O Sequestro do Presidente

This movie looked like it was rushed to release for some reason. Definitely not a well made movie. So unbelievable. The scenes where the President (Holbrook) were downtown and walking among the people were a farce. There would not be a chance for the common folk to be within 30 yards of the President in that situation in real life. If it wasn't for the blood and profanity, this was shot like a TV movie. It could have been decent if it was done differently. Holbrook's (President) talents were never realized in this movie. Shatner's acting is okay. The production values in this movie leave a lot to be desired. Overall, I think most people would be better off not wasting time to watch this affair.

When the government was helping create a film industry here in Canada, it followed this pattern b film with a named actor. This time the name actor is William Shatner, and the b action film is about terrorist grabbing the president. Unbelievable at the time, but after 9/11 James Bond plots become more believable every week. It is entertaining, and I like Shatner in it, I forgotten abit of the ending. Entertaining, but a B film. 5/10

...but not as good as it thinks it is. It's an interesting concept, the American president is kidnapped, locked in an armored truck and held for ransom. The script has plot holes you could drive an armored truck through and logical non-sequiturs abound.

The soundtrack is annoying as heck. There's some music mixed in there someplace but it's frequently lost behind a wall of chirpy synthesizer noises.

And the pacing is sluggish. It's like being in grade school and receiving an assignment to write an essay of some arbitrary length, say 500 words, so you just shovel padding words into the essay until you reached the mandated length. That's how the script feels - padded and bloated.

The cast is OK-ish. Hal Holbrook is fine as the presidential hostage but he's not asked to do much more than sit in a truck. It's always a pleasure to see Van Johnson, who starred in some of my favorite childhood movies - Brigadoon and The Pied Piper of Hamlin - and Ava Gardner.

What to say about Shatner that hasn't been written countless times already? I'm not really sure we should call what he does "acting". He just is Shatner just as he is just Kirk and just every other character he's ever portrayed. He's always the same. Like Robert Morley or Jerry Lewis. Unchanging. Constant. The most disconcerting aspect of his participation is most actors sharing a scene with him unconsciously act like him.

There are worse ways to spend a couple of hours but I know there are better ways as well.

The notion that a terrorist could kidnap the President of the United States while he's standing in a crowd shaking hands sure seems ludicrous. And, it's also ludicrous to imagine the Canadian government doing such an awful job protecting the man. You must look past all this in order to enjoy the movie....or at least to not discount it. Additionally, you must also accept that the terrorists could shoot a gas station and make it explode...again and again and only with one shot! And, you must accept that the main terrorist's confederate pulls out the detonator from her pocket and holds it...while a crowd is standing around her...even though she is supposed to stay hidden. And, when an insane man wanders into the middle of this 'situation', nothing is done to stop him until the last possible second. And, a dedicated terrorist changes her mind at the last second. And, finally, you must accept that pretty much everyone in the film, with the exception of the CIA agent (William Shatner), is stupid.

It is a shame, really, as Shatner is very good here and the film has some other excellent actors, such as Hal Holbrook, Van Johnson and Ava Gardner (who does a nice Lady MacBeth impersonation). But the basic premise just doesn't make much sense. For a similar but far more intelligent story, try watching the original "Day of the Jackal". It covers similar ground but does it much more intelligently and believably. Overall, watchable but really, really, REALLY farfetched.

By the way, gas stations do NOT blow up like this. If they did, they'd be blowing up all the time and no one would ever consider driving a gas powered car!

My original review written in August 1980 after a press screening in Manhattan: A fine action-suspense film shot last winter in Canada, "The Kidnapping of the President" has good topical prospects in this presidential campaign year. Lack of b.o.-exploitable names in the familiar cast should be a stumbling block, however.

Functional script by Richard Murphy from Charles Templeton's novel has Third World terrorists devising a plot to bring America to its knees by kidnapping the president. Hot issue of whether anyone should accede to terrorists' demands is pic's central theme.

After an unpromising, needlessly bloody opening set in South America, film settles down to gripping tale of terrorists led by chilling psychotic Miguel Fernandes, snatching president Hal Holbrook, who is wading through a crowd in downtown Toronto. Handcuffing himself to Holbrook, Fernandes believably makes off with his hostage by threatening to detonate explosives strapped to his vest. Plausibility of this well-directed staging drives home the fact that any politician routinely risks death in public appearances from some deranged person willing to forfeit his own life in the bargain.

Storing the prexy in a booby-trapped security truck, Fernandes holds up the U. S. government for $100,000,000 ransom. Secret Service head William Shatner, vying with the CIA for jurisdiction authority, is faced with the tough decision. Excellent last-reel pacing leads to suspenseful resolution.

Key subplot involves veep Van Johnson also under pressure. First faced with a "Billygate"-type bribery scandal and secondly ambivalent about saving Holbrook, as wife Ava Gardner eggs him on to take a stand.

After the fiasco of his first feature "Stone Cold Dead", director George Mendeluk has come back with a solid action film, which wisely doesn't hide its Canadian origins. Murphy's script marks a welcome return to features by the screenwriter of "Boomerang", "Panic in the Streets" and "Compulsion". Mike Molloy's budget-stretching photography in the oval office set and on Toronto locations is outstanding.

Shatner and Holbrook are effective in their central roles, but the film's real star is Fernandes, creating a spell-binding anti-hero as the lead terrorist. Elizabeth Shepherd is quite affecting in her small role as the First Lady. Guestars Van Johnson and Ava Gardner form an attractive couple as veep and wife in their first featured teaming in 35 years, since "Three Men in White".