O Lago dos Zumbis

ZOMBIE LAKE starts off with a young lass taking a VERY lovely swim, sans attire, in the dreaded lake -more like a smallish pond- of the title. Ah yes, we immediately know we're in Jean Rollin country!

Oh my!

Her delightful dip is interrupted by a man in green face paint, wearing a German uniform from WW II! The very same paint that will rub off during a future attack!

Meanwhile, the Mayor (Howard Vernon) is worried, and a reporter (Marcia Sharif) snoops about. She wants to do a story on the lake / smallish pond. The mayor tells the tale -through questionable re-enactment- of soldiers running around, and a clumsy, forbidden romance, that apparently produced a child. It seems that the town is cursed, since the German soldiers met their doom, and were dumped in the pond-ish lake.

Back in the present, a female volleyball team visits the lake-ish pond, disembarks from their van, disrobes, and goes for a lovely swim of their own! Let's hear it for team spirit! Alas, Nazi zombies attack, ruining everything! Soon, the living dead (aka: men with pool-cue chalk on their hands and faces) are on the move, lurching toward town to kill! Kill! KILL! No woman bathing outdoors is safe!

There's a touching scene where zombie dad returns to his non-zombie daughter, but their reunion is interrupted by his cohorts, who want to eat her. Is "zombie soap opera" a true sub-sub-genre?

The fiery finale is a rib-tickler beyond measure, as flaming dummies topple everywhere! Fabulous fun for those looking for something that can't be taken seriously on any level..

This film can get pretty amusing at times in its ridiculousness. I gave it an extra point just for the subplot which while silly was an unusual touch that added something to this otherwise awful film.

Zombie fans often list this film as THE WORST zombie film ever (Jess Franco's Nazi zombie film "Oasis of the Zombies" is similarly categorized for its awfulness). There are equally bad and even worse zombie films, as hard as it may be to believe if you haven't seen them before this (shot on video backyard films like "Stink of Flesh" or Super8mm epics like "Dead Life" come to mind). Jean Rollin made a better not-quite-zombie story with the tainted vineyard plague film "Grapes of Death" which I recommend over this and which had vague similarity to Romero's "The Crazies". If you want a decent Nazi zombies film, check out Ken 'RotLD2' Wiederhorn's "Shock Waves" instead.

Now back to the bad movie at hand: This is a low point for Jean Rollin, a well-known Eurotrash filmmaker who made some visually interesting and atmospheric films, of which this is not one. The overwhelming amount of nudity here seems fairly typical for him (he did make some lesbian vampire films, after all) but the atmosphere does not remind me of other work of his I have seen. It took me a couple sittings to make it through this garbage, but it did have its moments. How many times have you seen zombies attempt hand to hand combat, even using a knife? Sadly there are not enough of these painfully silly moments to rescue this film to the 'so bad its good' list.

ZOMBIE MAKEUP: green hands & face paint with movie blood, which often washes off in underwater scenes which seem to be shot in a swimming pool with a greenish curtain backdrop.

DE-ANIMATION METHOD: Napalm them to dust with a flamethrower! ZOMBIE FEASTING?: these are what I call 'necking zombies'. They don't feast in traditional Romero or O'Bannon sense; they simply chew at necks and drink blood like they are pretend vampires. Their victims, however, do NOT turn into zombies.

STORY: During the OP credits we see an attractive woman strip down for a skinny dip in a lake like a bad attempt to recreate a scene out of 'Jaws' or 'Piranha'. She ignores a warning sign by knocking it over. It's not a simple 'no swimming' sign mind you, but a skull and crossbones that would seem to indicate some reasonable level of danger. Needless to say, she gets killed by a zombie. Another village woman gets killed and her father pays the mayor a visit wanting it investigated.

The mayor tells a visiting reporter about the haunted lake with some mumbo jumbo about black magic sacrifices being done there and Nazis killed by the local resistance whose bodies were dumped there for hiding. Now the Nazis are back as zombies killing locals.

A van packed with a girls' basketball team strips down for full frontal underwater footage (while indescribably bad cheesy music plays) and the girls are attacked by zombies whose makeup is coming off almost as quick as the girls' clothes did. Inept horror movie cops are dispatched to investigate.

***WARNING, SPOILERS AHEAD*** There's a young girl whose daddy was a German soldier killed in a local battle right after her mommy died in her childbirth. Now daddy comes back from his watery grave to meet her and protects her from other zombies including being attacked by a knife-wielding zombie. Yes, you read that right! The zombies also attack villagers with sideways karate chops. Go figure.

Enlisted to help solve the locals' walking dead problem, the zombie's daughter asks for a whole lotta blood to set a trap for them, but she wants her daddy spared. Her guardian convinces her that daddy zombie WANTS to die (probably to escape from being trapped in this awful movie). During the final zombie rampage through town, the reporter follows a movie tradition of stupidly needing to get that all-important photo shot.

