Adicionar um enredo no seu idiomaLow budget horror film has a conspiracy of vampires in a small town (made up of the local sheriff, mortician, town doctor, and ambulance driver) creating accidents of some sort so they can o... Ler tudoLow budget horror film has a conspiracy of vampires in a small town (made up of the local sheriff, mortician, town doctor, and ambulance driver) creating accidents of some sort so they can operate their blood drinking dinner parties unnoticed.Low budget horror film has a conspiracy of vampires in a small town (made up of the local sheriff, mortician, town doctor, and ambulance driver) creating accidents of some sort so they can operate their blood drinking dinner parties unnoticed.
- Direção
- Roteiristas
- Artistas
Michael David Lally
- Ted
- (as Michael Lally)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film essentially starts off with Dracula having changed his name to "A. Lucard" (Gerald Fielding) and operating as the mortician of a small town in the United States where he has successfully turned certain key people into vampires in order to continue his evil ways. So when an emergency medical call is placed he sends an ambulance and the local doctor to the scene where they dishonestly pronounce the victim dead and feast upon the body once they bring it to the morgue. Immediately afterward, they kill the victim to prevent it from turning into a vampire and-after disguising the wounds-bury the body as soon as possible so that nobody will be the wiser. This all changes, however, when a young couple by the names of "Ted Fonda" (Michael David Lally) and "Marie Fonda" (Patricia Lee Hammond) lose their mother "Mrs. Bradley" (Mimi Weddell) to an apparent stroke. At least, that is what they are told. But rather than killing her after their feast, Lucard is shocked to learn that the body has been taken away from him for a burial service to be conducted at another location. And this creates all kinds of problems for everyone involved. Now rather than reveal any more I will just say that this film started off well enough but it subsequently proceeded at a painfully slow pace afterward. Not only that, but the cast wasn't as well-chosen as it could have been either. For example, having Gerald Fielding play the part of Dracula was rather odd to say the least. He just didn't fit that particular role. Likewise, the low-budget special effects and action scenes were equally bad. In short, this is clearly not one of the better vampire films out there and I have rated it accordingly. Below average.
Marie (Patricia Lee Hammond) and her husband unwittingly expose a vampire cult at a mortuary after they demand her dead mother's body be delivered to the house for a wake. Problem is the vamps have already put the bite on ol' Grandma and she is expected to get up any minute now. This is one of those regional horror flicks prevalent in the late 70s/early 80s. The film is very low budget (the tops of sets can be seen) and features many other problems (like no Dracula, although I suspect distributor Cannon added that as the on screen title reads LAST RITES), yet it is oddly endearing. I like the desolate country location work (Vineland, New Jersey), the cast is decent and director Domonic Paris seems to have a good eye for his shots. In fact, it reminds me a bit of Don Coscarelli's PHANTASM (this flick also bears a 1979 copyright year) but with vampires running a funeral home.
The plethora of reviews here are indicative of the obviously growing cult status of this movie! Methinks Mike and I are probably the only people to have ever seen this flick. I don't know about him, but I "inherited" the film (titled incidentally DRACULA'S LAST RITES) in a bulk purchase of some 1600 movies I made some 16 years ago, from a video shop that had gone to the wall! Unfortunately some four years later in a drunken and obviously disorientated state, I put it on!
Well what can I say? Hey, its a movie from Domonic Paris, a specialist in home-movies who has churned out a total of just four films between 1980 and 1997. This was his finest hour. Obviously filmed over a long weekend with a hand-held camera, script written over cornflakes, and a budget of probably $200. Basically no blood, plastic teeth from K Mart and "actors" from the local pool hall.
Best of all, no Dracula! If you want to find the home movie with the leastest, try and find a copy of this, although I suspect I have the only print left - and its in BETA!
Well what can I say? Hey, its a movie from Domonic Paris, a specialist in home-movies who has churned out a total of just four films between 1980 and 1997. This was his finest hour. Obviously filmed over a long weekend with a hand-held camera, script written over cornflakes, and a budget of probably $200. Basically no blood, plastic teeth from K Mart and "actors" from the local pool hall.
Best of all, no Dracula! If you want to find the home movie with the leastest, try and find a copy of this, although I suspect I have the only print left - and its in BETA!
It's not often that you find a movie vigorously contending for the coveted, "Worst in it's own Genre" award, but if there is such an award, then that would have to go, hands down, to Dracula's Last Rites.
