Arlequim

As a long-time fan of Robert Powell, I have to say he was fantastic in this little known film, which I saw under the title "Dark Forces." The actor's ability is far under rated -why, I'll never know. This tale of a mysterious being entering the lives of a family was curiously spiritual as well as supernatural. I even found Powell quoting a line from his masterpiece "Jesus of Nazareth." There were some unanswered questions in the film, but I wasn't bothered by this. After all, the supernatural leaves a lot of gaps for us to dwell on and come up with our own conclusions.

I saw this film in my youth and after years of searching for it, finally taped it off the telly. Robert Powel is exceptional as the title character as is David Hemmings as the senator. There are a few films out there that can just bewitch you as you're watching them, The Wickerman being the best example, but this one comes very close. If you see this little gem airing on your TV in the wee small hours I urge you to tape it.

A movie of wonder, magic, and intrigue, "Harlequin" or "Dark Forces" is a force to be reckoned with. At a birthday party, a boy named Alex(Mark Spain) who suffers from leukemia gets to meet a clown who entertains everyone. That night, a man named Gregory Wolfe(Robert Powell) enters the house and cures the son. Skeptics including the father and his political cronies would try anything to discredit the faith healer. Wolfe performed many feats that would mesmerize. Many would think that there are tricks behind his acts. But no one has ever been able to figure it out. This movie is about magic and political intrigue. What you see is a slight of hand. Being from Australia is something that I like to see. At least it's not a Mad Max film. Don't try to figure out the tricks in the film. Otherwise, you just might disappear! 3 out of 5 stars

harlequin is a fun film and very entertaining. It's problem is that it seems to get a bit confused as to what it's all about. Robert powell, one of the most underused talents of modern times, shies as Wolfe, and there are some excellent moments exploiting his strengths, such as those intense blue eyes and angelic yet sinister demeanour. A scene at the start with Powell as a clown is particularly intriguing. The Rasputin illusions are noticeable, but here is where the film's weakness lies. Unlike Rasputin, who was gaining control of the affairs of no less than the Tsar of russia, Gregory wolfe hewre seems to be fascinated by a minor Australian politician, and when we can see what he is capable of himself one can't help thinking that Nick must seem a rather trivial target for his talents. It would be interesting to speculate that unlike us, Wolfe can see that nick will become important in the future and therefore warrants the attention he is being given but there is no attempt made in the film to explain this. Wolfe's relationship with Sandra is equally baffling, veering at random from rejection to seduction. The locations are generally rather dull and the film looks cumbersome, there being little elegance in the composition, all muddy colour and blocks of contrasting images, like a 70s American commercial. But on the plus side, the story keeps one intrigued, Powell is fascinating, his appearance in the window, distorted, is superb, and the final scene with Hemmings at his mercy in the house is pretty chilling. Certainly a good discussion can ensue after viewing for those in the mood!

Powell stars in this eerie Ozploitation thriller as a mysterious faith healer and magician (akin to a modern day Rasputin) whose cure for a senator's ailing son leads to betrayal and revenge. Hemmings co-stars as the emasculated senator whose wife (Duncan) the charismatic jester is now involved imperilling their lives. Broderick Crawford also appears as a shady political figure in one of his final film appearances, whilst Australian veteran actors Gus Mercurio and Alan Cassell have prominent supporting roles (although given the movie purports to be set in the US, both use accents, Cassell's being dubbed)

The atmospherics are spot-on, and despite the supernatural aspects, there's nothing fantastical about the underlying sinister attitude (although his outfit is sometimes distracting), and quiet menace of which Hemmings grows suspicious. It's genuinely scary at times and although there's a few missed opportunities for suspense, and some contrivances to tolerate, Powell creates a cultivated and engaging character at times as sympathetic as he can become cruel. That's not to say the performance is uneven though, it's just good acting.

Wincer shows his talent for storytelling, seamlessly blending dark occult themes with occasional dry humour (a great scene where Powell enthralls and then enrages his dinner party hosts with a crafty carrot trick), and then the more violent climax is tense and unnerving. Not a masterpiece, and the decision to set the story in another country was an unwise distraction (it would've worked perfectly well set locally with less distraction) from what is still an engaging Ozploitation thriller.