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Fama

Título original: Fame
  • 1980
  • R
  • 2 h 14 min
AVALIAÇÃO DA IMDb
6,6/10
26 mil
SUA AVALIAÇÃO
Irene Cara, Lee Curreri, Paul McCrane, Gene Anthony Ray, and Maureen Teefy in Fama (1980)
Official Trailer
Reproduzir trailer2:54
1 vídeo
99+ fotos
AmadurecimentoDrama do mundo do espetáculoDramaMúsicaMusical

Uma crônica da vida de vários adolescentes que frequentam uma escola secundária da cidade de Nova York para estudantes talentosos das artes cênicas.Uma crônica da vida de vários adolescentes que frequentam uma escola secundária da cidade de Nova York para estudantes talentosos das artes cênicas.Uma crônica da vida de vários adolescentes que frequentam uma escola secundária da cidade de Nova York para estudantes talentosos das artes cênicas.

  • Direção
    • Alan Parker
  • Roteirista
    • Christopher Gore
  • Artistas
    • Eddie Barth
    • Irene Cara
    • Lee Curreri
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    26 mil
    SUA AVALIAÇÃO
    • Direção
      • Alan Parker
    • Roteirista
      • Christopher Gore
    • Artistas
      • Eddie Barth
      • Irene Cara
      • Lee Curreri
    • 132Avaliações de usuários
    • 48Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 2 Oscars
      • 9 vitórias e 16 indicações no total

    Vídeos1

    Fame
    Trailer 2:54
    Fame

    Fotos107

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    Elenco principal99+

    Editar
    Eddie Barth
    Eddie Barth
    • Angelo
    Irene Cara
    Irene Cara
    • Coco
    Lee Curreri
    Lee Curreri
    • Bruno
    Laura Dean
    Laura Dean
    • Lisa
    Antonia Franceschi
    Antonia Franceschi
    • Hilary
    Boyd Gaines
    Boyd Gaines
    • Michael
    Albert Hague
    Albert Hague
    • Shorofsky
    Tresa Hughes
    • Mrs. Finsecker
    Steve Inwood
    • François Lafete
    Paul McCrane
    Paul McCrane
    • Montgomery
    Anne Meara
    Anne Meara
    • Mrs. Sherwood
    Joanna Merlin
    Joanna Merlin
    • Miss Berg
    Barry Miller
    Barry Miller
    • Ralph
    Jim Moody
    • Farrell
    Gene Anthony Ray
    Gene Anthony Ray
    • Leroy
    Maureen Teefy
    Maureen Teefy
    • Doris
    Debbie Allen
    Debbie Allen
    • Lydia
    Richard Belzer
    Richard Belzer
    • M.C.
    • Direção
      • Alan Parker
    • Roteirista
      • Christopher Gore
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários132

    6,625.7K
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    Resumo

    Reviewers say 'Fame' is celebrated for its vibrant portrayal of young performers, capturing ambition and struggle. The realistic depiction of challenges faced by aspiring artists is praised, along with energetic music and dance numbers. Irene Cara and Gene Anthony Ray receive commendations for their performances. However, some criticize unresolved storylines and character development. The film's exploration of diverse backgrounds and the pressures of fame is highlighted. Despite criticisms, 'Fame' is regarded as influential in musical dramas.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    8TVholic

    It was the best of times, it was the worst of times.

    High school. Years and decades later, some look back on it with fondness, others with embarrassment. But few find it easy to forget. It's one of the most critical phases of our lives, when changes come fast and furious whether we're ready or not. No longer children, not yet adults, irresistible forces buffet us, pushing and pulling us in every direction.

    "Fame" did its best to capture this turbulent, chaotic period for its cast of young characters. For the most part, it succeeded. It meandered, but did feel like a slice of life. This movie holds a special place in the hearts of the Class of '80. We had just bid farewell to the sensational '70s, and soon to the end of three or four stimulating and sometimes difficult school years. We were headed out into the cold, cruel world, leaving home for college then parts unknown. As we approached our watershed event, this newly released movie was like a two-hour yearbook for us. We couldn't escape the titular song on the radio. That was us up there on the screen. Those were our friends, rivals and classmates as we had faced our own dreams, frustrations, successes and failures. Except that theirs were peppered and punctuated with lively tunes from Michael Gore.

