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Given the title, you would expect 'Murder by Phone' to be a silly eighties slasher style flick...and that's actually more or less what it is. The most notable thing about this film is definitely the killer's modus operandi. Most slashers simply feature some guy with a knife, but the killer in this film has decided to go a step further than that and had developed a way to use an ordinary telephone as a murder weapon! Obviously, the whole thing comes off as being more than a little bit silly, but the way that the murders are carried out is amusing enough. The plot centres on these murders and takes the form of an investigative thriller, as our hero, Nat Bridger, begins looking into the death of one of his students. The film is never really all that interesting, but at least it's not boring and there's usually another murder scene just around the corner anyway; though unfortunately, they are pretty much the same. Director Michael Anderson does manage some fairly good moments of suspense, a couple of major characters have close calls (no pun intended) when speaking on the phone and there are various other bits and bobs to keep us interested. I can't say that this is a brilliant film, but it's at least worth a look.

Around this period slashers seemed to be in-craze, but coming out where some fairly oddball horror mysteries and the 1982 feature "Bells" just happened to be one of those gritty change of pace experiments. Also known as "Murder by Phone" under a re-edited version. The curiosity is waiting around for the killer's method of weapon. Ingenious, but laughable. Electrocution by phone. And boy do the victims get some air! While it might have that body count formula, instead of something rather primitive, it laced the plot with industrial conspiracies and scientific jargon as an environmentalist professor goes about investigating the deaths, despite no one really believing him when he thinks it's a phone killing people. It did come off being low-key and clever in spots (a cynical script), but this didn't stop it from being rather stilted (romance sub-plot) and at times silly. The problem lied in between the murders, as it wasn't as interesting or captivating like it should have been. Therefore the idea isn't really realised and uneven in its suspenseful build-ups. It was something you might read from a Michael Crichton novel, especially with his interest in technology getting out of control. Richard Chamberlain putting his game face on was sturdy in the lead role and was good support by a classy John Houseman. Sara Botsford feels secondary, but the cast also bestows Alan Scarfe, Barry Morse and a small part for Lenore Zann. Director Michael Anderson's durable handling is slow-grinding, letting the story unfold and atmosphere bubble with sweeping camera-work and John Barry's ominously edgy music score. Sterile, but resourcefully unique 80s horror mystery.

"If man is going to control his future. His got to learn to control his machinery."

Much more of a gap between the invention of the telephone and this movie, and the invention of the television and the movie Murder By Television, for some reason.....

I saw the cut version of this, which was still rated R surprisingly, despite there being no nudity, just a couple of not-too-bad cuss words, and some deaths that weren't too terribly horrific. This could hardly get anything worse than a PG-13 rating today. I'd be curious what was cut from the movie.

Anyway, a young woman answers a phone ringing in a subway station. Strange sounds come from the phone, and she begins having a seizure of sorts, blood drips from her eyes, and then she is forcefully blown away from the phone, while the receiver ignites in flames.

The young woman was a former student of Richard Chamberlain's character, an

environmental science professor, I think. Her father asks him to investigate her death, which he was told was a heart attack. Chamberlain learns about the phone from a bag lady, and gets some help from a woman painting a mural at the phone company's headquarters. Meanwhile, other people keep dying the same way.

One of the most amusing moments for me was when John Houseman's character drawled "I've earned it." Houseman had done some famous commercials for Smith-Barney saying "They earned money the old-fashioned way: they earned it" - with that same pronunciation. I don't know which came first, the commercials or this movie (I'd guess the former).

Richard Chamberlin plays a college professor who is trying to find out who is the psychopath (more like a postal ex-phone company worker) who is killing victim with a Hi-frequency sound through the phone. It kind of runs like a TV film, if you cut out the Phone/blood violence. John Houseman also star in this Canadian film that was released a year earlier in Canada as BELLS, and released in U.S. as MURDER BY PHONE. The American print is edited to 78 minutes as the Canadian print runs 95 minutes. Roger Corman probably edited it to save money on the print stock when he picked it up for U.S. release. Canadian print is recommended. Originally sold overseas under the title THE CALLING.

Well, it's an interesting premise, but the director misses most of the opportunities it offers, managing only a handful of suspenseful moments. The film plays more like a whodunit than a horror film, but the "mystery" part is dreary, and the death scenes are silly and overwrought. What a cast as good as this one (including Sara Botsford, a real revelation) is doing in an unimportant little time-waster like this is anybody's guess. (*1/2)

Richard Chamberlin makes for an amiable hero in this idiosyncratic Canadian shocker. He plays Nat Bridger, an idealistic, ecologically aware lecturer who eventually discovers through diligent investigation, somewhat incredulously, that a nefarious individual has manufactured a monstrously effective device that turns the once prosaic phone into a conduit of agonizing death! Includes nice support from John Houseman as his crotchety mentor, whose amenable exterior may conceal ulterior motives. 'Bells' might seem to have an entirely implausible premise, but nonetheless manages to coalesce into an efficient, and highly entertaining, early 80s horror; which is lent considerable verisimilitude by Richard Chamberlin's earnest performance. 'Bells' comes highly recommended. 'The very next time the telephone rings, might it in reality be the tolling of your imminent death!'

