Touro Indomável

There's very little to like about the character portrayed here by Robert De Niro, other than to acknowledge that he took advantage of one of the few things he was good at i.e. thumping anyone who enraged him regardless of whether they were in the boxing ring or not.

The power of the movie comes from De Niro under the direction of Martin Scorsese, providing a wholly convincing performance of the furious, bitter, bovine pugilist with serious psychological issues. It is one of the truly great performances of that decade, perhaps of all time, nailing the establishment of a character it's genuinely difficult to have any empathy or sympathy with. If you dig deeper, you will not be surprised to find a serial misogynist who married seven times and who beat all of his wives. If this is your type of hero you might like to reconsider how you got there. If De Nero, Scorsese and cinema are your heroes, not too many will disagree with that.

Easily one of the most powerful films I have ever seen. I have watched it at least ten times, and it only gets better and better with each viewing. Martin Scorsese is absolutely the greatest filmmaker of the last quarter century, and this film is his best. The story of how boxer Jake LaMotta watched his career and marriage crumble under the weight of his violent temper and deep-rooted misogyny is told with no punches pulled (excuse the bad pun), as Deniro (in what may be his best performance) and Scorsese unflinchingly explore what drove this man over the edge, and what ultimately may have pulled him back. The boxing scenes easily rank with the most brutal and violent moments ever put on film, shot in stark, unadorned black and white and utilizing unlikely sounds including shattering windows and animal cries to great effect. Thelma Schoonmaker's jarring, discordant editing in these scenes also deserves special mention. The scenes of domestic violence are not for the faint of heart, but there is really no other way to tell this story. If there is a more perfect exploration of why as men we act the way we do, then I'd love to see it, because this movie made me re-evaluate my life. 10/10

An emotionally self-destructive boxer (Robert DeNiro) and his journey through life, as the violence and temper that leads him to the top in the ring, destroys his life outside it.

I do not want to be the one to say bad things about this film, because it is not a bad film. But most of it just did not resonate with me. The story is good, the acting is good, I love the use of the black and white cinematography at a time when color was far more dominant. But I cannot say this is one of the greatest movies ever made.

IMDb, AFI, Entertainment Weekly, ESPN and everyone else has this ranked so near the top of their list (IMDB actually only puts it in the top 100, which seems more fair). I am lost... it is a great movie, yes, but one of the greatest? No, it just is not true. DeNiro has done better, Pesci has done better, Scorsese has done better...

Robert Deniro as Jake La Motta in Raging bull is a boxer who's violence in the ring spills out into his home life. This not a boxing movie per se but a character study of a near pshcotic pugilist. THis guy is just overflowing with testosterone and has a severly unbalanced mental state. Any thing that gets in his way he promptly smashes. Raging bull is a study of male rage which knows no bounds. Jake La Motta has a massive inferiority complex which drives him to the heights of brutality. IN the ring, Jake is the pride of his neighborhood. Outside the ring however he hurts his family and friends. He wants to maintain control over his wife and does so through bullying and phsical abuse. He realizes she is the better person and feels she must be having an affair whenever he is away. His performance in the ring takes away from his sex life with her. HE cannot lose control of the things he feels he has a right to. In the end who loses everything; his wife his brother's support, and his status as a boxer. WIth age his violent passions subdued in part by his great weight he becomes a mere shadow of his former self. In closing this is a brilliant picture that should have swept the 1980 academy awards. One of my alltime top ten.

The story of boxer Jake La Motta from his rising star in the 1940's through to his own downfall and his eventual living on the cabaret circuit in the present day.

Scorsese and De Niro – nobody needs say any more. Whether it be media satire (King of Comedy), small time thugs (Mean Streets) or real gangsta s**t (Goodfellas), the two rarely miss. This was one of their best to date (and probably for ever). The story is fascinating in itself but as an examination of masculinity it excels. The film allows us to watch a man who goes along with all the things he thinks make him a man – even when those characteristics and habits begin to destroy everything he has – his marriage, his realtionships and his career. Combine this with the gripping boxing tale of ups and downs and you have a film that never outstays it's welcome.

Scorsese is on top form – the use of black and white any have been a quality issue, but he uses it well. The fight scenes are other worldly – exaggerated to the extent that it is breathtaking and more shocking than previous boxing scenes in other movies. My favourite effect is the sound editing in the fights where silence and calm seem to descend just before key moments…..amazing. The relationship stuff is also gripping and Scorsese handles he human cost just as well as he shows us the physical beatings.

De Niro is amazing – the method stuff alone is great, but his whole performance is intense. Similarly Moriaty, Pesci and Frank Vincent are excellent – however they all stand in De Niro's shadow.

Overall – an excellent film on so many levels, as a story, as a examination of masculinity, as a sports film, as a lesson in direction and editing…..this excels in so many ways – may it never drop out of the top ten from the twentieth century!