AVALIAÇÃO DA IMDb
6,2/10
30 mil
SUA AVALIAÇÃO
Uma jovem protegida da alta burguesia ingressa, por capricho, no exército americano e encontra-se numa situação mais complicada do que esperava.Uma jovem protegida da alta burguesia ingressa, por capricho, no exército americano e encontra-se numa situação mais complicada do que esperava.Uma jovem protegida da alta burguesia ingressa, por capricho, no exército americano e encontra-se numa situação mais complicada do que esperava.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 1 vitória e 6 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hawn's string of successes in the 1980's, Swing Shift, Overboard, Protocol, Seems Like Old Times, and Private Benjamin, are among my favorite comedies of all time. She has timing, presence, and character galore, and this one may just be at the top of my Goldie Hawn list.
The cast is extraordinary. Eileen Brennan is a showstopper as the, shall we say, less than feminine company commander and Benjamin's nemesis, but that's not the start of it. There's an embarrassment of talent here. Craig T. Nelson as the amorous Capt. Woodbridge, Armand Assante as the even more amorous Henri Tremont who sexes Benjamin up, and the still more amorous Albert Brooks, the husband who dies sexing her up, are all stellar. But Sam Wanamaker (see The Competition) and Robert Webber (both sadly deceased) are male role models who may not exactly set the bar very high as father figures, but add a delightful pseudo-machismo as counterpoint to all the talented women.
Mary Kay Place seems so young as a fellow recruit, even more so than in Mary Hartman, Mary Hartman, which is a nice segue to the fact that this, like many Hawn movies, draws from a distinguished television pedigree to deliver its surprising success.
This is one of those perfect little movies that I pull out of the DVD closet several times a year like visiting with an old friend, and it just occurred to me why. It's not nihilistic or deconstructionist or multi-plotted or any of the other crap that has supplanted story and dialog in too many movies since. It's sad that the only available version of the DVD is in pan and scan, as with some other great movies of this era, but I keep hoping for a widescreen release.
Favorite Line: "There are mine fields out there. Most of them are inert. However, some are ert." My recommendation: Enlist with Judy. You could use a good laugh.
The cast is extraordinary. Eileen Brennan is a showstopper as the, shall we say, less than feminine company commander and Benjamin's nemesis, but that's not the start of it. There's an embarrassment of talent here. Craig T. Nelson as the amorous Capt. Woodbridge, Armand Assante as the even more amorous Henri Tremont who sexes Benjamin up, and the still more amorous Albert Brooks, the husband who dies sexing her up, are all stellar. But Sam Wanamaker (see The Competition) and Robert Webber (both sadly deceased) are male role models who may not exactly set the bar very high as father figures, but add a delightful pseudo-machismo as counterpoint to all the talented women.
Mary Kay Place seems so young as a fellow recruit, even more so than in Mary Hartman, Mary Hartman, which is a nice segue to the fact that this, like many Hawn movies, draws from a distinguished television pedigree to deliver its surprising success.
This is one of those perfect little movies that I pull out of the DVD closet several times a year like visiting with an old friend, and it just occurred to me why. It's not nihilistic or deconstructionist or multi-plotted or any of the other crap that has supplanted story and dialog in too many movies since. It's sad that the only available version of the DVD is in pan and scan, as with some other great movies of this era, but I keep hoping for a widescreen release.
Favorite Line: "There are mine fields out there. Most of them are inert. However, some are ert." My recommendation: Enlist with Judy. You could use a good laugh.
I struggle a bit with the plausibility of the premise in Private Benjamin. I simply found it hard to believe that army recruiters would be so brazen about lying to people in order to get them to enlist. However, I'm all for an unlikely story of a screw-up being whipped into shape by the military. It is fodder for a lot of comedy, and I think that's where this movie shines. Those early scenes where we see her struggling through boot camp, and the contentious relationship with her drill instructor (played to perfection by Eileen Brennan) are rife with good laughs. It's kind of sad that the movie seems so anxious to move on from that storyline. There is some serious fast-forwarding through the fun of the movie thanks to needless montages.
The real problem with Private Benjamin is that it is a movie which should be about a spoiled-rotten rich girl learning to be useful, but instead it seems more interested in exploring her love life. The entire opening is an exploration of her new marriage and all that comes with that relationship, and then the final act is entirely about another romance that seems clearly doomed from the start. Pretty much everything after she leaves boot camp was disappointing for me, and I was struggling to figure out who thought that was a good idea. I still enjoy Goldie Hawn in any comedy setting, though. She has great timing, and tells a lot of the story with just her exaggerated expressions. My memory of Private Benjamin was that it was hilarious and all about her boot camp experience. Turns out that's what I thought because that is the only memorable part of a film which drags on through more plot than it needed.
