A Bomba Que Desnuda

Okay, I was 11 when I first saw The Nude Bomb -- it was on HBO, I taped it and watched it over and over and over and over again. A huge fan of Get Smart, yes, I was disappointed Don Adams was the only original from the series. But I do remember enjoying the film's opening - a spoof of the Bond-films, with women fawning over Smart as a hokey ballad played over the credits. And of course, Sylvia Kristel ... need I say more.

There were two remakes of Get Smart. The Nude Bomb came first and while keeping the premise of the TV show it virtually abandoned the story line of the series (if you remember Maxwell Smart had married 99, had twins, and lived in an average apartment). The Nude Bomb plays as a spoof of James Bond movies. James Bond films ALREADY are a spoof so that was a bad idea. The film didn't realize that the cold war was over. Terrible, terrible Turkey. Don Adams would reunite with most of the Get Smart gang in the much superior Get Smart...Again! which picks up the original story line as it has progressed in the future and spoofs the fact that the cold war and spy era is virtually over. Sorry about that Chief.

As another IMDb contributor has noted, it seems very strange that Universal wanted to make a Maxwell Smart movie -- in fact, at the time, there was talk of doing a series of Smart movies a la Inspector Clouseau -- and then went out of its way to remove nearly every element that made "Get Smart!" so funny. Nearly all of Don Adams' supporting cast (esp. Barbara Feldon and Edward "Chief" Platt) are absent here, as are rivalling spy agencies CONTROL and KAOS, as well as *any* of the show's writers or producers. Happily (with the exception of the deceased Platt), they'd all get it right nine years later, for the TV-reunion-movie "Get Smart, Again!" Indeed, as of this writing, that movie is the only "Get Smart" item available on DVD; better that than "The Nude Bomb," at least.

One of the poorest of the classic TV show adaptation movies. Lacks any of the heart of the original show. Only Don Adams, of the original show, was involved in this film. He reprises his Maxwell Smart character very well, but there's no humor in the script for him to work with.

The classic spy movies satire Get Smart provided the kind of jokes you could use as one-liners in everyday speech, and the pleasant nostalgia of remembering lines like "Missed it by that much," "Sorry about that, Chief," "Would you believe...," etc. still evoke a smile today. This movie had little of that humor, and a contrived storyline that tried but went nowhere. Worst of all: there were none of Admas's hilarious co-stars doing the agents 99, 13, Himey, and of course the Chief. Ed Platt, as the chief, had passed away by the time this was made, but they failed to even get one of the others.

The writing of failure was on the wall before they started. One has to wonder: why (beyond the obvious cash-in on the name, that is) did they do this? At least the word "bomb" was in the title to warn you.

"THE NUDE BOMB" looks and feels like a cheap attempt to resurrect a 60's TV show for 80's Movie audiences - a la "Star Trek". And it is. But there's nothing terribly wrong with the film, if only that it jettisons practically every character the "Get Smart!" show created and introduces an all-new spy agency for Maxwell Smart (Don Adams) to work for. The film might make die-hard fans a little disappointed, but casual viewers probably won't care.

The plot makes very little sense - a evil fashion designer blackmails the clothes-wearing world with potential, full-blown nudity via The Nude Bomb - and it seems to zig-zag in an half-hearted attempt to string together as many mildly-silly gags, low-budget set pieces and James Bond-ian spoofs into it's brief running time. For a very tenuous plot point, Agent 86 ends up cavorting through many of the attractions of the Universal backlot in a lengthy chase scene that plays out as a mid-film "When In Southern California, Visit Universal Studios" advertisement. It serves less to the story than as a very visual and perhaps only reason why this film was greenlit by executives in the first place.

But it does have it's charms. Pantyhosed Vittorio Gassman is a good villain, and of course Don Adams is a treat. Adams' energy and delivery does about as much as British director Clive ("What's New, Pussycat?") Donner to keep this thing moving. Agent 86's gadgets are inspired, and Don's bell-bottom slacks collection are also quite funny, although probably in only retrospect.

"THE NUDE BOMB" has a breezy pace, is relatively sunny and undemanding. The film and has some funny moments, including a nifty opening credit sequence and some zingy one-liners - and for that Maxwell Smart gets a pass - but of what could have been? Missed it by THAT much.