Hangar 18

I was flipping through, looking for something to watch & I came across this movie.I'm not normally into movies about outer space, UFO's & stuff like that but after seeing all the names that were in it, Gary Collins, Robert Vaughn, Joseph Campanella but most of all, Darren McGavin (Sorry if I forgot anybody else) I knew I had to check it out.Hangar 18 turned out to be pretty good (Kinda makes you wonder, what do they know that they don't want us to know? Know what I'm saying?) It was interesting to see the outside & inside of the ship, everybody trying to figure out how & what made it work, the 2 astronauts who were accused of causing the accident trying to clear their names & the officials doing everything they can to keep the UFO under wraps.The best part of the movie had to be the ending, the twist within a twist.I also read on IMDb that in 1983 Hangar 18 was released under the name Invasion Force which had an alternate ending.I wouldn't mind seeing the alternate ending but if I don't, no bother.Hangar 18 isn't a movie I'd buy but it is worth watching, if you're a fan of extraterrestrial movies or not

The standard Government cover-up of UFO. If we knew about it too soon it would sway the presidential elections. Part of the containment is to discredit two astronauts Steve Bancroft, Lew Price (Gary Collins, James Hampton) who witnessed the object. If they cannot be discredited, they need to be contained. If not contained, then? What is worse is that it seems that Lew has a real flair for adventure.

Standard conspiracy and obligatory auto chase. They tried to toss in Great Primed theory after it was figured out that people built it and left debris and work records. It sort of puts a damper on the story. Oh no, what about the missing link and where next?

The fun thing is looking at all the old technology of the eighties (some of it was old then). A side benefit is a rather good picture of Big Spring, Texas, where the movie was made. The movie is a good vehicle for TV actors of the time. Putting this film in a time frame the movie "Capricorn One" was made three years earlier. You need to watch this for cultural literacy, but it has lost the original flair and suspense of the time it was made.

It is common to bash this 1980 sci-fi/conspiracy movie for its admittedly not-top-notch special effects and pretty much everything else; the limited budget has a lot to do with it. But with the exception of the 1978 film CAPRICORN ONE, nobody else was trying to mix the two elements (sci-fi and conspiracy) together for the big screen. In essence, HANGAR 18 can indeed be said to presage "The X Files" by a decade and a half.

The film begins with two astronauts (Collins, Hampton) encountering a UFO in orbit while launching a military satellite. The satellite collides with the UFO, causing an explosion and killing a third astronaut in the cargo bay who had been watching the satellite's progress. But the UFO makes a surprisingly controlled landing in the Arizona desert, thus necessitating its quick removal and forcing the president's chief of staff (Vaughn, an absolutely steely performance) to concoct a cover story to avoid serious damage to his boss's chances for re-election.

Naturally, both Collins and Hampton are fingered by Vaughn and his staff for blame in the incident. This forces them to gather hard evidence to clear themselves, but it also means that they'll be pursued by government agents the entire way. Meanwhile, at Hangar 18, located at an air force base in Texas, a team of scientists, led by McGavin, are learning everything they possibly can about the UFO and its alien occupants. What they find about those aliens is how uncannily similar they are to humans.

Despite the film's technical imperfections, HANGAR 18 is still a pretty good and speculative science fiction film from Sunn Pictures, the same Utah-based film company that was known for making speculative documentaries during the 70s and early 80s. McGavin is at his usual best, as he was in the 1972 TV film THE NIGHT STALKER. In terms of plot, HANGAR 18 seems to use Watergate as a starting point and then mixes in elements of Kubrick's 2001: A SPACE ODYSSEY and Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And although it is hardly on a level with those two great movies, it nevertheless works because of the approach it takes to the debate not only over UFOs in our present day but also the possibility that visitors from another world have visited Earth before.

This film was made in my hometown of Big Spring, Texas....my father is in the movie as an extra..he is one of the guys in the hanger around the ship ..look for the white dude with an afro...lol..I was going to get to be in the movie but they decided to scrap that scene for a night crash instead. If you visit the hanger on the old air base it still has the 18 on it. I love the movie. Its pretty good for being such a low budget film but its cool. The ship was sold to one of the rich people in town back then for his kid to have to have fun in. I always remember my parents telling me about Robert Vaughn, they told me that he thought he was this big time actor from Hollywood and he thought he was the coolest thing walking the earth. The other actors and a lot of the higher up towns people would have parties all get together...it was interesting.

Some parts of the film were done in Midland, Texas and Odessa, Texas...so when watching the film its like looking in my back yard.

Ok, no, this isn't one of the greatest movies of all time by any means, but it does have some very interesting theories and suggestions, ala the "X-Files". If you were between 10-14 during the late 70's and early 80's, you'll remember the movies that dealt with such mysteries as Bigfoot, Noah's Ark, and (didn't this one just scare the be-jesus out of you!) Nostradomas, narrated by Orsen Welles. I think the movie is entertaining, even though it is "dated" by today's standards. I also don't think it's a strech to say this could have been the very birth of the X-Files as we now know it.