    It's especially poignant for those who attended any of New York City's other elite, top-tier high schools, especially Stuyvesant, Bronx HS of Science or Brooklyn Tech. Like the kids here, we were considered the best of the best. We had no auditions, but instead rigorous entrance exams. More than the Performing Arts kids, we were expected to change the world, although not necessarily become famous. Like them, not all of us made it. But the pressure cooker environment fostered extraordinary camaraderie and esprit de corps, not unlike the toe-tapping "Hot Lunch Jam" in the cafeteria. On our own graduation day, our spirits soared almost like the jubilant crescendo in the rousing finale. The film leaves us fittingly on a single, triumphant note at the end of "I Sing the Body Electric," pointing to the blindingly bright, boundless future and all the promise it held.

    "Fame" couldn't have been set anywhere else. This story would never have worked in a small or suburban school. Los Angeles has a stronger identification with movies and television, but NYC is a mecca for all of the arts. Home not only to what was then called PA, but also world-renowned Juilliard, NYC is a cultural center unmatched by any other city in the world. "Fame" is also a time capsule of the rest of the city of the time, showing the seediness, grit and grime that was endemic of a New York still struggling back from the fiscal crisis that had nearly bankrupted it. But most of all, it showed the vitality, since muted by the inroads of Giuliani, Disney and tourism. Having it filmed in and around an actual NYC school - although not the real PA - helped give it a wonderful sense of verisimilitude.

    What I wouldn't give to be young again. But with "Fame," at least I can remember what it was like.
    7TOMASBBloodhound

    Good. Could have been great.

    A recent survey of children in the UK re-enforced the notion put forth by this film 27 years ago. That being more than anything else, young people want to grow up to be somebody famous. It used to be doctors and firemen that kids wanted to be. Now, everyone wants to be famous. Fame is a story of a group of kids accepted into the High School for Performing Arts in New York City. We seen them first audition, then take classes and learn about life for the next four years. The film has a lot of fine qualities, but ultimately leaves you feeling a little unsatisfied.

    Alan Parker's bold directorial style fits the story pretty well. The film has been classified as a musical, but more than anything it is a drama. Musical numbers and dance routines break out here and there, and Parker keeps them as close to realistic as they really could have been filmed. The acting is for the most part top-drawer with a few exceptions. The pacing is a little off, particularly toward the end of the film, but by that point, the story has already taken a few wrong turns anyway.

    First off, the auditions at the beginning of the film should have weeded a couple of the principle characters out. It seems unlikely that anyone would show up and audition for one department, then stumble their way through admissions to another. Some of these people just don't look that talented or interested to begin with. Once the first year of classes gets going, the film settles into a nice groove. The interaction between students and teachers is very well handled, and it leaves you wanting more. The film begins to lose itself later on as we see more and more of the students' lives out of school. Some of these people just aren't worth caring about.

    The film's biggest mistake is making the Ralph Garcy character so prominent. This guy is a boorish; self-centered jerk. A "professional a-hole" as he proudly declares on stage during his comedy routines. The audience is supposed to somehow feel for this guy and his tragic personal situation, but I was just hoping they'd throw his butt out of school. Irene Cara, Maureen Teefy, Paul McCrane and the late Gene Anthony Ray are the people you'll care about by the time this film is over. Try as I might, I still can't develop abs like Gene Anthony Ray had in this film.

    Overall this film is good. It is memorable, interesting, and full of daring scenes and performances. It runs maybe a little too long, and perhaps some of the wrong characters get fully developed while others kind of hover in the background. The musical numbers are great, and there is even a surprise or two waiting to be discovered by the time the film is over. Though not perfect, Fame will be a film that lives on in one way or another for many years to come.

    7 of 10 stars.

    The Hound.
    SophiaMazzella

    Successes and Failures on the Road to Fame

    Fame is more than a movie about high school and a group of developping teenagers. It is about what it means to go after a dream and the successes and failures along the way.

