Minha Tia Jovem

Liu Chia-Liang's 1981 martial arts action-comedy is a rather unusual entry in the Shaw Brothers Studio output of kung-fu kick-'em-ups released in the '70s and '80s. "My Young Auntie" has a very strong emphasis on slapstick comedy - which stretches a lot further than I think the material really allows it to - over elaborately staged fighting sequences, which don't really come into play until the film's last half-hour.

Until then, the audience has to sit through a lot of familial comedy, which does not always work, and can make the film a drag. (It's 124 minutes in length, according to the official runtime on the Dragon Dynasty DVD, but it actually clocks in somewhere around 119 minutes.) Even I found the slapstick comedy to bring the film to a halt in some places, which is sometimes alleviated by a well-choreographed, if slapstick, fight scene, which seems more in the vein of Jackie Chan.

But even in the midst of it all, we get one of the very best performances out of its lead actress, who became one of the more noteworthy female martial arts action stars of her era. In the film, Tai-Nan Cheng (Kara Hui, credited here by her birth name, Hui Ying-Hung) is the dedicated servant of a dying elderly patriarch who marries him to prevent his inheritance from falling into the hands of his greedy brother Yu Yung-Sheng (Wang Lung-Wei). And of course, she butts heads with her new in-laws, even as she continually clashes with Yu Yung-Sheng's band of hired martial arts-trained hoodlums.

"My Young Auntie" primarily suffers from an overly long running time, which causes the slapstick comedy bits to wear themselves out pretty quickly and leaves you waiting for the fighting to begin. Perhaps if "My Young Auntie" was shorter, this could have worked. But what keeps you watching, really, is the dashing lead performance of Kara Hui, who had no prior martial arts background (she was a dancer), but relied on her physicality and grace to aid her in the film's fight scenes. And this also means that she is a great actress, too, and is easy on the eyes. In short, Kara Hui really carries this film.

All in all, if you're in the mood for a kung-fu movie that's slightly different from so many of the others, then give "My Young Auntie" a spin - if for nothing else, to watch Kara Hui in action.

7/10

"My Young Auntie" seems to be considered a minor kung fu classic by some people, and indeed it has a lot to admire: Kara Hui is a marvel to watch in action (with each new film I see her in, I become more and more convinced that she must be one of the 5 greatest female fighters in movie history; she is also underrated in terms of beauty), Hsiao Hou makes a very compatible and playful partner / rival for her, and old-school kung fu fans are sure to get a kick out of the final fight between Liu Chia Liang and his "evil" relative. The problem is that the film barely has enough story for 14 minutes, and yet it goes on for 114! Needless to say, it feels overlong. The last half hour is non-stop fighting: this may sound good in theory, but in this case it becomes repetitive, perhaps even exhausting. Also, it's a little weird that the central character, the Auntie of the title, is almost completely written off the action during the finale. (**1/2)

I'd recommended that you don't watch My Young Auntie before spending more time on the films of Shaw Brothers , Chan Chen, and Chia-Liang Liu, from the late 70s and early 80s.

There is so much to be appreciated in this movie; the story, choreography, and cast that is (or could be) better appreciated when you get all the usual kung fu fair under your belt and get to see the cast in much light-hearted roles than usual.

This isn't an East vs East, clan vs clan, mysterious white bearded villainous master driven tale. The simplest (and forgive me for maybe not the most accurate) way to describe this film is if the team behind the production wanted to make My Fair Lady and West Side Story with a Kung Fu take.

The fact that that there is no killing or brutal acts makes for a different type of fighting and choreography that revels in the skill and ingenuity of the performers involved.

It truly deserves its place in the top tier of Kung Fu movies.

MY YOUNG AUNTIE (1981) is a clever Hong Kong comedy incorporating kung fu battles, starring and directed by master kung fu director Lau Kar Leung (aka Liu Chia Liang), who takes a break here from more intense kung fu fests like THE 36TH CHAMBER OF SHAOLIN and EXECUTIONERS FROM SHAOLIN. The story, set in the early 20th century, involves a dispute over family property after Lau is visited by the very pretty young widow (Kara Hui Ying Hung) of his aged uncle. Because of her status as the wife of the eldest family member, she's considered the senior member and the others defer to her. (She also knows kung fu.) When another, greedier relative, played by perennial villain Wang Lung Wei, disputes the will, this leads to a major kung fu battle between Lau and Wang. Appearing in a comic supporting role as a guitar-strumming college boy is Gordon Liu.

Much of the comedy arises from country bumpkin-in-the-big city-type gags as the young widow, newly arrived from the rural countryside, tries to fit in. At one point, she buys a whole new outfit, overdressing in a fancy white gown, high heels and jewelry, but she winds up getting into a kung fu fight anyway. At one point the college boys stage a costume ball: Kara goes as Marie Antoinette, while her great nephew, played by Hsiao Hou, who's the same age as her, goes as Robin Hood. Gordon Liu is one of the Three Musketeers and gets into a sword fight with a couple of thugs dressed as musketeers also. It's all a lot of fun, as long as you don't mind the comedy upstaging the kung fu for a change.

My Young Auntie kind of disappointed me, because I feel like almost all the comedy fell flat, and it really dragged, having a two-hour runtime and not filling it very well. It was at its most tedious when it shifted away from action and did its best to be funny. From about the 15-minute mark to the start of its second hour, I found it particularly hard to stay engaged. The humor not landing might be a me thing, though, because I rarely find the comedic beats in old martial arts movies funny. Even something like Drunken Master II, which has some of the best action I've ever seen, has comedy that kind of constantly falls flat (My Young Auntie's director, Chia-Liang Liu, co-directed that one, though I think Jackie Chan kind of took over directing duties there).

But, to be fair and get a little more positive, there is good action to be found in My Young Auntie. For that, it certainly wasn't bad overall. I just found there was a good deal of not-great stuff to wade through (and, at points, honestly endure) in order to get to the good stuff. The opening scenes are solid, and much of the action in the final act delivers, but the hour in between those parts of the film? I found it to be a bit of an endurance test.