AVALIAÇÃO DA IMDb
5,4/10
788
SUA AVALIAÇÃO
Um homem casado, egoísta e de meia-idade, chefe de um império corporativo, e sua amante e protegida, que quer um compromisso mais sério e acaba namorando um homem mais jovem, estão em um rel... Ler tudoUm homem casado, egoísta e de meia-idade, chefe de um império corporativo, e sua amante e protegida, que quer um compromisso mais sério e acaba namorando um homem mais jovem, estão em um relacionamento casual de amor e ódio.Um homem casado, egoísta e de meia-idade, chefe de um império corporativo, e sua amante e protegida, que quer um compromisso mais sério e acaba namorando um homem mais jovem, estão em um relacionamento casual de amor e ódio.
- Prêmios
- 1 vitória e 1 indicação no total
Avaliações em destaque
Before reading some of the IMDb reviewers here, I thought that "Just Tell Me What You Want" had been mis-labeled a comedy. There is nothing in this film that tickled my funny bone. Indeed, watching a bombastic, temperamental, manipulative, egotistical, nasty, wealthy tyrant in his domineering corporate empire and adulterous personal life just isn't very entertaining. I like clean comedies that make me laugh or smile a lot. Still, I stayed with it - more like struggled to pay attention to get through it, so that I didn't miss anything. Well, there was no comedy to miss, that I could find.
But then I read the reviews, including a couple of frequent reviewers I look for, who often have informative comments. And they like this film - although I don't see any remarks specifically about the comedy or anything funny. It seems to appeal to some as a sophisticated take off or resemblance of one or more moguls of the movie or big entertainment industry.
So, why do I even bother to give this three stars? Because there's no doubt that a couple of the actors played their parts very well. Alan King, for one, and Myrna Loy for the other. It's just that King's Max Herschel is such an unlikeable character, that he quickly becomes boringly irritating. And, it's too bad there wasn't a better movie than this for Myrna Loy to end her career with.
A baker's dozen of reviewers preceded my comments here, and all seemed to like this film. Some even made glowing remarks about it. But only 672 viewers rated this movie before me, and It's overall rating of 5.5 doesn't speak very well for its popularity. Indeed, it didn't do at all well when it came out in 1980. The critics panned the film and it was a box office flop, probably not even covering its budget with gross ticket sales of just $2 million.
But then I read the reviews, including a couple of frequent reviewers I look for, who often have informative comments. And they like this film - although I don't see any remarks specifically about the comedy or anything funny. It seems to appeal to some as a sophisticated take off or resemblance of one or more moguls of the movie or big entertainment industry.
So, why do I even bother to give this three stars? Because there's no doubt that a couple of the actors played their parts very well. Alan King, for one, and Myrna Loy for the other. It's just that King's Max Herschel is such an unlikeable character, that he quickly becomes boringly irritating. And, it's too bad there wasn't a better movie than this for Myrna Loy to end her career with.
A baker's dozen of reviewers preceded my comments here, and all seemed to like this film. Some even made glowing remarks about it. But only 672 viewers rated this movie before me, and It's overall rating of 5.5 doesn't speak very well for its popularity. Indeed, it didn't do at all well when it came out in 1980. The critics panned the film and it was a box office flop, probably not even covering its budget with gross ticket sales of just $2 million.
Myrna Loy's last great theatrical film role comes in this comedy starring Ali McGraw and Alan King. This the story of a girl Friday mistress and her campaign
to make it legal with her boss.
King's role is a combination of William Randolph Hearst and Louis B. Mayer and like them he's the head of a communications/entertainment conglomerate which he rules by fear and intimidation. His normal conversational tone is a soft bellow. His assistant and mistress is Ali McGraw ho if she can't make it legal would like to get out from under.
The problem is King Already has a wife, the beautiful but fragile Dina Merrill. So like Marion Davies she has to be content with being a rather public mistress. But McGraw is running out of patience.
Loy is King's ever so efficient secretary and keeper of the keys to his kingdom. During her years at MGM Loy had the perfect role model. Ida Koverman was Louis B. Mayer's secretary and she functioned the same way that Loy does vis a vis King.
