Flash Gordon

A football player is tricked to travel the planet Mongo and finds himself forging friendships while fighting a tyrant, Ming the Merciless, to save Earth.

Lacking the production values and execution of the comparable Star Wars, Flash Gordon retains its comic-strip and Saturday morning matinée serial feel, possibly thanks to a troubled production and Lorenzo Semple Jr. screenplay.

Peter Wyngarde plays masked villain Klytus elegantly creepy (possibly and inspiration for He-Man's Skeletor) and with Mariangela Melato Kala's (oddly He-Man borrows another character this time Evil-Lynn) leads the assault while The Emperor Ming played subtly by  Max von Sydow takes a back seat. It's this distance between the protagonist and antagonist that hampers the film but on the other hand it's works to its credit allowing an array of colourful characters to line the screen including Brian Blessed as Prince Vultan who's delivers a barrage of classic lines while Timothy Dalton to graces the screen as dashing Errol Flynn alike Prince Barin.

Flash's love interest Dale Arden is played by Melody Anderson Dale is the perfect 1950's style every day New Yorker. Flash lacks Charisma, history may have been different should Kurt Russell had committed.  Either way Sam J. Jones Flash Gordon does the job. There's tones of familiar faces including UK's Richard O'Brien, Robbie Coltrane and Blue Peter's Peter Duncan. Sultry Ornella Muti is perfect as Ming's daughter Princess Aura nevertheless there's no doubt Topol steals every scene as unhinged science 'genius'  Dr. Hans Zarkov.

While characters arcs change pacer than Queen's memorable pumping and notable soundtrack amongst themes of forging friendships, suicide, death, sacrifice and resurrection to name a few there's spaceships, poisonous creatures, red-clad guards and enough sequins to start a cabaret show all the things you'd expect from a science fiction.  Beneath the bright and lustre costumes there's a dark and rebel subtext. 

Director Mike Hodges gives us many stand out scenes including a battle to the death on a remote control tilting platform with retractable spikes, an American football inspired fight, a space shuttle assault, gooey spider-monster and girls cat fight. There's also some nice touches during Zarkov and prince escape that stay in the mind.  The effects are a mixed bag with projection and composites heavy utilised, again it gives it's that hammy serial feel but hampers Flash's longevity as a rounded work of art. Even so it packs in so many memorable characters, lines and moments that it retains a must seem charm.

Flash Gordon is flawed as much as the actor title role, it never fully explores the characters, yet, it's well defined and still is a lot of fun. Gordon's alive!

Geez, I think my title summed up everything that needs to be said. "Flash Gordon" has all the sci-fi and action as "Star Wars" but blended with an unapologetic campiness and comic bookishness like the iconic 60s Batman series. Throw into the mix, um, QUEEN doing the soundtrack, and you've got yourself an experience that will never happen again.

You might be thinking the blend I just described is as ill-advised as putting pineapple on pizza (seriously does anyone really like that?), but actually the blend is perfect if we take a quick look at the decade that this film wraps up, the 70s. The 70s was the decade of the rock opera: The Who's "Tommy", the doo-wopper "Grease", Motown's "The Wiz", the punkish "Rocky Horror" and bunches of others that swept the box office. While "Flash Gordon" isn't a musical, as defined by characters breaking out into song & dance, the vibe of the movie spells rock opera with a capital Rock. In plain terms this means a very tongue-in-cheek, over-the-top, theatrical and colorful spectacle that is not to be taken as a straightforward drama. If you can grasp that concept, I guarantee you'll love this flick.

The plot? Who cares. Something about saving the universe, I'm sure. But it doesn't matter because, like a good roller coaster ride, or like a good adventurous vacation, we don't care how it's mapped out. We just get a thrill out of each individual twist & turn, each scene, each surprise, and all the while we're taking mental notes of all the horribly awesome lines we can quote to our friends and annoy them for months afterwards.

A serious note about the acting. This production drew the talents of some of the finest actors of stage & screen, and for them to be able to play such campy characters is a testament to their true expertise. I'm talking dramatic & Shakespearean legends like Brian Blessed, Max von Sydow, Timothy Dalton, not to mention the incomparable personality of Topol (Fiddler on the Roof) and the show-stealing, sexually repressed Ornella Muti as the Emperor's daughter--whose mere presence would've kicked the MPAA rating from PG to PG-13 if that designation had existed back then. Even if you don't recognize any of these people, you'll find each one of them to be unforgettable.

"Flash Gordon" is a film that has no equal. You could say it's a distant cousin to 1968's "Barbarella" (another wtf experience that shouldn't be missed), but really it's beyond compare. So hurry up and see this movie ...you only have 14 hours to save the earth!

Yes, the plot is silly, yes the dialogue is cheesy and yes, some of the special effects are badly done, but nonetheless it is great fun. Like Rocky Horror Picture Show, Congo and Jingle All the Way, Flash Gordon is a sort of guilty pleasure of mine. The costumes are quite extravagant and the sets are exotic. Then you have an irresistibly killer soundtrack from Queen, who also brought us the classics We Will Rock You and Bohemian Rhapsody. The direction is pretty good and the acting is surprisingly great. Sam J Jones is bad with his cheesiness but he was fun besides, thank goodness he wasn't bland like Justin Whalin from Dungeons and Dungeons, and Melody Anderson is charming and alluring as Dale. Brian Blessed is very hammy as Vultran but he is great fun regardless and Topol, who was so superb in Fiddler on the Roof, is memorable as Dr Hans Zarkov. And while Ornella Muti is a wonderfully witty and sexy Princess Aura, it is Max Von Sydow who walks away with the picture, pantomime of course but sinister as well and I appreciated that. Overall, not perfect and camp personified, but very enjoyable. 7/10 Bethany Cox

Colorful, silly fun, at times campy, Mike Hodges's 1980 "Flash Gordon" is among those movies that are less than the sum of their parts. Made on shoe-string budgets with C-picture performers and crew for young undemanding viewers, the original 1930's Flash Gordon serials are unintentionally funny to adults today. To recapture the innocence and naivete of those movies with a big budget and trained actors is a difficult task, although Hodges's "Flash Gordon" makes a decent attempt. Lorenzo Semple's screenplay tracks the original serials fairly well; Flash and Dale Arden are taken aboard Doctor Hans Zarkov's spacecraft and flown to the planet Mongo, where they battle Emperor Ming the Merciless to save the Earth. Semple's script has enough classic bad dialog to satisfy seekers of camp; "I love you Flash, but we only have 14 hours to save the Earth." However, the difference between Semple's script and the original series is that Semple knew he was writing bad dialog, while the writers of the serial were unintentionally hilarious.

That difference in intention also applies to the actors; Buster Crabbe and company played the serials dead-pan straight, and those in the remake who play their parts equally straight come off best. The under-demanding role of Flash requires the skills of a Razzie Award Winning thespian, and, Sam J. Jones won a Razzie nomination for his work herein. Although not a super hero in the modern sense, the blonde hunk, who sports nothing but leather trunks in one scene, physically fills the role, and Jones manages to deliver his lines with a convincing lack of conviction as the dim, but well meaning Flash. However, the movie's scene-stealer is Max Von Sydow as Ming the Merciless; appropriately garbed and made-up as the evil emperor, Von Sydow plays the role with majesty and menace, which is all the more fun. Unfortunately, Topol as Doctor Zarkov, does not follow Von Sydow's example and winks and smiles as the mad scientist, telegraphing to viewers that he is in on the joke. But Brian Blessed as the winged Prince Vultan, Timothy Dalton as Prince Barin, and, especially, the delicious Peter Wyngarde as Klytus deliver their lines as though penned by the Bard himself. Although Mariangela Melato is a memorable Kala, Melody Anderson as Dale Arden should have been in the running for a Razzie alongside Jones, which is intended as a compliment.

Besides Von Sydow, the film's other scene-stealer is designer Danilo Donati, who provided the lavish Fellini-esque costumes and sets. While Donati's work tends to emphasize red and gold, which may not be to everyone's taste, his outlandish designs are as entertaining as anything on display and certainly light years beyond those of the 1930's serials. If Donati or another anonymous designer created the Art-Deco spaceships, he or she too deserves kudos as do the creators of the appropriately tacky and obvious special effects, which beautifully evoke the primitive work of the 1930's serials. As contemporary and important as the art direction is the pulsating score by Queen that punctuates the action and enhances the excitement. While "Flash Gordon" is not the high camp perhaps intended, the film has a cult following and enough outstanding attributes to satisfy main-stream audiences. Led by Max Von Sydow's iconic Ming the Merciless, Queen's pounding music, and Danilo Donati's dazzling designs, "Flash Gordon" may not be to everybody's taste, but should be savored by all at least once, just for the sheer fun of it all.

No other film is like this one, as Sam J. Jones plays the title character, based on the famous comic strip and early Saturday morning serials with Buster Crabbe. Max Von Sydow is the evil Ming the Merciless, ruler of Mongo, who is trying to destroy Earth because he is bored. Melody Anderson is Dale Arden, in love with Flash and coveted by Ming. Topol is Dr. Hans Zarkhov, whose rocket ship took the three of them to Mongo in the first place. Brian Blessed is extremely enthusiastic as Prince Vultan, Pre-James Bond Timothy Dalton is quite serious as Prince Barin, rival of Vultan, and in love with Ming's ultra sensuous daughter Princess Aura(Ornella Muti) All will converge in the exciting finale where Flash must save the day.

Crazy film is nonetheless great fun, no point in taking this seriously, since everything about it is intentionally over the top, punctuated by a soaring score and incredible sets and costumes. Not to be over thought or have all kinds of subtext in it, just sit back and enjoy!