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They don't make movies like this anymore – though some may say that's a good thing. Although this was amongst the first of Disney's PG rated films, it has more of the feel of the G films their studio turned out in the‘70s (i.e. "Freaky Friday," "The World's Greatest Athlete") than the PG films that came out in the early ‘80s (i.e. "Watcher in the Woods," "Tron," "Something Wicked This Way Comes"). Because of Disney's backing, "Midnight Madness" obviously had a large budget. A huge cast and a ton of diverse locations go to show that. But zaniness, a madcap scavenger hunt, and spectacular visual style weren't enough to save the film from being an enormous flop... A failure at the box office, most of us were introduced to the film on HBO in the early ‘80s, back in the days when the same films would be shown 29 times a week (Oh, wait – they still do that!). Essentially HBO did for this film what CBS did for "The Wizard of Oz" – they created an enormous cult audience for a sugary-sweet mega-flop....

The biggest problem that makes this a "bad" film is that there's too many characters and very few of them are fleshed out – Eddie Deezen's "squad" don't even have names! The blue team, although they're the villains, are the most endearing and have the most work put into their characters (with the exception of the girl, who can't act & doesn't have enough to do). Harold, perfectly played to the hilt by Stephen Furst, is really the only one whose character is fully realized in the film. The other standout character is goof-off Melio, played with tons of charm by now-director Andy Tennant. Although then-Dr. Pepper spokesman David Naughton was supposed to be the star, his character often comes off obnoxious, particularly when pitted against his brother Adam, Michael J. Fox. While everyone has favorite characters, I don't think anyone who loves the movie could disagree that Furst and Fox are the only two characters that you really learn anything about.

Despite the film's many flaws and bad actors (most of whom fell off the face of the earth after this movie) it still works because the actors appeared to be having fun -- and fun on the set equals fun on the screen. Come on, what college jock doesn't dream of floating around in a beer vat and what zoftig girl doesn't dream of stealing the show at the local discotech... er... I guess it would be at a rave nowadays... Campy, squeaky-clean fun for anyone who was young in the ‘70s & ‘80s, it's only fitting that this has finally gotten the massive video release that it deserves. But where the hell's the widescreen DVD release with the commentary, trailer and the full version of the song that plays in the disco?

I watched this film for the first time not too long ago. What I found was a nostalgia trip to the early eighties with the extremely "happy" disco laden theme song and the 2 roller skating beauties with nice "smiles" in the opening credits. There was an innocence and sense of fun to this movie that is lacking in today's movies. The film doesn't try to be too clever for it's own good or cynical which I actually found to be refreshing.

The plot centers around a scavenger hunt around L.A. set up by a future Bill Gates type named Leon who is adorned by his lovely assistants. The invitees for this challenge are 5 color coded groups representing every campus comedy stereotype (Jocks, Nerds, Alienated girls, the protagonists and the villains). They find themselves at Griffith Observatory, a Video arcade and the Pabst Blue Ribbon brewery among other places hunting down clues to get them to the next location and ultimately the big prize that awaits them at the end. The film loses its campy momentum when it addresses the big brother-little brother issue between David Naughton and Michael J. Fox, these actors play extremely bland characters compared to the madcap supporting cast.

I found myself smiling and even chuckling in parts although the film was predictable, contrived not to mention, dated but upbeat and entertaining all the same.

It's good to be entertained and not have your brain taxed every now and again in this day and age of cynicism and self-referential smugness which runs in abundance in today's cinema.

This is the perfect antidote to the dark malaise seen in too many films now.

Graduate student Leon (Alan Solomon) sends out invitations to five other students to participate in a night long scavenger hunt called The Great All Nighter. At first the five scoff at the idea and refuse, but through either gestating rivalries, bravado, or pressure all change their minds and embark on a energized and chaotic rush through Los Angeles.

Midnight Madness was the 2nd movie from Walt Disney Pictures to carry the PG rating (the first being the previous years The Black Hole). Midnight Madness unfortunately was not a success during it's initial release either commercially or critically, and even was branded a "Dog of the Week" on Siskel & Ebert's Sneak Previews. But despite this the movie has attained a small but devoted cult following thanks in no small part to airings on cable television, and I'm pleased to say the following is well deserved.

The movies strength is in its simplicity. The movie follows five teams who are all varying degrees of broad stereotypes which helps to set the tone from the onset. The teams include the nice guy Yellow Team led by David Naughton, the Blue Team consisting of jerks and snobs led by Steven Furst, the Red Team of a unpopular sorority lead by future Simpsons voice actress Maggie Roswell, the White Team of nerds lead by Eddie Deezen, and the Green Team consisting of a group of muscle headed jocks who call themselves "Meat Machine". Once the movie gets going with the Great All Nighter, it throws everything but the kitchen sink at the teams and puts them in shenanigans of varying degrees of outlandishness and uses Los Angeles city setting quit,e effectively. The Griffith Observatory, Pabst Brewing Company, LAX, and Hollywood Walk of Fame are used for some memorable scenes and are a lot fun. Even Leon, whose sole purpose is to oversee the game, gets some great moments as he buts heads with his landlady while his neighbors who are initially annoyed eventually become enthralled in watching the game (much to his landlady's ire).

Midnight Madness isn't a great comedy, but it is a good comedy. Playing like a softer edged version of Up the Creek or Animal House, the movie has the same level of zany energy as other Animal House inspired movies but doesn't have the raunch. For what the movie is, I recommend it.

It doesn't quite deserve the disproportionate number of "10" votes it's received on this web site, but "Midnight Madness" is still a lot of fun. The eccentric Leon (Alan Solomon) organizes a cross-city scavenger hunt for five groups of college students ranging from nerds and jocks to babes and good guys. Each team must decipher a series of clues ("Mr. Carson's obese male child" leads to Johnny's Fat Boy Restaurant, and so on) before racing to the next location to do it again, all the while battling some occasional dirty tricks from rivals. The actual laughs few and far between, but you can't deny "Midnight Madness" carries heaps of cheesy '80s appeal. Look for Michael J. Fox (billed without the middle initial) in his film debut.

Probably the only Disney film to feature extensive Pabst Blue Ribbon product placement and an actress credited at the end as playing "Busty Waitress", Midnight Madness came out in the late 70s/early 80s period of madcap raunchy youth comedies like Animal House and The Hollywood Knights, and its intent was apparently to capitalize on that market while retaining a shiny Disney veneer of innocent fun.

Essentially a more youthful, more superficial It's a Mad Mad Mad Mad World, but with college kids and the object of their competition being an inexplicably appealing trophy instead of cash, Midnight Madness is similarly silly, fast-paced, and irresistible if you don't take your movie viewing habits too seriously. Adding to its charm is its loose 70s feel, with a cute disco theme song sung by Donna Fein setting the tone for the proceedings.

Among the cast of dweeby dozens you get Animal House's Stephen Furst, a young Michael J. Fox, Dr. Pepper commercial star David Naughton, legendary supernerd Eddie Deezen, and, in a small part, the future Pee Wee Herman himself, Paul Reubens. Catch Midnight Madness tonight and thrill as delinquent arcade dork Michael J. sweats teenage angst and asks in complete earnestness, "What do I look like, a nerd or something?"