Glaube und Währung - Dr. Gene Scott, Fernsehprediger
- Filme para televisão
- 1981
- 44 min
Adicionar um enredo no seu idiomaThe documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970's and 1980's, and even argues with his ... Ler tudoThe documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970's and 1980's, and even argues with his viewers, complaining about their lack of support by not sending enough money to keep going... Ler tudoThe documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970's and 1980's, and even argues with his viewers, complaining about their lack of support by not sending enough money to keep going with the show. Werner Herzog presents the man, his thoughts and also includes some of his... Ler tudo
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I just had the opportunity to watch a print of this and I can't recommend it enough a really fascinating documentary. It starts of so farcical that you wonder what Herzog's motives are in making this short film. However, we soon discover that this larger than life TV evangelist is not quite the pillar of towering strength that he portrays to his devoted audience (which as he reminds them, has grown well into it's 1000's).
What I found so fascinating about Dr Eugene Scott and his live telethon style broadcasts wasn't the usual reactionary opinions (although he had his share; homosexuals, women's rights etc). It was the surreal, completely unbelievable set-up of his television broadcasts. If you tried to make the most over the top parody of a TV evangelist possible, the result would still be nowhere near as ridiculous and captivating television as Scott's broadcasts. I've spent my share of time in America, seen many TV evangelists, but none of them have ever come close to Eugene Scott.
From the over the top set dressing, to his in house singing duo, to the old ladies manning the telephones (all major credit cards accepted) the whole broadcast really is quite astounding. The highlight though is Scott himself. Herzog shows us some quite extraordinary moments of television captured live by his small on-set crew. At one point the Dr grumbles I will not be defeated tonight... (pause) not one more word until that thousand comes in'. At which point the presenter crosses his arms and just glares into the live camera refusing to speak until his requests for donations are met with.
With the Dr in full swing, resistance seems futile. Soon Scott is reporting on the incoming donations, all of which are in there hundreds, many thousands of dollars. However, it's just as well It's not about the money!' as Scott screams at one point when again his requests to meet a larger target of a quarter of a million dollars are not met. Even when Scott's financial desires have been satisfied he still feels the need to insult his audience for not parting with their few hundred miserable dollars' earlier.
The strength of this documentary though is in Herzog's one on one interviews with Scott, carried out on his estate or in the back of his stretched limo. Herzog's candid questioning shows an altogether different side to the TV persona his viewers were only allowed to whiteness. I've read that since Herzog's film, the FCC shut down Scott in the early 80's. I would suggest searching the Internet for Dr Scott. He seems to have embraced the Internet in order to continue his teachings.
** 1/2 (out of 4)
Werner Herzog documentary about teleangelist Gene Scott who came under fire by the FCC in the late 1970s. Scott is certainly a strange character and Herzog does a good job at showing how much power this guy had over his viewers and he's also honest in showing why the FCC and others would come after him. The only somewhat annoying thing really isn't the films's fault but in the interview clips Scott will be speaking in English and then Herzog will narrate, in German, just what he said and this goes on throughout the documentary.
This is impactful because Herzog understands how to talk to his subject and to make someone who might usually be on his guard or just putting on another 'face' for the media as the firebrand he created for his show to be natural and therefore be... vulnerable, to an extent. It's hard to ever feel sorry for this sort of prototype of countless grifters and shysters fleecing money from the most gullible, but the entire surreal atmosphere of what this man is surrounded by in his studio, and how that contrasts (or is connected to) what he tells Herzog as his dissatisfaction with how his life has gone - sometimes in a TMI sort of way - makes one understand him completely, and you end the documentary with a far more complex portrait than would come about on any news program (even 60 Minutes, indeed).
I was engrossed in the light spectacle of those painfully white-bread Christian singers, and for all of Dr. Scott's bragadoccio and eventually rage against his supporters not sending enough money, compared to what we have today he is almost quaint. He's a classic firebrand of a demagogue, but he knows it and the self conscious understanding humanizes him (on the other hand, maybe 45 minutes is the limit to what one can fake of what he has to say, Herzog doesn't get too deep into what may be more xenophobic beliefs, and that's fine, the information about his *70* lawsuits against him is enough).
Suffice to say the F. C. C. Monkey Band set piece raised my rating a half a star. Herzog did not even have to set anything up, one of his great confoundingly surreal set pieces was someone else's unironic doing.
Taking into account that the subject matter is very interesting coupled with the fact that it is directed by Werner Herzog, this has to be considered a bit disappointing. Herzog has made several films, both fact and fiction alike, featuring central characters who are so very far removed from societal norms to the point of being isolated in life. Scott is another character very much in this vein, yet this film never makes as much impact as it should. In fairness, it's not helped much by Herzog constantly translating into German over the top of the English dialogue. Obviously this must have been on account of this being targeted at a television audience in Germany, yet it is still very distracting and it is unfortunate that subtitles were not simply used for non-English speakers. Anyhow, Herzog interviews Scott behind the scenes and he is an altogether different character in this context; full of doubts and fears, unlike his TV persona who is black and white in his opinions and sure of his position. Also of note, we are exposed to several musical numbers by Scott's in house band The Statesman. These are very strange religious songs, sung along to heroically horrendous music and performed by unusual scarily upbeat men. These songs were interesting in their utter bizarreness.
The narrative explores the true nature of American evangelism and those who front such shows. The segment in which Scott reads out the donations coming in is literally jaw dropping, you won't believe what you're seeing or how people can be so gullible. In fact, it's all so extreme that it feels like an absurd comedy, made all the more absurd by the fact that it's real. The surreal ending, with the toy music-making monkeys, brings to mind the glorious heights of the dancing chicken in STROSZEK.
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