Adicionar um enredo no seu idiomaA working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.A working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.A working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.
- Direção
- Roteiristas
- Artistas
William H. Macy
- Bronski
- (as W.H. Macy)
Avaliações em destaque
"Foolin' Around" is one of those films that harkens back to 1930s screwball comedy, and that knows enough not to take itself too seriously. Likewise, it knows one of the key lessons of such comedies -- get likeable leads together with wonderful supporting actors to make the genre work.
Busey (one of my favorite actors when he's on his game) plays a good ol' boy who's going to the University of Minnesota who falls in love with fellow coed O'Toole. Despite the fact that she's ostensibly spoken for (with obnoxious boor Calvin), a romance blooms between the two of them, not the least because her grandfather (Eddie Albert, in an extremely fun character performance) sees in Busey a lot of the same blue collar roots and values that brought him to the top. Busey is wonderfully likeable (as he usually is) as is O'Toole, but it is Albert, Cloris Leachman (as O'Toole's status-conscious mother) and Tony Randall (hilarious as their stiff-as-a-board butler) that really get into the screwball spirit. Randall's efforts to keep track of a mysteriously disappearing and reappearing bag and his (off-screen) sex scene with Leachman are among the many highlights in this film.
On a one-to-ten scale, this film definitely hits a 7 1/2.
Busey (one of my favorite actors when he's on his game) plays a good ol' boy who's going to the University of Minnesota who falls in love with fellow coed O'Toole. Despite the fact that she's ostensibly spoken for (with obnoxious boor Calvin), a romance blooms between the two of them, not the least because her grandfather (Eddie Albert, in an extremely fun character performance) sees in Busey a lot of the same blue collar roots and values that brought him to the top. Busey is wonderfully likeable (as he usually is) as is O'Toole, but it is Albert, Cloris Leachman (as O'Toole's status-conscious mother) and Tony Randall (hilarious as their stiff-as-a-board butler) that really get into the screwball spirit. Randall's efforts to keep track of a mysteriously disappearing and reappearing bag and his (off-screen) sex scene with Leachman are among the many highlights in this film.
On a one-to-ten scale, this film definitely hits a 7 1/2.
No other movie has ever been made or will ever be made that can top Foolin' Around. Gary Busey's performance is pure genius. The amount of times someone gets hit in the nuts only leaves you wanting more. "Everytime I get around that guy something goes Haywire"...
I saw this on cable around 1982, and have fondly remembered it ever since. Very funny! My sister and I cracked up the whole time watching the average-Joe, Gary Busey, try to win the love of rich-girl, Annette O'Toole, and the crazy antics involving the butler. The butler (Tony Randall) was so funny in this movie! Unfortunately, it is not currently available on DVD/video. I sure hope it is re-released soon.
Back in like 1982, before we had real cable, my dad had a single cable channel! Remember those days they played the same movies for a month and after midnight soft core x rated films. Nonetheless, I saw this film one sat. afternoon. It is absolutely hilarious and I cannot believe more folks have not seen it. If you like the south park guys, this is a good show to see where they learned some of the off color comedy. I have to say that if you like comedy and surprises you should ck. it out. I have been trying to find it recently. I am sure ebay will be a good bet. I have nothing but good things to say regarding this film. Gary Busy's best! Anette O' tooles awesome. I have nothing but great things to say about the Tony Randall character. Also the end lines from his character are classic.
This little seen film, which I caught for the first time over twenty years ago, is a wonderful throwback to 1930's screwball comedy in more ways than one. Young hick (Busey) starts college at the University of Minnesota, and falls in love with debutante O'Toole, despite her mother's intentions to marry her to society dolt Calvin. What ensues are a series of pratfalls and slapstick bits that, while not terribly deep, are nonetheless quite funny. More importantly, Busey and O'Toole are so damn likeable, you really do want them to fall in love.
But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).
While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.
But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).
While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.
Você sabia?
- CuriosidadesFoolin' Around (1980) and Em Algum Lugar do Passado (1980) were the first theatrical feature films of actor William H. Macy where he was billed in both as "W.H. Macy". Em Algum Lugar do Passado (1980) released first stateside in early October 1980 prior to Foolin' Around (1980) premiering in the USA about a fortnight later mid October 1980.
- Citações
Daggett - a retired tycoon, Susan's grandfather: [Daggett to Wes] Your dog can be a friend, booze can be your friend, but if you have a girl for a friend you'll end up drunk kissing your dog.
- Versões alternativas"Videotape versions of the film are ten minutes shorter" according to the American film guide publication 'Rating the Movies'.
- Trilhas sonorasFoolin' Around
Music and lyrics by Jim Seals and Charles Bernstein
Performed by Seals and Crofts
Principais escolhas
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- How long is Foolin' Around?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Fooling Around
- Locações de filme
- 1350 Nicollet Avenue, Minneapolis, Minnesota, EUA(exteriors: construction site)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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By what name was Foolin' Around (1980) officially released in India in English?
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