"Bells" looks like an average and routine 80's slasher but you should know to expect a little bit extra from the talented director of "Logan's Run"; Michael Anderson. And indeed, only a couple of minutes into the film and already it turned out that my impressions and expectations towards this film were entirely wrong and I was in for a pleasant surprise. "Bells" isn't a teen slasher movie at all (despite the VHS cover art and the cheesy sounding alternate title "Murder by Phone") but a fairly well plotted thriller that even shows the ambition to question the reliability of gigantic enterprises and refer to government conspiracies. How many "Friday the 13th" rip-offs can righteously claim to have done that? Richard Chamberlain stars as university professor and environmentalist Nat Bridger who privately investigates the bizarre death of one of his former students. The poor girl turns out to be the first victim of a maniac who developed a method to kill people over the phone (!) by sending an extremely high level of voltage through the speaker. Don't ask me to explain the technical aspects, but the victims start to shake and bleed from eyes & ears before getting catapulted in the air by an explosion! Not exactly tasteful but original and very entertaining to look at! This killing modus operandi as well as the further development of the "whodunit" storyline is often very implausible and silly, but you easily look past these flaws simply because the pace is exciting and the suspense-sequences are extremely intense. The film's only real disadvantage is that the scenery has severely dated by now and that some of the observations in the script turned out very exaggerated (for example, the phone company tour guide's estimation that there will be 1.4 trillion phones by the year 2000). Perhaps, this even is a rare example of a horror film that would actually profit from a remake! I'm convinced that some of the nowadays scriptwriters can come up with nifty ideas when re-working this premise into a story that revolves on mobile phones, teleconference attributes or web cams. Class actor Chamberlain is adequate in the lead, but the best performances are delivered by Sara Botsford as his love-interest and Gary Reineke as the obnoxious police detective.

Alternatively known as Bells, here's an entertaining chiller with two gooder actors for a film that's still a good solid drama/thriller. Certainly something different here, we have a disgruntled nut who used to work for the phone company, taking people out at random, some he personally knows, by upping the voltage so high, their body melts, their ears explode, and are sent flying backwards whether on subways, or from high rise buildings. Richard Chamberlain, of all people, is a professor, who investigates the killings, when one of his best students, is a victim (the first one on the subway). While bedding architect (Sara Botsford- Rats) he teams up with a cop who he first bangs heads with, on the account of his no caring attitude, they try to flush out the killer, who's doing his business from a small electricity house, which is also his abode. John Houseman, an old lecturer and close friend of Chamberlain, has something to hide here, too, which I thought was a good shock point (pardon the expression). I did like the cop in this film, a Frederick Forest type guy, I found a hoot, if the whole film. The death scenes are classics, and we do question if we could really kill someone by upping the amps so high. How they set the killer up, is classic, as is the last call Richard Chamberlain takes, that he shouldn't of. On the whole, Bells is fun viewing for the horror/thriller viewer, though I don't think it will turn you off answering your next call.

Well this Canadian stinker done by the Canadian film development corporation had a great concept. I remember watching this film, after I finished grade 11, with my dad, and I thought what a great concept. I think of all the movies I've forgotten over the years, and this film is burnt into my memory. Electrocute annoying people by the phone, this would be great for thoes annoying telemarketers who usually phone during dinner. Well, that's besides the point, like most of the Canadian Film development movies of that era this film has an ok concept, but lacks in budget or effects. I like the opening scene with the kids running in the subway, its a good mood setter. It has a great concept like Scaners, and it looks like it too could have been filmed in Monteral.

This movie is known under the title "Bells" in my country. Bells is a exciting and unusual thriller about a killer who kills people with the help of the phone (he sends some deadly sounds through the phone). The movie is made with skill and have great & convincing actors who really takes the job serious. The plot is good and makes you feel the tension in the film. Recommended

I give it 8 out of 10

The technology in "Murder By Phone" (also called "Bells") is impossible. You just have to set that aside and watch the film without questioning...and if you do, you will very likely enjoy this Canadian film.

You see the girl die at the beginning of the film. She receives a phone call and when she answers it, her eyes begin to bleed, she shakes and then the phone explodes! Nat Bridger (Richard Chamberlain) investigates the case and almost immediately he comes upon very nasty and awful phone company reps...who do everything they can to frustrate his investigation. Not to be deterred, he presses on...and ultimately learn that a weird machine has been created that can be used to kill by phone!

The biggest shortcoming of this film is that so many folks want to stop Bridger...and since he's only one guy, why didn't they just kill him?! Too easy to laugh off...but still kinda fun in a mindless sort of way.

On paper this sounds pretty uninspiring, but 'Bells' turns out to be an ingenious idea well-executed (a bit like Didier Grousset's 'Kamikaze' [1986] in reverse), that reunites the director and composer of 'The Quiller Memorandum'.