As for King the tantrums he throws are the stuff that made Louis B. Mayer a legend among the moguls. He certainly had Myrna there to give him pointers.
King and McGraw are a well matched pair of leads. Sidney Lumet got some great performances out of all the cast he assembled.
Best scene: McGraw encountering King at Bergdorf-Goodman's. Can't say more this has to be seen.
Just Tell Me What You Want, one great comedy.
King's role is a combination of William Randolph Hearst and Louis B. Mayer and like them he's the head of a communications/entertainment conglomerate which he rules by fear and intimidation. His normal conversational tone is a soft bellow. His assistant and mistress is Ali McGraw ho if she can't make it legal would like to get out from under.
The problem is King Already has a wife, the beautiful but fragile Dina Merrill. So like Marion Davies she has to be content with being a rather public mistress. But McGraw is running out of patience.
Loy is King's ever so efficient secretary and keeper of the keys to his kingdom. During her years at MGM Loy had the perfect role model. Ida Koverman was Louis B. Mayer's secretary and she functioned the same way that Loy does vis a vis King.
As for King the tantrums he throws are the stuff that made Louis B. Mayer a legend among the moguls. He certainly had Myrna there to give him pointers.
King and McGraw are a well matched pair of leads. Sidney Lumet got some great performances out of all the cast he assembled.
Best scene: McGraw encountering King at Bergdorf-Goodman's. Can't say more this has to be seen.
Just Tell Me What You Want, one great comedy.
This under-rated movie that no one ever saw is worth a look. Alan King and Ali McGraw make a great couple, believe it or not. Dina Merrill is hysterically funny as Alan's wife, Connie. She is out of her mind and his affair is not helping. Myrna Loy, a screen legend, does not disappoint with her small part as Alan's right arm/valuable assistant. Also along for the ride are Keenan Wynn, Peter Weller and Tony Roberts.
Alan King's world falls apart when long time mistress Ali Macgrue breaks up with him and marries much younger Peter Weller. Snobby comedy isn't for all taste, but is expertly performed and is very, very funny, especially the scene in the department store. Alan King is displayed at his absolute as is Loy in a quite performance. Terrific entertainment. 9 out 10.
This slightly jaded look at the film industry, and at love, is the work of Jay Presson Allen, who also wrote "Marnie", "Cabaret", and "The Prime of Miss Jean Brodie". You will find her trademarks: fascinating characters and witty, insightful rapid-fire dialog.
Her 20th Century women lack sugar-coating. But here, a lot of the action concerns the close ties of an unconventional family. This, along with the heroine's ironic first-person narration, give the story a lighter, less distant feel. However, the direction and pacing are uneven and the picture has been overlooked.
A year after this film was released, Jay Presson Allen and Sidney Lumet wrote and produced Prince of the City, a much darker film about police corruption. It found a far warmer reception. And Alan King has a cameo, playing himself.
Her 20th Century women lack sugar-coating. But here, a lot of the action concerns the close ties of an unconventional family. This, along with the heroine's ironic first-person narration, give the story a lighter, less distant feel. However, the direction and pacing are uneven and the picture has been overlooked.
A year after this film was released, Jay Presson Allen and Sidney Lumet wrote and produced Prince of the City, a much darker film about police corruption. It found a far warmer reception. And Alan King has a cameo, playing himself.
Você sabia?
- CuriosidadesFinal theatrical film of actress Myrna Loy.
- Citações
Max Herschel: Marriage, it's the quintessential deal... just tell me what you want.
- Versões alternativasCBS edited 11 minutes from this film for its 1983 network television premiere.
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- How long is Just Tell Me What You Want?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Just Tell Me What You Want
- Locações de filme
- Old Westbury Gardens - 71 Old Westbury Road, Old Westbury, Long Island, Nova Iorque, EUA(estate of Max Herschel)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.086.905
- Fim de semana de estreia nos EUA e Canadá
- US$ 197.230
- 10 de fev. de 1980
- Faturamento bruto mundial
- US$ 2.086.905
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By what name was Diga-me o que Você Quer (1980) officially released in Canada in English?
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