Low budget horror films are a staple of the genre, and films such as Dead Alive, Bad Taste, Evil Dead, and Halloween have proven that it can be done with style. Dracula's Last Rites, on the other hand, show that low budget horror films can also be done without style, taste, substance, and with actors more wooden than Pinocchio.
To summarize this film, vampires in a small Mid-Western town take up residence in the local mortuary where they stage "accidents" to cover up for their bloody thirsts. Some unintenionally funny moments arise when the mother of the hero is bitten and turned into a vampire - badly fitted vampire teeth and poor make-up gives her a startling resemblance to Roddy McDowall in a fright wig, and her acting "skills" only serve to egg on the fits of laughter.
As a camp film, Dracula's Last Rites cannot be rated any higher than 2.5 out of 5, while as a straight horror film, it drops off any measurable scale.
Low budget horror films are a staple of the genre, and films such as Dead Alive, Bad Taste, Evil Dead, and Halloween have proven that it can be done with style. Dracula's Last Rites, on the other hand, show that low budget horror films can also be done without style, taste, substance, and with actors more wooden than Pinocchio.
To summarize this film, vampires in a small Mid-Western town take up residence in the local mortuary where they stage "accidents" to cover up for their bloody thirsts. Some unintenionally funny moments arise when the mother of the hero is bitten and turned into a vampire - badly fitted vampire teeth and poor make-up gives her a startling resemblance to Roddy McDowall in a fright wig, and her acting "skills" only serve to egg on the fits of laughter.
As a camp film, Dracula's Last Rites cannot be rated any higher than 2.5 out of 5, while as a straight horror film, it drops off any measurable scale.
SERIOUS SPOILAGE
I can remember seeing trailers for this on television when it was released, and being interested in all things vampiric, I longed to be old enough to see it. Boy, I didn't know what I was missing, that's for sure!
This is a face-off between vampire and...non-vampire. In the vampire corner, we have Lucard. A. Lucard, to be exact (haw haw). Lucard is a mortician, which is a great business for a vampire to be in, especially when mortician's wax seems to help vampires come out during the daylight. Lucard and his vampire buddies (the sheriff, the paramedics, and a few miscellaneous others) like to rush to the scene of accidents, declare the victims dead when they're not, then whisk them off to the mortuary for some bloodsucking. Immediately after biting them, the vampires stake the victims, for fear of any newly-minted competition getting a leg up on them.
In the other corner is one Ted Fonda. Ted's mother-in-law is the latest in the town's not-really dead but definitely soon-to-be undead category. Mrs. Ted is frantic, especially after they decide they want to have the wake at home and Lucard doesn't want to give back the body. Every shady businessperson's nightmare, Ted Fonda isn't one to be pushed around by any mortician, and he brings the old lady's corpse back home so they can put it in their living room for a few days until the wake--unembalmed, no less!
The match is on when Lucard sends one of his minions to steal the body back, but he winds up impaled on a picket fence in Fonda's yard instead. Grandma rises from the coffin later that same night and wanders the rural countryside looking like Grandmama Addams with Halloween vampire fangs, while the next day the Fondas are sure Lucard stole the body after all.
Meanwhile, there are social problems in the vampire community. The doctor and the sheriff think Lucard is getting too many victims, so some bickering leads to a few bat-fights. Fonda calls the doc over to give his already-sleeping wife a sedative, and he can't resist turning her into a late-nite snack. Fonda is out on his own little stake-out, following Lucard around while they search for Granny vampire before she can cause too much trouble and blow their cover. They find her and hold her down so the sun can kill her, but not before she makes eye contact with Ted, who finally figures out something strange is going on (duh!). Lucard tries to literally hold Ted back, stopping his car with his bare hands and sheer vampire strength, but Ted escapes and goes home to find his lovely wife completely drained.
When Lucard returns to the mortuary he finds the sheriff snacking on a 'drowning victim' Lucard had been saving for himself, so they have a slugfest that finds the town minus one undead lawman, and the town's vampire population dwindles. With only Lucard and the doc left, they employ some vague sort of deduction to guess Ted's whereabouts, while Ted sets a booby trap for them by dousing his car (and his wife) with gasoline and rigging it with an extension cord. The vampires fall for it--they're undead and not too bright--and Ted manages to stake both of them while they wriggle in flames.
In the film's stunning denouement, Ted stumbles away thru a pasture, while a title card informs us that Ted was found guilty on four counts of murder, and that nobody believed his vampire conspiracy theory. Furthermore, the body of his wife was NEVER FOUND! EEEEEEE!
