Bar Max

It's been many years since I've seen this film, but I've never forgotten it. There's little I can offer in terms of praise that hasn't already been posted here by other commentators.

It's a film about adversity, finding friendship, and finding the inner strength to rebuild and embrace life for what it is. It's a film that shows people with physical disabilities in a very normal light, showing them to be neither noble-handicaps nor pitiful cripples, but as normal everyday folks with all the faults and good points of humanity. It's a film about coping with one's own decisions, and overcoming life's challenges.

There's some mild profanity, and references to adult situations, as well as some violence, so be warned ahead of time. It's a film the likes of which I have not seen since, and am hopeful that it'll see a DVD release someday. Until then we'll just have to wait :-(

In the meantime if you get a chance to view it, then do so :-)

This is one of my favorites. Read the other comments because they accurately reflect what is great about this movie. With the jarring beginning and all the ugly snapshots of inner city life, this movie makes me want to go back to this believable place that has been created. It makes you believe there is really a place called Max's... a place with diversity and all the complexities of humankind... and that there is hope for mankind! Some of my favorite lines that I repeat constantly (probably wrong): "He'll come back. He just wants to spend some time with his dream." "You've got it backwards. First you get crippled, then you try to commit suicide". Of course... "I'm big, BIG, bigger than you...but that's not hard to be Jerry ... that's not hard to be!" (BTW, does anyone know what Roary (that's how Rory spells it) says after that?... it sounds like "Oh, my hiney" Let me know. My wife and I have played it back 100 times. John Savage has many great lines throughout this. I could never figure out why he didn't win an award. Finally,I think the often-called hokey/corny ending is necessary to bring us back from a hard smack on a Buick. "Hey Roary!"

Let me start out first with a bit of a disclaimer: I am disabled, so I was either going to love this movie or hate it, depending on how real things seemed to me. So my comments have to be seen in that light. Here goes:

This is a very good film, with a good cast, some excellent performances and I love the script. But the thing that impresses me the most about this film is its portrayal of the disabled. They come across as average, normal people-sometimes they're jerks, like most people and sometimes they're nice folks, like most people. There is nothing inherently heroic about being disabled. Conversely, the disabled should not be hermetically sealed off from society for their protection (or yours). All too often, peole make assumptions about people and far too many are made about the disabled. End of sermon.

The other thing I like about this film, although it is admittedly a bit too pat, is the ending of a couple of plot threads. Suffice it to say that Several of the characters get what they deserve, good and bad. I love the poetic justice (or karma, if you prefer) at the end, in the basketball arena. Most recommended.

I have a very subjective method of measuring some of my all time favorite movies. If I'm surfing the remote and "hit" the movie that I just can leave, then that's it. I did this last night and when I hit "Inside Moves". This is a extremely comfortable and beautifully paced film . The scenes in Max's are so warm and intimate you feel if your in the corner of the bar observing the intimate relationships and comaraderie of the supposedly "special " people that live there. Yes, they are special..they're only aspirations are enjoying each other's company and accepting each other and their metamorphical handicaps. The scene where Louise admits she is frightened by a potential romantic realtionship with Rory is honest and heartbreaking. After checking the credits on Inside Moves I was surprised and then nodding in agreement, why it's a classic. Written by Barry Levinson...enough said..

"Inside Moves" was marketed in Japan as "San Francisco Monogatari"

which means "San Francisco Story." ("To Kill a Mockingbird" is known

in Japan as "Alabama Monogatari".) "Inside Moves" is another little

movie that when I saw it in a cheap theater in Japan, I thought,

"Great. I am going to enjoy seeing this many times"; only to find

myself waiting for decades for it to resurface. It's a film which

examines the essence of humanity: heart, mind, and body. It's about

finding yourself through helping others; something that in the Thai

language is called, "Nam Jai" which means "water from the heart."

Sometimes we find it and sometimes we lose it. My favorite line is

John Savage's, "You don't have to come around anymore. We don't need

your kind of cripple" to indicate the sorry lot of those who have lost

the joy of giving and the value of camaraderie. But "Inside Moves"

gives it back again.