Adicionar um enredo no seu idiomaA working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.A working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.A working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.
- Direção
- Roteiristas
- Artistas
William H. Macy
- Bronski
- (as W.H. Macy)
Avaliações em destaque
Annette O'Toole and Gary Busey have good chemistry together. The supporting cast adds so much to this movie. One of the supporting roles I haven't seen anyone mention is Michael Talbott as Clay, Wes' (Gary Busey's) best friend. I thought he was very funny, along with John Calvin as the uppity boyfriend, Cloris Leachman, Eddie Albert and Tony Randall. Also, notice the cameo appearance of William H. Macy as the book salesmen who's car is hung by Wes.
This movie is an enjoyable experience from start to finish. Two all time great comedic moments in movie history are in this jewell. Tony Randall steals the show with his portrayal of Cloris Leachman's butler at the engagement party and Busey's thinking out loud comments on answering questions while he has has been summoned to fix an air conditioning problem.
The movie has it all... a little romance, a little comedy, great character development, good acting, but most of all, a great script.
The editing is above average, good locations and even the chase scene at the end has its thrills. Look for William H. Macy in the beginning.
Why can't Hollywood make more movies like this one?
The movie has it all... a little romance, a little comedy, great character development, good acting, but most of all, a great script.
The editing is above average, good locations and even the chase scene at the end has its thrills. Look for William H. Macy in the beginning.
Why can't Hollywood make more movies like this one?
This little seen film, which I caught for the first time over twenty years ago, is a wonderful throwback to 1930's screwball comedy in more ways than one. Young hick (Busey) starts college at the University of Minnesota, and falls in love with debutante O'Toole, despite her mother's intentions to marry her to society dolt Calvin. What ensues are a series of pratfalls and slapstick bits that, while not terribly deep, are nonetheless quite funny. More importantly, Busey and O'Toole are so damn likeable, you really do want them to fall in love.
But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).
While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.
But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).
While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.
If you scout around a little bit here on IMDb you'll find Siskel and Ebert hating this film with vigor. They're really wrong IMO. The movie is worth watching. I'm not saying it's a comedy classic--there's a fair bit of dumb crap to wade through, and the last 10 minutes are weak--but its best moments are fun and interesting. For example, Eddie Albert's scene at the construction site with Gary Busey, at 1:14:00, is honest and powerful, yeah a bit melodramatic, but the actors keep it mostly real. Notice how Albert deliberately drops an apple, to show the height they're at, and then has another one ready to eat.
Annette O'Toole and Busey have definite chemistry. O'Toole is the making of the picture. This is some of her best work. She captures something essential about a young woman having trouble deciding about her future. I'm surprised that both Siskel and Ebert fail to see the quality of her performance. (The filmmakers missed a great shot by not adequately lighting her face when she invites Busey into the back of the van. The cinematographer, Philip Lathrop, should be docked a week's pay for that.)
Look for William H. Macy early in a small role; the scene is important because Busey needs to prove his mettle and his slight craziness, and does so. I laughed out loud at Tony Randall's work. Eddie Albert, who grew up in Minnesota, played two interesting Minnesota business leader types in his career: here and in "The Heartbreak Kid," 1972 version. (If you know the Twin Cities at all, "Foolin' Around" and "The Heartbreak Kid" are must-sees. The former is free on YouTube.)
Annette O'Toole and Busey have definite chemistry. O'Toole is the making of the picture. This is some of her best work. She captures something essential about a young woman having trouble deciding about her future. I'm surprised that both Siskel and Ebert fail to see the quality of her performance. (The filmmakers missed a great shot by not adequately lighting her face when she invites Busey into the back of the van. The cinematographer, Philip Lathrop, should be docked a week's pay for that.)
Look for William H. Macy early in a small role; the scene is important because Busey needs to prove his mettle and his slight craziness, and does so. I laughed out loud at Tony Randall's work. Eddie Albert, who grew up in Minnesota, played two interesting Minnesota business leader types in his career: here and in "The Heartbreak Kid," 1972 version. (If you know the Twin Cities at all, "Foolin' Around" and "The Heartbreak Kid" are must-sees. The former is free on YouTube.)
The fact that this little gem of a movie isn't on DVD in an age when every bad film ever made had met it's digital home is a crime against cinephiles everywhere. I loved this movie as a kid and still have it on VHS but it is very worn and needs to have a DVD upgrade very soon.
You have an all-star cast, a whip-smart script and one of the most underrated performances of Tony Randall's career. What more are you people waiting for.
If you get a chance and happen to come across a VHS copy at your local video store, do yourself a favor and pick it up. It is well worth your time, for Tony Randall if nothing else.
You have an all-star cast, a whip-smart script and one of the most underrated performances of Tony Randall's career. What more are you people waiting for.
If you get a chance and happen to come across a VHS copy at your local video store, do yourself a favor and pick it up. It is well worth your time, for Tony Randall if nothing else.
Você sabia?
- CuriosidadesFoolin' Around (1980) and Em Algum Lugar do Passado (1980) were the first theatrical feature films of actor William H. Macy where he was billed in both as "W.H. Macy". Em Algum Lugar do Passado (1980) released first stateside in early October 1980 prior to Foolin' Around (1980) premiering in the USA about a fortnight later mid October 1980.
- Citações
Daggett - a retired tycoon, Susan's grandfather: [Daggett to Wes] Your dog can be a friend, booze can be your friend, but if you have a girl for a friend you'll end up drunk kissing your dog.
- Versões alternativas"Videotape versions of the film are ten minutes shorter" according to the American film guide publication 'Rating the Movies'.
- Trilhas sonorasFoolin' Around
Music and lyrics by Jim Seals and Charles Bernstein
Performed by Seals and Crofts
Principais escolhas
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- How long is Foolin' Around?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Fooling Around
- Locações de filme
- 1350 Nicollet Avenue, Minneapolis, Minnesota, EUA(exteriors: construction site)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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