Cidade Maldita

The reporter Dean Miller (Hugo Stiglitz) is assigned with his cameraman to interview a scientist that is arriving in the local airport. While waiting for the arrival, an unidentified Hercules makes an emergency landing and is surrounded by a military force. When the doors open, a legion of blood thirsty creatures commanded by the scientist attack the soldiers, killing them with hatchets and drinking their blood. Dean tries to warn the population about the happening but is censored by General Murchison (Mel Ferrer). Later the military leaders discover that the creatures have not come from the outer space, but are human beings contaminated by radiation and needing to drink blood to stay undead. Dean unsuccessfully calls his wife Dr. Anna Miller (Laura Trotter) and heads to the hospital where she works, trying to escape from the city crowded of the increasing walking dead creatures.

The trash "Incubo Sulla Città Contaminate" a.k.a. "City of the Walking Dead" or "Nightmare City" is a weird horror movie that could be better and better with a best selection of the lead couple. The uptight Hugo Stiglitz is not tailored for the role of hero and is an awful selection from the producers, and Laura Trotter is too stupid for a doctor, recalling those women from the 40's or 50's that used to scream in every dangerous situation and run to the arms of the hero. The killers are not zombies like in "The Last Man on Earth" or the way George A. Romero has become famous in "Night of the Living Dead", with slow and gruesome movements, but actually a kind of unbeatable "warrior vampire" with appearance of zombie. My vote is six.

Title (Brazil): Not Available

Despite the atrocious dubbing and the poor makeup effects, this is an extremely enjoyable zombie flick, with a unique "mood" that perhaps only an Italian production like this one could have captured. The mass attack sequences (which must have been great fun to shoot for the people involved, especially the "zombies") are all standouts. (***)

Better known for his jungle cannibal opus "Make Them Die Slowly", Lenzi has here a much more accomplished and entertaining gut muncher.

On an unassuming day, a nuclear scientist is supposed to arrive with important research. His plane breaks flight patterns and lands unannounced. When authorities go to investigate, they find all the people on board are infected with strange kind of radiation poisoning and have turned into violent, cannibalistic zombies. The zombies then begin attacking any and every one in sight; hacking, shooting and eating all they can. Escaping the city is the only hope.

Coming out in 1980, this was pretty late in the cannibal/zombie movie cycle. Fortunately, Lenzi changes up the formula just enough to keep things from being stale. The zombies are are fast, intelligent and have no problem utilizing tools and weapons. Lenzi also ad hears to just enough genre clichés to keep fans happy. There is blood and gore aplenty, random flashes of nudity and some wonderfully cheesy dialogue.

On the technical side, the film is right on par with other films in the same category. Acting ranges from to OK to plain bad, lighting and sound get the job done but never excel, and the writing works well enough to move from point A to point B. One nice element is the pacing, which is refreshingly brisk and free of clutter.

Over all, this is one of the better made and more amusing of the cannibal/zombie films from days gone by. Genre fans should check it out.

7/10

Thank you George A. Romero!! If it wasn't for your zombiefilms like `Night of the Living Dead' and `Dawn of the Dead', we never would have received all these fun Italian rip-offs. Umberto Lenzi was the man responsible for this `Nightmare City'. Lenzi is an enthusiast schlock-director with an unhealthy obsession for blood and guts. Within a period of only two years, he made 3 Italian gore classics including this one, `Eaten Alive' and – top of the bill – the notorious `Cannibal Ferox'. The latter is shocking…this film is just fun! An apocalyptic horror film with non-stop action and an constantly growing army of superzombies! Zombies according to Lenzi are a bit more energetic than usual…They drive cars and use guns! Technically, they're aren't even zombies but radioactively contaminated victims of a nuclear accident. They arrive in an airplane and soon, the whole city is infested.

The make-up effects are so cheap and nasty it almost becomes hilarious. It seems like the zombies' heads are covered in mud and you can almost smell their rotting flesh. Lots of heads are being shot off and multiple throats are being slit…perfect entertainment if you're a horror lover in other words. Don't bother if you're an opinionated horror-hater or an amateur-critic, though. I'll spare you the effort: the script of `Nightmare City' is as weak as they come (with a very disappointing ending) and the acting is atrocious. If you're a diehard horror-freak with a soft spot for Italian cult, however, this will be one of the most pleasing films you'll ever see.

On an airfield a plane's door opens and bloodthirsty zombies burst out and begin to overrun the city. TV news reporter Dean Miller must find his wife and escape the city's crazed killers.

Nightmare City (Incubo Sulla Cittá Contaminata)is a crude mix of the Crazies, Let Sleeping Corpse Lie to name a few. It also has a slight ambiance of Shivers and Rabid.

As you'd expect it's suffers from the failings of most Italian gore pictures of the time, bad dialogue etc. Nightmare City is certainly a product of its time. Nevertheless, while the makeup is terrible, the leads are more than effective. Umberto Lenzi's camera work, direction and starkness of the city setting are appealing. It's fast paced - packed with comic –like violence of stabbings, biting, hacking and shootings as the zombie maniacs cause blood soaked havoc in the city and surrounding areas.

The ending twist is quiet refreshing and although a cliché you don't see the device used these days. While not a zombie film in the truest sense, they move fast, can weld machetes and fire guns it's a competent splatter film that is far better constructed and executed than Bruno Mattei's Zombie Creeping Flesh (1980) made the same year.

Overall, it's one of the better trash horrors out there.