The script vaguely recalls 'Quatermass 2', is lively, quite witty in places and generous to the supporting characters (Gary Reineke, in particular, is visibly enjoying himself as the police lieutenant, who gets to develop as the film progresses), the Toronto locations are well used, and it all builds up to a satisfyingly explosive climax. One can nit-pick - Richard Chamberlain gets a lot of lucky breaks looking for information - but it certainly makes you pay attention every time yet another 'phone rings; did every single phone in Toronto - even the Mickey Mouse ones - have exactly the same ring tone in 1980, by the way?

Canadian horror film starring Richard Chamberlain as a professor out to prove a conspiracy exists in a huge phone company as they cover up a mad killer that uses high-pitch frequencies on the phone to kill people. The movie resembles Coma with its thriller-like atmosphere and its one person against the world protagonist. As thrillers go, the film is pretty enjoyable, although it is definitely short on logic. You really will need to suspend some disbelief here. Michael Anderson directs(quite a ways down from directing Around the World in Eighty Days if you ask me...which you didn't) with some polish and flair, using the materials he is given to their best. John Houseman is somewhat wasted in the film, but his verbal reparte with Chamberlain is quite amusing. Chamberlain is adequate in the lead. The special effects are...well, not too impressive. Some of the death scenes are over-acted and over-directed, and unintentionally amusing.

An ex-telephone worker with a serious chip on his shoulder is murdering people by playing deadly frequencies down the phone to anyone who answers. This results in them bleeding from their eyes, nose, mouth and ears and then being blasted backwards with such force that it kills them. But don't worry- Richard Chamberlain is on the case.

Bells (1982) is also known as Murder By Phone. It's a solid thriller that will forever have a special place in my heart, as it was one of the first videos I ever rented in the early days of home video here in the UK. In those days, there were loads of businesses that rented out videos as a sideline. I hired this film from a place called Clockmakers (strange name for a bookshop, but there you go. Just kidding), which specialised in loads of Guild Home Video titles like the Marvel cartoons from the '60s, Scanners and When A Stranger Calls.

The effects of the phone calls are pretty cool and have aged nicely. There's also a great score by John Barry, but with this not being orchestral but synth-led instead (rare for Barry).

All in all, this feels like a TV movie that was shown on a Sunday night here in the UK. And that's no insult.

Helmed by British veteran Michael Anderson ('The Dam Busters') and starring Chamberlain as a university lecturer (and former environmental activist) who inadvertently becomes embroiled in a series of bizarre murders apparently committed by phone.

Under-appreciated, attractive leading lady Botsford ('Deadly Eyes') plays an artist with loads of sass and sex appeal, supporting Chamberlain as he starts to uncover a sinister conspiracy. He's later reluctantly allied by his mentor Houseman and a formerly tenacious cop (Reineke) initially uncooperative, later reminded of the values he swore to uphold.

The distinguished cast also features Shakespearean-trained actors Barry Morse and Robin Gammell in key supporting roles.

Intelligent dialogue, tense and foreboding, 'Bells' is typical of 70s/80s Canadian thrillers, well-paced, stylish but understated, whilst there's a couple of major plot contrivances with which to contend, the overall result is consistently entertaining never trading momentum for tedious melodrama. Highly recommended thriller.

My review was written after a January 1983 screening on Times Square.

Filmed in Toronto as "Bells", "Murder by Phone' is a sorry excuse for a horror/sci-fi programmer. Picked up for distribution by New World (and briefly flirting with an alternate moniker "The Calling"), it's due for a quick playoff.

The picture's gimmick is a crazed killer baffling the local police by killing at a distance using a sophisticated apparatus which transmits through the telephone system, zapping victims through their phone receivers. New World's release title for the film unwittingly tips off the age of this hoary plot device, used as the basis for a stilted 1935 movie "Murder by Television".

Richard Chamberlain, sporting a handsome beard and an unsteady country boy accent, toplines ats Nat Bridger, a science teacher investigating the mysterious death of one of his students. Tracking her death to a Toronto subway phone which was found melted, Bridger seeks aid in vain from his former professor Stanley Markowitz (John Houseman), now an environmental consultant for Inter-World Telephone Co.l In one of many preposterous script cogs, Bridger befriends artist Ridley Taylor (Sara Botsford), painting a huge technology mural in the phone company's lobby, who conveniently has access to all the lans and files in the supposedly high-security installation. Aided by local police detective Meara (Gary Reineke) they trace and trap the killer.

British director (now a Canadian resident Michael Anderson fails to pump any excitement or suspense into the picture, preferring to immerse the viewer in telephone lore and load every scene with a different type of phone receiver. Cumulative effect is campy rather than scary, not surprising given the imprersona, definitely unhorrific reliance on "murer at a distance". Each killing consists of victim shaking, bleeding profusely and then, with hokey special effects, flying across the room in slow motion.

With silly, cliched dialog (and time out for pompous militant speeches by Chamberlain concerning controlling our destiny and protecting the environment), cast plays by the numbers. Redhead Sara Botword is introduced here as an attractive heroine, subsequently having made wo moe horror films "Still of the Night" and "Night Eyes", while Barry Morse is quite predictably up to no good as the president of IWT. Tech credits are subpar, particularly the murky photography. For an effective and intentionally funny paranoia film about the phone company, one still has to turn to "The President's Analyst".