O Último Casal Casado

One of the most underrated movies of late seventies.Good direction by Gilbert Cates in a witty screenplay the players are excellent.The chemistry between Wood and Segal are a gift from heaven.The scenes between the main characters are touching.The supporting players are nice too specially Dom DeLuise and Marilyn Sokol.A movie to be discover.

"The Last Married Couple In America" is a misfire, and a waste of a perfectly good cast. In fact, the great chemistry between George Segal and Natalie Wood is the only thing that forces me to give this movie a ** rating, instead of the more appropriate *1/2. But to be a movie exclusively about marriage and not to be able to present even one meaningful insight into the subject in more than 100 minutes is quite a feat, indeed!

No, this isn't a very good movie. Fun to watch though if for no other reason than to laugh at the supposed 'hip' attitude of the whole thing when in truth it's about as conventional as a Love Boat episode. The party scene at the end with the hookers, swingers and disco version of 'Singin' in the Rain' is hilarious.

But the reason to see this movie is for Natalie Wood, who gives this film heart. She's absolutely wonderful in it. She was a terrific actress, even in something as frivolous as this ... funny, beautiful, a class act to the very end! None of today's actresses come close to her kind of star-power. I miss great actresses like Natalie Wood.

When I was watching "The Last Married Couple in America" recently, I made note of the uninhibited anything-goes attitudes that it exhibited, so typical of the late 1970s. There were open relationships, bawdy parties, rampant divorce, and all manner of outrageous behaviors that typified that era.

Mari (Natalie Wood) and Jeff (George Segal) are a happy married California couple that stays together despite all of their friends going through divorces and various personal crises. When Jeff cheats on Mari with a mutual acquaintance (Valerie Harper), the couple separates and tries the single life. Naturally, they reunite after discovering that being single isn't so great after all, and all is happy with their family and the world.

This movie certainly has a great cast (including Richard Benjamin, Priscilla Barnes, Bob Dishy, and Dom DeLuise) but its story line is almost like a TV show transplanted into an R-rated movie. There are plenty of laughs and some pretty good scenes (including a crazy party scene toward the end), but I was left feeling that I had just watched a 1970s sitcom with some salty language and sex scenes thrown in. The supporting cast is very good, with Richard Benjamin outrageously funny as one of Segal's divorcing friends, and a very young and attractive Priscilla Barnes. Watching the film was a pleasant experience and it was nice to re-live early 1980, but in the end it wasn't anything really special.

A fun take on the aftermath of the sexual revolution but could have been better. Natalie Wood and George Segal are a 40ish couple who are happily married but seem to be the only ones left in their circle of friends who still are. They are under constant peer pressure from their friends to seek out extramarital affairs. Eventually Segal is seduced by Wood's friend Barbara played by a blonde Valerie Harper (cast against type from her long TV role as Rhoda Morgenstern) The supporting cast are stellar, a who's who of comedic actors of that era; Richard Benjamin, Alan Arbus, Bob Dishy and Priscilla Barnes but its the effortless chemistry between Natalie Wood and George Segal that are the backbone of the movie. Natalie's performances in her later years were far better than she's been given credit for. Her entire career were various snapshots of the mores of the times. She ultimately always made America feel good about its moral center even in her tragic roles. The sitcom feel of the whole film does it a disservice because it could have held up better over time if the script was better. Seeing this in 2020 is more like an archeological excavation digging up bones of a long lost civilization instead of a witty character study like Annie Hall or Manhattan. All and all its a worthwhile watch even just to see Natalie's last completed theatrical release.