The real problem with Private Benjamin is that it is a movie which should be about a spoiled-rotten rich girl learning to be useful, but instead it seems more interested in exploring her love life. The entire opening is an exploration of her new marriage and all that comes with that relationship, and then the final act is entirely about another romance that seems clearly doomed from the start. Pretty much everything after she leaves boot camp was disappointing for me, and I was struggling to figure out who thought that was a good idea. I still enjoy Goldie Hawn in any comedy setting, though. She has great timing, and tells a lot of the story with just her exaggerated expressions. My memory of Private Benjamin was that it was hilarious and all about her boot camp experience. Turns out that's what I thought because that is the only memorable part of a film which drags on through more plot than it needed.
Gosh, I don't know how many times I passed this movie up in my mom's collection. But I never really had an interest in this film, but my mom told me what a great comedy it was and that I should give it a chance. So, finally, today I got some time and watched it and I'm glad I did. Private Benjamin is a great comedy staring then new comer Goldie Hawn. I didn't realize how much she was meant for comedy, I've seen some of her work like Overboard and Death Becomes her, but usually she has the supporting cast helping her in the comedy, this time she was on her own and did great.
She plays Judy Benjamin, a 29 year old whose been married twice, her last husband died on her, literally, had a heart attack while he was making love to her. So, since she has always been taken care of, a stranger helps her out and recruits her in the army showing her the AFTERMATH of what she could have in the future, but she thinks that she's getting all the good stuff immediately. Therefore, she becomes the princess of the boot camp, but after a harsh talk with her folks, she realizes she needs the army and to become strong. She ends up meeting a suave French man and gets transferred to Paris after graduation, but she soon realizes who she needs most in life: herself.
Private Benjamin is a great comedy that I think anyone could get a little kick out of. It has great jokes and fun moments that I had a good time watching. Not to mention, Goldie Hawn is just so adorable and you definitely want to keep rooting for her during the film, she's just great.
7/10
She plays Judy Benjamin, a 29 year old whose been married twice, her last husband died on her, literally, had a heart attack while he was making love to her. So, since she has always been taken care of, a stranger helps her out and recruits her in the army showing her the AFTERMATH of what she could have in the future, but she thinks that she's getting all the good stuff immediately. Therefore, she becomes the princess of the boot camp, but after a harsh talk with her folks, she realizes she needs the army and to become strong. She ends up meeting a suave French man and gets transferred to Paris after graduation, but she soon realizes who she needs most in life: herself.
Private Benjamin is a great comedy that I think anyone could get a little kick out of. It has great jokes and fun moments that I had a good time watching. Not to mention, Goldie Hawn is just so adorable and you definitely want to keep rooting for her during the film, she's just great.
7/10
What I've always enjoyed about this film is that, once you get past all the slapstick and Jewish American Princess jokes, you find the story of a sheltered young woman seeking her identity and independence. Judy Benjamin has been raised in a very coddled existence, believing she can do nothing, and that her only value is to be someone's wife, or attached to a person in some way. When her husband dies on her wedding night, she foolishly joins the army, where her inability is played for laughs. But this is not what the film is really about, in the long run. When her parents come to retrieve her, Barbara Barrie as Judy's mom is literally holding the pen, showing Judy where to sign. To me, this scene is very believable. It's as if Judy finally realizes that she has set herself up to fail. She decides to stay and proves that she can do a good job, she just believed she couldn't.
Perhaps my perspective is different because I saw this film first in 1980 when I was 18 years old, but I still enjoy it to this day. I can overlook the portions that are not very PC by today's standards. It was, after all, a different world then. I find Goldie Hawn's performance to have great comic timing and believability. Eileen Brennan is memorable in her role, even though it is a bit stereotypical by today's standards. Barbara Barrie and Sam Wanamaker are hilarious as Judy's parents, and Robert Webber is unforgettable as Col. Clay Thornbush. I will always enjoy this film, perhaps always from a different viewpoint.
