it is. It totally stereotypes Texans, which makes it all the more funny to this Texan. People who don't understand Austin (or Texas) won't get the film, and probably won't like it.
High points of the film include a Hank Williams Jr./Roy Orbison duet singing "The Eyes of Texas" (the school song of the University of Texas at Austin) to break up a bar brawl; a high-speed chase through downtown Austin involving Austin police, a Lone Star Beer truck, and a limousine; and an outdoor rock concert, the "Rock N Roll Circus", featuring Blondie singing a cover of Johnny Cash's "Ring of Fire". Notice the racetrack to the above right of the stage, which is supposed to be located somewhere in Idaho. Austinites will recognize it as Manor Downs.
I recommend the film to anyone who enjoys a mindless, entertaining movie. Brain power is not needed to see this film, and is actually discouraged.
High points of the film include a Hank Williams Jr./Roy Orbison duet singing "The Eyes of Texas" (the school song of the University of Texas at Austin) to break up a bar brawl; a high-speed chase through downtown Austin involving Austin police, a Lone Star Beer truck, and a limousine; and an outdoor rock concert, the "Rock N Roll Circus", featuring Blondie singing a cover of Johnny Cash's "Ring of Fire". Notice the racetrack to the above right of the stage, which is supposed to be located somewhere in Idaho. Austinites will recognize it as Manor Downs.
I recommend the film to anyone who enjoys a mindless, entertaining movie. Brain power is not needed to see this film, and is actually discouraged.
As an "old guy" with a nervous disposition who has enough trouble sitting through many movies once, the ultimate tribute I can give this great "on the road" rock'n'roll saga is that I watched it numerous times when it was on cable in 1981, I have watched it several dozens of times on VHS, and now that it's on DVD, I have watched it several times again. You can put a lot of mileage on this road movie. The film has a rock'n'roll backdropa backdrop we rarely see from the workingman's eye the way we do here. The movie gives us what amounts to real-world views of several 70's favorites (Meatloaf, Alice Cooper, Blondie, etc.). It has a great premise, the howling self-reliant "Everything Works If You Let It" theme. It also enjoys a background soundtrack that fires on all twelve cylinders. But what keeps me watching the film is that it is really funny in an honest, straight-forward way that we have enjoyed far too seldom since Hollywood started grinding out its cookie-cutter farces in the wake of "Airplane." The dual surprises of the film are the really solid performances put in by Alice Cooper and Meatloaf in their respective roles as rock star and roadie. I am unqualified in my admiration of this movie, but I will tightly qualify the people to whom I would suggest the film. This is a "cult" movie in the most real sense of the word and anyone who is made nervous by rock music, farce that is outside of the "Scary Movie" mainstream, or three-hundred pound leading men (Meatloaf) should avoid this movie at all costs. Also, there is a certain good IL' boy mentality at work here that will not play for some parts of the audience. But to the core audience of the film, these are not qualifications, they are recommendations. The thing I am saddest about is that the movie's soundtrack is no longer available. The soundtrack was worth having simply for the long and messy "Brainlock" which plays during one of the few really funny car chases in the history of film.
I saw this movie in the theatre (independant movie house), in 1980. I loved it. It is a very fun movie, filled with the rebellious spirit of rock & roll. I hope, by some miracle, it comes to DVD. With all the great music, this movie would make a great sountrack (isolated score, hmmm).
Roadie is a silly movie, but it has its moments. My husband & I still have our occasional brain locks. We saw this on HBO in about 1980, and hadn't seen it since, but still talked about it. We found it on DVD last month and we laughed and sometimes said oh--didn't Blondie look really good then, and Hank Williams Jr. was kinda tame. We liked it. Some times it is over the top, but most times is kinda sweet and the music is not bad, except the title version of Everything Works if you Let It (there is another version which is not so bad in the movie) by Cheap Trick. Alice Cooper is fun to watch, but not as much fun as Meatloaf, and luckily they got Art Carney to play Dad.
This movie, in my opinion has many of the features of a cult classic.
The acting is uneven, the comedy is uneven, and the plot is a cliché.
But the movie is worth watching (as a cult movie,) for a number of reasons.
1) Ecletic and enjoyable sound track including a fun cover of Ring of Fire (and you can't experience too many covers of Ring of Fire.) 2) A mix of different comic elements such as an amusing car chase, and Forest Gump like moments where Redfish is simply in the right place at the right time 3) Great rock and roll cameos 4) Occasional surreal moments, if you like that kind of thing
Another part I found refreshing was doing a rock and roll movie involving a groupie with no gratuitous sex or nudity. I have nothing against those things, but its refreshing to see a movie that had no need for them.
If you take the movie seriously for a minute, or are looking for a consistent style of humor you will be disappointed. You need to be the sort of person who likes off beat movies simply because they are offbeat.
The acting is uneven, the comedy is uneven, and the plot is a cliché.
But the movie is worth watching (as a cult movie,) for a number of reasons.
1) Ecletic and enjoyable sound track including a fun cover of Ring of Fire (and you can't experience too many covers of Ring of Fire.) 2) A mix of different comic elements such as an amusing car chase, and Forest Gump like moments where Redfish is simply in the right place at the right time 3) Great rock and roll cameos 4) Occasional surreal moments, if you like that kind of thing
Another part I found refreshing was doing a rock and roll movie involving a groupie with no gratuitous sex or nudity. I have nothing against those things, but its refreshing to see a movie that had no need for them.
If you take the movie seriously for a minute, or are looking for a consistent style of humor you will be disappointed. You need to be the sort of person who likes off beat movies simply because they are offbeat.
Você sabia?
- CuriosidadesTravis W. Redfish's house at the movie's beginning was the same house used in the cult horror movie O Massacre da Serra Elétrica (1974).
- Citações
Travis W. Redfish: Why is my life so much harder than everybody else's?
- ConexõesFeatured in Supermensch: The Legend of Shep Gordon (2013)
- Trilhas sonorasDriving My Life Away
Written by Eddie Rabbitt, Even Stevens and David Malloy
Performed by Eddie Rabbitt
Produced by David Malloy (uncredited)
Courtesy of Elektra Records
Principais escolhas
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- How long is Roadie?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 4.700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.226.370
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.002.263
- 15 de jun. de 1980
- Faturamento bruto mundial
- US$ 4.226.370
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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