In World War II, in a small village in France vanquished by the German army, a local woman has a love affair with one soldier and they have a daughter, Helena. One day, the German soldiers are ambushed and killed by the French Resistance and their bodies are thrown into a lake.

Ten years later, the soldiers become an army of undead attacking the locals. The Mayor, who was part of the resistance, organizes a posse with a flamethrower, to destroy the living dead, and uses the girl Helena to help them.

"Le Lac des Morts Vivants" is another hilarious low-budget horror-trash by Eurocine from the 70's and 80's recently released in Brazil on DVD with attractive cover. Everything is absurd in this film, from the story and screenplay to the direction, acting, make-up and cinematography (the exception are the underwater scenes); but controversially I have enjoyed and had lots of fun watching this trash. Although not responsible for the direction, the touch of Jesus Franco is visible. My vote is four.

Title (Brazil): "O Lago dos Zumbis" ("The Zombie's Lake")

Really can't say anything clear about this movie because it just leaves me breathless. The laughter is a thing you won't be able to control on this atrociously awful turkey, where zombies are rapists, and lose their green make up behind the ears. Maybe they made this movie to see if they managed to make the worst movie ever, because it is a pretty good candidate to the title. This movie is probably the equivalent of used toilet paper, it looks as it's been made by a alcoholic butcher with the sexual appetite of a 18 year old. See it, it is absolutely unmissable, the crap is everywhere, and probably it was made on purpose: even the gunshots are out of sync! Don't miss the lake scenes, where the women are standing in a shallow water but the underwater shots show them swimming with water by their necks! Incredible piece of bad moviemaking, see it to believe that there are movies like this one!

The most seen (although not exactly appreciated) film of French producers Eurocine- responsible for numerous sex, horror, spy and adventure films. In their Seventies heyday Eurocine seemed like the illegitimate child of sensational pulp paperbacks of the Fifties and Sixties. Always put together cheaply and rough looking but always with great packaging, embracing the sort of lurid subjects that always grabbed the public's attention, if not their intelligence. With Zombie's Lake, subjects didn't come more sensational than `mad murdering Zombies' ogling and picking off semi-nude women. During the end of the Second World War, the French resistance manages to dispose of the local Nazis and throw their bodies into the lake of the title. The lake was previously used for witchcraft, so many years later the (green!) undead Nazi Zombies are rising from the lake, and chewing down on the most of Eurocine's repertory players including the director (putting in a cameo as a detective). Oh and you just have to mention their attack on the local female netball team, all of whom just love to go swimming naked in the lake, even though its possibly the most dirtiest lake ever committed to celluloid. On the side of the living are local villagers lead by the Mayor (the late, great Howard Vernon) who gets the immortal line `we better face the facts that the Zombies have declared war'. Along the way we're treated to some truly appalling makeup and lots of fun in watching drunken looking Frenchmen with green muck on their faces pretend to terrorise people. The films most notorious moment rests with the nude swimming scenes viewed from the Zombie's point of view at the bottom of the lake, and accompanied to Europop at its most wincing (`la, lala, lala la la'). Just to make your life that little more miserable, many versions of the film are missing all the nude scenes, being replaced by softer out-takes of the girls in ghastly ill- fitting underwear. Otherwise the bane of this prosperous films existence is the subplot a `touching' relationship between a little girl and her Nazi /Zombie dad. Largely unnecessary to the film although when you realise that the little girl (Anouchka Lesoeur) is the daughter of the producer it becomes obvious why its there. On a technical level the film is a nightmare, Eurocine in the best `recycled vinyl blues' tradition couldn't make a new hit film without recycling several others. Hence the main theme music is taken from Eurocine's Female Vampire, and the WW2 footage from a war film (Convoy of Girls aka The Depraved Third Reich to be precise). Backstage tales of how quick and cheap the movie was put together are legion - the original director Jesus Franco disappeared before the film started, leaving his replacement Rollin with a two week shooting schedule and a script he hadn't even read. Given these conditions that any aspect of the film is memorable is remarkable. Perhaps its better to view the film's merits- compared with its forgetable `cousin' The Oasis of the Zombies- the film Jesus Franco did make when the Eurocine producers caught up with him, which resurrects the Nazi Zombie theme as well as lots of recycled WW2 footage. Both remain the two directors worst commercial work, but Oasis is a stone dead boring 90 minutes, while Zombie's Lake is full of many absurd moments that keep the film from ever being dull and the green zombies are a hoot. Although only recommended to the truly die-hard the end results are a perversely entertaining last blast from the golden era of the European horror movie.