Perhaps my perspective is different because I saw this film first in 1980 when I was 18 years old, but I still enjoy it to this day. I can overlook the portions that are not very PC by today's standards. It was, after all, a different world then. I find Goldie Hawn's performance to have great comic timing and believability. Eileen Brennan is memorable in her role, even though it is a bit stereotypical by today's standards. Barbara Barrie and Sam Wanamaker are hilarious as Judy's parents, and Robert Webber is unforgettable as Col. Clay Thornbush. I will always enjoy this film, perhaps always from a different viewpoint.
Thanks mainly to a clever script and the presence of GOLDIE HAWN and EILEEN BRENNAN, this is the kind of service comedy that brings back reminders of how this sort of thing was done back in the '40s with comedies like SEE HERE, PRIVATE HARGROVE or YOU'RE IN THE ARMY NOW or BUCK PRIVATES.
But this time, it's a woman enlistee who has to go through the rigors of boot camp (arguably, the best segments in the whole film and the funniest). Goldie is a spoiled rich girl who thinks the Army is going to be a respite from her problems as a woman who lost her husband on her wedding night. She's in for quite a learning experience and the gags come fast and furious for the first half-hour or so.
Then, when romance enters the story, it becomes rather uneven as she has an affair with a Frenchman, ARMAND ASSANTE, who turns out to be a first-class heel. By the end of the film, she decides to re-enlist rather than return to the civilian life she found so empty.
It's a decidedly uneven comedy, but Goldie's perfect comic timing and ability to switch gears when romance is called for, shows she had more dimension as an actress than anyone suspected. She was nominated for an Oscar for her Private Benjamin--and Eileen Brennan, hilarious as Capt. Doreen Lewis won a supporting role nomination.
Goldie's fans should love this one; and after all, it's not supposed to be taken seriously, it's all done tongue-in-cheek style.
But this time, it's a woman enlistee who has to go through the rigors of boot camp (arguably, the best segments in the whole film and the funniest). Goldie is a spoiled rich girl who thinks the Army is going to be a respite from her problems as a woman who lost her husband on her wedding night. She's in for quite a learning experience and the gags come fast and furious for the first half-hour or so.
Then, when romance enters the story, it becomes rather uneven as she has an affair with a Frenchman, ARMAND ASSANTE, who turns out to be a first-class heel. By the end of the film, she decides to re-enlist rather than return to the civilian life she found so empty.
It's a decidedly uneven comedy, but Goldie's perfect comic timing and ability to switch gears when romance is called for, shows she had more dimension as an actress than anyone suspected. She was nominated for an Oscar for her Private Benjamin--and Eileen Brennan, hilarious as Capt. Doreen Lewis won a supporting role nomination.
Goldie's fans should love this one; and after all, it's not supposed to be taken seriously, it's all done tongue-in-cheek style.
Você sabia?
- CuriosidadesGoldie Hawn signed onto Private Benjamin in June 1979 and went through boot camp training for six weeks.
- Erros de gravaçãoWhen the girls are in the war games and capture the Red Team truck the Sgt throws the keys away. Army vehicles do not require keys to start. The ignition is hardwired to a start button on the dash. EDIT: Every vehicle in the Army then required a key. If the vehicle did have a starter button (a switch on floor akin to the old headlight dimmer switches in cars) it would still be secured when parked by a chain welded to the floor and running up through the steering wheel and secured with a padlock. You can start it, but you can't steer it unless you have the key. Throwing away the key isn't a factual mistake.
- Citações
Judy Benjamin: I think they sent me to the wrong place.
Capt. Doreen Lewis: Uh-huh.
Judy Benjamin: See, I did join the army, but I joined a *different* army. I joined the one with the condos and the private rooms.
- Cenas durante ou pós-créditosOpening credits prologue:
When Judy Benjamin was eight years old, she confessed her life's desire to her best friend.
"All I want," Judy whispered, "is a big house... nice clothes, two closets, a live-in maid, and a professional man for a husband."
Today, all of Judy's dreams come true.
- Versões alternativasIn the 1997 VHS and DVD prints, the 1984 Warner Bros. Pictures logo was used as the opening plaster and the film rating that originally appears following the film is removed.
- Trilhas sonorasHava Nagila
(uncredited)
Israeli Folk Song
[played at Judy and Yale's wedding reception]
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- How long is Private Benjamin?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 9.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 69.847.348
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.739.769
- 12 de out. de 1980
- Faturamento bruto mundial
- US$ 69.847.348
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By what name was A Recruta Benjamin (1980) officially released in India in English?
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