Bar Max

This is a movie about the kind of people most of us spend our lives trying to avoid: drunks, whores and cripples of every description. The setting is seamy, mostly taking place in an old neighborhood bar; no ferns here, no clever reparte between beautiful people. The is a story of loneliness and not a little darkness, leavened with gentle, often self-effacing humor.

The miracle here is the degree to which you wind up truly caring about what happens to these folks. The action in the movie is simple. The people are not, and it is a remarkable feat of storytelling to bring this ensemble to such rich, moving life.

This is truly a sleeper, Steinbeckian in its evocation of the common humanity in us all.

"Inside Moves" was marketed in Japan as "San Francisco Monogatari"

which means "San Francisco Story." ("To Kill a Mockingbird" is known

in Japan as "Alabama Monogatari".) "Inside Moves" is another little

movie that when I saw it in a cheap theater in Japan, I thought,

"Great. I am going to enjoy seeing this many times"; only to find

myself waiting for decades for it to resurface. It's a film which

examines the essence of humanity: heart, mind, and body. It's about

finding yourself through helping others; something that in the Thai

language is called, "Nam Jai" which means "water from the heart."

Sometimes we find it and sometimes we lose it. My favorite line is

John Savage's, "You don't have to come around anymore. We don't need

your kind of cripple" to indicate the sorry lot of those who have lost

the joy of giving and the value of camaraderie. But "Inside Moves"

gives it back again.

John Savage provides us with another look at his exceptional talent with perhaps his finest performance since The Deerhunter, with a supporting cast including Oscar-nominated Diana Scarwid and another of my favorites, David Morse. A truly feel-good movie, directed by Richard Donner, that explores the depths of human emotion while depicting the sometimes comedic, sometimes heartwrenching stories of characters who are all crippled, either physically, mentally, or morally. It is a great mystery to me why this movie has not been made available on DVD, and if I knew how to achieve its release, I would be relentless in my pursuit of that goal!

This is one of my favorites. Read the other comments because they accurately reflect what is great about this movie. With the jarring beginning and all the ugly snapshots of inner city life, this movie makes me want to go back to this believable place that has been created. It makes you believe there is really a place called Max's... a place with diversity and all the complexities of humankind... and that there is hope for mankind! Some of my favorite lines that I repeat constantly (probably wrong): "He'll come back. He just wants to spend some time with his dream." "You've got it backwards. First you get crippled, then you try to commit suicide". Of course... "I'm big, BIG, bigger than you...but that's not hard to be Jerry ... that's not hard to be!" (BTW, does anyone know what Roary (that's how Rory spells it) says after that?... it sounds like "Oh, my hiney" Let me know. My wife and I have played it back 100 times. John Savage has many great lines throughout this. I could never figure out why he didn't win an award. Finally,I think the often-called hokey/corny ending is necessary to bring us back from a hard smack on a Buick. "Hey Roary!"

Detailing the plot of this film would lead the unsuspecting to assume they were in for an hour and a half of depression - but quite the opposite. The acting was spot on, the script razor sharp, and the storyline genuinely different and inspiring. I've not seen a copy on video or dvd for years, and for some reason it's never been on terrestrial tv in the UK, and I have to admit I'm baffled as to why. In the genre, it's quite simply one of the best films ever made.