"Last Rites" was probably a real scream to make; it looks a lot like a home movie and seems to have been assembled by filmmakers who were just jazzed about making a vampire movie and didn't really care about having an actual script. Truth be told, some of the 'arty' shots really do work up some atmosphere, and the shamelessly hokey vampire lady is great. Then something comes along and goofs it up, like those long unnecessary shots that track the characters as they drive in their vehicles along endless rural roads, or Ted and his numerous phone calls, or when some stray filming equipment or a Pizza Hut or something enters the frame and reminds us that we're watching a cheesy flick. This movie's imaginary story doesn't even exist within the frames of the film itself. Just like the vampire lady, who wanders around dazed and realizing she's dead, the movie knows it's baloney.
I can remember seeing trailers for this on television when it was released, and being interested in all things vampiric, I longed to be old enough to see it. Boy, I didn't know what I was missing, that's for sure!
This is a face-off between vampire and...non-vampire. In the vampire corner, we have Lucard. A. Lucard, to be exact (haw haw). Lucard is a mortician, which is a great business for a vampire to be in, especially when mortician's wax seems to help vampires come out during the daylight. Lucard and his vampire buddies (the sheriff, the paramedics, and a few miscellaneous others) like to rush to the scene of accidents, declare the victims dead when they're not, then whisk them off to the mortuary for some bloodsucking. Immediately after biting them, the vampires stake the victims, for fear of any newly-minted competition getting a leg up on them.
In the other corner is one Ted Fonda. Ted's mother-in-law is the latest in the town's not-really dead but definitely soon-to-be undead category. Mrs. Ted is frantic, especially after they decide they want to have the wake at home and Lucard doesn't want to give back the body. Every shady businessperson's nightmare, Ted Fonda isn't one to be pushed around by any mortician, and he brings the old lady's corpse back home so they can put it in their living room for a few days until the wake--unembalmed, no less!
The match is on when Lucard sends one of his minions to steal the body back, but he winds up impaled on a picket fence in Fonda's yard instead. Grandma rises from the coffin later that same night and wanders the rural countryside looking like Grandmama Addams with Halloween vampire fangs, while the next day the Fondas are sure Lucard stole the body after all.
Meanwhile, there are social problems in the vampire community. The doctor and the sheriff think Lucard is getting too many victims, so some bickering leads to a few bat-fights. Fonda calls the doc over to give his already-sleeping wife a sedative, and he can't resist turning her into a late-nite snack. Fonda is out on his own little stake-out, following Lucard around while they search for Granny vampire before she can cause too much trouble and blow their cover. They find her and hold her down so the sun can kill her, but not before she makes eye contact with Ted, who finally figures out something strange is going on (duh!). Lucard tries to literally hold Ted back, stopping his car with his bare hands and sheer vampire strength, but Ted escapes and goes home to find his lovely wife completely drained.
When Lucard returns to the mortuary he finds the sheriff snacking on a 'drowning victim' Lucard had been saving for himself, so they have a slugfest that finds the town minus one undead lawman, and the town's vampire population dwindles. With only Lucard and the doc left, they employ some vague sort of deduction to guess Ted's whereabouts, while Ted sets a booby trap for them by dousing his car (and his wife) with gasoline and rigging it with an extension cord. The vampires fall for it--they're undead and not too bright--and Ted manages to stake both of them while they wriggle in flames.
In the film's stunning denouement, Ted stumbles away thru a pasture, while a title card informs us that Ted was found guilty on four counts of murder, and that nobody believed his vampire conspiracy theory. Furthermore, the body of his wife was NEVER FOUND! EEEEEEE!
"Last Rites" was probably a real scream to make; it looks a lot like a home movie and seems to have been assembled by filmmakers who were just jazzed about making a vampire movie and didn't really care about having an actual script. Truth be told, some of the 'arty' shots really do work up some atmosphere, and the shamelessly hokey vampire lady is great. Then something comes along and goofs it up, like those long unnecessary shots that track the characters as they drive in their vehicles along endless rural roads, or Ted and his numerous phone calls, or when some stray filming equipment or a Pizza Hut or something enters the frame and reminds us that we're watching a cheesy flick. This movie's imaginary story doesn't even exist within the frames of the film itself. Just like the vampire lady, who wanders around dazed and realizing she's dead, the movie knows it's baloney.
Você sabia?
- CuriosidadesThe film is known in English language speaking markets as both or either ''Last Rites'' or ''Dracula's Last Rites''.
- Erros de gravaçãoEquipment on the landing when Ted calls the funeral home. During same scene Marie ascends the stairs and must step over the filming equipment.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente