AVALIAÇÃO DA IMDb
5,9/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA struggling actor buying milk stops a robbery while wearing a superhero uniform, promoting a movie. The unknown hero decides to try again. Can he impress his cute neighbor?A struggling actor buying milk stops a robbery while wearing a superhero uniform, promoting a movie. The unknown hero decides to try again. Can he impress his cute neighbor?A struggling actor buying milk stops a robbery while wearing a superhero uniform, promoting a movie. The unknown hero decides to try again. Can he impress his cute neighbor?
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Avaliações em destaque
John Ritter is charming in his role as Steve Nichols. This movie is great, a cute comedy/drama that is sure to win your heart. John's character's charm is reminiscent of that of Jack Tripper. The character of Steve Nichols is sure to capture your heart while the story itself leaves a good feelings. Comical yet there's some real feeling in it. A story about a wannabe actor turned hero, what's better than that. I was a little worried about the whole Captain Avenger thing but its played out very well. And there are some very funny moments in this movie. Definitely a good movie to watch on a rainy day! And if you have seen it, but not in a long time, it's worth picking up again!
John Ritter plays a starving actor, whom is signed to portray a movie superhero at a theater promotion. On the way home, while dressed in costume, he foils a robbery. Discovering he enjoys helping to protect people, Ritter begins fighting crime dressed as the costumed superhero.
Ann Archer does a wonderful job as Ritter's love interest. Bert Convey is suitably oily as the PR man who uses Ritter for his own personal gain.
The movie has a great, rousing score, and a genuinely poignant climax. A worthy view
Ann Archer does a wonderful job as Ritter's love interest. Bert Convey is suitably oily as the PR man who uses Ritter for his own personal gain.
The movie has a great, rousing score, and a genuinely poignant climax. A worthy view
Steve Nichols (John Ritter) is a struggling New York actor. PR man Walter Reeves (Bert Convy) hires him and others to dress up as Captain Avenger to promote a cheesy superhero movie. Steve stops a robbery at a grocery store which becomes local news. Reeves is working to re-elect the mayor and sees value in a superhero making the citizens feel good. He searches to find which of the 62 actors he hired is the Captain Avenger hero. Steve has a crush on his neighbor Jolene Marsh (Anne Archer) who slowly takes a liking to his non-stop flirting.
John Ritter is a really likable actor. His charming personality is mostly what this movie has to offer. The rest is functional but not much more. Anne Archer is fine but the movie needs a better villain. It is a superhero movie after all. The plot lacks tension. This all boils down to Ritter being such a nice charming guy.
John Ritter is a really likable actor. His charming personality is mostly what this movie has to offer. The rest is functional but not much more. Anne Archer is fine but the movie needs a better villain. It is a superhero movie after all. The plot lacks tension. This all boils down to Ritter being such a nice charming guy.
Steve Nichols (John Ritter) is a struggling New York City actor who unable to get his "break" moonlights as a cab driver and dressing up in costume as Captain Avenger to promote the B-level film of the same name. On his way home one evening stopping at grocery store for milk, two thugs attempt a robbery and Steve still in costume gets the drop on them saving the store owner and his wife. The story takes New York City by storm with the Captain Avenger movie seeing record business and many in the media and publicity circuit looking to capitalize including the struggling incumbent mayor. Steve's neighbor, Jolene Walsh (Anne Archer) eventually discovers his secret and assists him in what ways she can despite not completely approving of Steve's playing "hero", and the two begin a friendship and possible romance.
Released in 1980, Hero at Large was released at the height of Three's Company's popularity. While John Ritter had become a popular staple of TV, he often struggling with headlining features with his films subjected to rather middling responses. Hero at Large did okay in its quiet February release slot, with contemporary views being very middle of the road and the majority of the film's exposure coming from airings on cable TV. In the years since it's release, Hero at Large has seen something of a resurgence in interest thanks to the prevalence of superhero themed comedies with entries such as Kick-Ass, Super, Defendor, and others. Hero at Large doesn't go as far with its premise as it could've, but as a prototype for this kind of film built around the framework of a romantic comedy it's pretty easy viewing.
John Ritter is what sells the movie. Hero at Large at its core takes the traditional trappings of seen in the glut of vigilante films of the 70s and 80s and files down their rougher edges filtering them through the lens of the goofy optimistic sincerity of the Richard Donner/Christopher Reeve Superman films. Ritter is just an absurd level of nice and pleasant in the lead which makes him the perfect person for this role. Steve isn't interested in fame or glory and only does his amateur super heroics because he wants to do good. Anne Archer is also good playing the love interest Jolene Walsh who contrasts with Steve's outlandish likability and altruism embodying a more cynical and grounded persona. The scenes of them interacting together are filled with charm going from chance roommates to something more quite naturally. The romance is definitely the strongest part as the superhero section is rather scant.
While there are scenes of Steve engaging in superhero shenanigans, they're very brief save for a scene in the climax. There are sequences where we see hints of the larger scale of events inspired by Steve's actions such as a round table panel discussion show with notable pop psychologist Joyce Brothers playing herself espousing the virtues of Steve's outings as Captain Avenger, but this side of the movie feels underdeveloped with a rather low frills take on the material as there's really only five (though technically three) scenes where we see Steve in proper action. There's also a subplot with an unpopular mayoral incumbent wishing to utilize the Captain Avenger popularity to prop up his own limping campaign, but it doesn't really go anywhere save for leading to Steve's third act nadir.
Hero at Large is basically the prototype for the Superhero comedy subgenre and as a prototype you can definitely see the appeal and promise, but not much polish on the delivery. While the superhero aspect is played up in the marketing of the movie, Hero at Large is without question first and foremost a romantic comedy, and as a romantic comedy it has everything it needs with two solid leads, engaging chemistry, and a gentle but likable sense of humor. Hero at Large is the kind of movie that's nigh impossible to dislike and makes for a cute and pleasant little film.
Released in 1980, Hero at Large was released at the height of Three's Company's popularity. While John Ritter had become a popular staple of TV, he often struggling with headlining features with his films subjected to rather middling responses. Hero at Large did okay in its quiet February release slot, with contemporary views being very middle of the road and the majority of the film's exposure coming from airings on cable TV. In the years since it's release, Hero at Large has seen something of a resurgence in interest thanks to the prevalence of superhero themed comedies with entries such as Kick-Ass, Super, Defendor, and others. Hero at Large doesn't go as far with its premise as it could've, but as a prototype for this kind of film built around the framework of a romantic comedy it's pretty easy viewing.
John Ritter is what sells the movie. Hero at Large at its core takes the traditional trappings of seen in the glut of vigilante films of the 70s and 80s and files down their rougher edges filtering them through the lens of the goofy optimistic sincerity of the Richard Donner/Christopher Reeve Superman films. Ritter is just an absurd level of nice and pleasant in the lead which makes him the perfect person for this role. Steve isn't interested in fame or glory and only does his amateur super heroics because he wants to do good. Anne Archer is also good playing the love interest Jolene Walsh who contrasts with Steve's outlandish likability and altruism embodying a more cynical and grounded persona. The scenes of them interacting together are filled with charm going from chance roommates to something more quite naturally. The romance is definitely the strongest part as the superhero section is rather scant.
While there are scenes of Steve engaging in superhero shenanigans, they're very brief save for a scene in the climax. There are sequences where we see hints of the larger scale of events inspired by Steve's actions such as a round table panel discussion show with notable pop psychologist Joyce Brothers playing herself espousing the virtues of Steve's outings as Captain Avenger, but this side of the movie feels underdeveloped with a rather low frills take on the material as there's really only five (though technically three) scenes where we see Steve in proper action. There's also a subplot with an unpopular mayoral incumbent wishing to utilize the Captain Avenger popularity to prop up his own limping campaign, but it doesn't really go anywhere save for leading to Steve's third act nadir.
Hero at Large is basically the prototype for the Superhero comedy subgenre and as a prototype you can definitely see the appeal and promise, but not much polish on the delivery. While the superhero aspect is played up in the marketing of the movie, Hero at Large is without question first and foremost a romantic comedy, and as a romantic comedy it has everything it needs with two solid leads, engaging chemistry, and a gentle but likable sense of humor. Hero at Large is the kind of movie that's nigh impossible to dislike and makes for a cute and pleasant little film.
This role is one of Ritters' best performances in a highly acclaimed career. His portrayal of a really nice and well-meaning guy, who has to make a tough ethical decision to help him pay his bills, is thoughtful and funny at the same time without being over-the-top Jack Tripper funny. Ritter and the Director give a great real-world look at super-heroes. How does he get to crime scenes? Can he dodge bullets? Where does a super hero get medical attention?
In a way it's sort of a misnomer to call him a super hero since he doesn't actually have any super powers, but his willingness to put himself in danger to help others is the core value that all super heroes must have. The fact that he goes out and tries to stop crimes anyway, without super powers, makes him even more courageous than a true comic book hero in a way.
Before movies like Unbreakable and Spiderman came along I called this movie the best super hero movie ever made. No special effects other than a few fires. No flying through the air. Just a real guy showing that courage and caring are what's really important. One of the best feel-good endings of any movie ever made.
In a way it's sort of a misnomer to call him a super hero since he doesn't actually have any super powers, but his willingness to put himself in danger to help others is the core value that all super heroes must have. The fact that he goes out and tries to stop crimes anyway, without super powers, makes him even more courageous than a true comic book hero in a way.
Before movies like Unbreakable and Spiderman came along I called this movie the best super hero movie ever made. No special effects other than a few fires. No flying through the air. Just a real guy showing that courage and caring are what's really important. One of the best feel-good endings of any movie ever made.
Você sabia?
- CuriosidadesA young Kevin Bacon has a brief part as one of the teenagers at the beginning of the movie who gives Captain Avenger a hard time.
- Erros de gravaçãoAs Steve clearly sits in his cab obviously listening to a portable police scanner, he is clearly still moving the tuner (clearly showing needle movement) while the dispatcher can be clearly heard giving the information about the obviously fleeing criminals.
- Citações
Steve Nichols: Mind if I drop in?
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- Faturamento bruto nos EUA e Canadá
- US$ 15.934.737
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.850.725
- 10 de fev. de 1980
- Faturamento bruto mundial
- US$ 15.934.737
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