    Increddibly crafted and edited, Fame is a joy to watch that keeps you invested in the journey of many characters despite its long runtime. The piece poignently captures some of the more meaningful moments of the students four years at performing high school while inserting some showstopping numbers along the way ("Fame" and "Out Here on My Own" for example). However, the film never strays from the more painful decisions and experiences of growing up and chasing a dream. It tackles a variety of topics with care and decisiveness.

    Many complaints I have seen are against the film's openended nature. I would argue that this is part of the film's realism. High school is only the beginning of these students lives and there are countless more hurt and highs in their future that they have yet to experience. The film is about the lack of knowledge of whether one has talent or will "make it" in a nearly impossible business, and this choice only further upholds it.

    The film is a wonderful drama that stands the test of the time for anyone who's been young with a wild dream and determination. It is definitely worth watching.
    Schlockmeister

    Story about potential.

    This movie showcases a LOT of incredible talent. Fantastic performances throughout. The movie also is a great story about potential and how people use, abuse or ignore it in themselves. This is a story about students who look like they are all headed for fame and fortune. It shows the pitfalls along the way. We learn that talent is not enough. We also learn that many fall short and give up along the way. As an adult who was a teenager back when this movie first came out, it is a very bittersweet look at potential in us all and has us examine what we did with it in our lives, are we where we thought we would be? Yes, this movie is dated, it is over 20 years old, it HAS to be in some regard. But the story is timeless and will rank among classics of teenage movies and also always have a warm spot in the hearts of adults who grew up in the era. Highly recommended. Would make a great double feature with "Gold Diggers of 1933" just to show contrast and to see how Broadway has changed over the years.
    Ace36c

    Totally Unbelievable

    Hi, I'm Alex I'm 14 and currently a student at the school Fame was based on. The Fiorello H. LaGuardia School of Music Art and the Performing Arts is now and was then the most prestigious school of it's kind in the country. I go there as a drama major. Mr. Jim Moody who played "Farrell" in Fame is really a teacher at the school and I have him every week for improvisation. Everything portrayed in Fame is realistic, the atmosphere at the school is exactly like it's shown in the movie. I love the movie and it makes me proud to be a student at P.A. Anyone who's interesting in music, art, and or the performing arts MUST see this movie!!

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    Interesses relacionados

    Elsie Fisher in Oitava Série (2018)
    Amadurecimento
    Margot Robbie stars in Quentin Tarantino's "Once Upon A Time In Hollywood."
    Drama do mundo do espetáculo
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
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    Música
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    Musical

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Director Sir Alan Parker wanted a scene that showed Doris overcoming her fear and becoming an actress. He heard of the audience participation at the local screenings of The Rocky Horror Picture Show (1975) and went to check it out. He loved it so much that he not only decided to use it in the film, he had many of the "cast" from the local screenings appear in the film, as the people doing the time-warp on stage when Doris runs up and joins them.
    • Erros de gravação
      After four years of school, Doris Finsecker's little brother never gets any older.
    • Citações

      Doris Finsecker: I'm about as flamboyant as a bagel.

    • Versões alternativas
      Following the success of the TV series in the UK, an alternate PG-rated version was released theatrically with all of the swearing, sexual and drugs references removed.
    • Conexões
      Featured in On Location with: FAME (1980)
    • Trilhas sonoras
      Red Light
      Music by Michael Gore

      Lyrics by Dean Pitchford

      Sung by Linda Clifford

    Principais escolhas

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    Perguntas frequentes21

    • How long is Fame?Fornecido pela Alexa
    • Is "Fame" based on a book?
    • What did Doris mean when she said to Michael: "See you at Schwab's"?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de julho de 1980 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
      • Francês
      • Russo
    • Também conhecido como
      • Fame
    • Locações de filme
      • Church of Saint Mary the Virgin 145 West 46th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(School Exterior - Parker was not allowed to shoot the actual school at 120 West 46th, so he opted for a then abandoned Church directly opposite)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 21.202.829
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 118.160
      • 18 de mai. de 1980
    • Faturamento bruto mundial
      • US$ 21.203.707
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 14 min(134 min)
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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