Fama

"Fame" is a very well done portrait of the students who inhabit New York City's High School of the Arts. The film focuses on a group of students who dream of making it big while they perfect their craft at the now famous school. Director Alan Parker allows each of the highlighted students to mature on screen, allowing you to feel a connection with each one. The music here is infectious and fun. The dancing is exciting and fresh. The film eventually became the basis for an Emmy-winning television series starring Debbie Allen and some of the other actors from the film. One of the more enjoyable "dance" films of the 1980's. Received Oscars for music. 8/10

Fame is more than a movie about high school and a group of developping teenagers. It is about what it means to go after a dream and the successes and failures along the way.

Increddibly crafted and edited, Fame is a joy to watch that keeps you invested in the journey of many characters despite its long runtime. The piece poignently captures some of the more meaningful moments of the students four years at performing high school while inserting some showstopping numbers along the way ("Fame" and "Out Here on My Own" for example). However, the film never strays from the more painful decisions and experiences of growing up and chasing a dream. It tackles a variety of topics with care and decisiveness.

Many complaints I have seen are against the film's openended nature. I would argue that this is part of the film's realism. High school is only the beginning of these students lives and there are countless more hurt and highs in their future that they have yet to experience. The film is about the lack of knowledge of whether one has talent or will "make it" in a nearly impossible business, and this choice only further upholds it.

The film is a wonderful drama that stands the test of the time for anyone who's been young with a wild dream and determination. It is definitely worth watching.

I LOVE this movie.

It is way too bad they don't make movies like this any more, and that teenagers are more amazed by a bunch of trashy movies with big name actors and big time special effects, but not big time plots and characters.

I'm 15 years old, a teenager in the "nothing 90's" (oh, so it's 2000 now, who gives a care?), and being a lover of musicals, 80's high school movies (The Breakfast Club, Sixteen Candles, etc.) and those sort of things, I was recommended this by a "Fame fanatic", my aunt.

I knew after the audition scenes that this was a perfect movie for me. It follows the lives of tear-jerkingly believable characters of several different backgrounds. I laughed, I cried, and I bought the soundtrack. The acting is so excellent that the first time I saw it, I'd forgotten that these were not real living, flesh people, only actors.

There a some flaws, however. There are a few gaps in some of the characters, and the movie should have went on for another 30 minutes, although it was already about 2 hours and 30 minutes (which it didn't feel like). It is also outdated, and you sometimes can't help but laugh at how much it is.

If you've never seen this movie, and you are a fan of musicals, arts, and realistic teenage movies, run, don't walk, to a local video store.

Hopefully, Fame will truly live forever!

My rating: **** (out of 5 *'s)

This movie and its subsequent TV series followup has become the iconic stand-in for what is great about America.

Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say.

The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush.

Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step.

The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold.

High school. Years and decades later, some look back on it with fondness, others with embarrassment. But few find it easy to forget. It's one of the most critical phases of our lives, when changes come fast and furious whether we're ready or not. No longer children, not yet adults, irresistible forces buffet us, pushing and pulling us in every direction.

"Fame" did its best to capture this turbulent, chaotic period for its cast of young characters. For the most part, it succeeded. It meandered, but did feel like a slice of life. This movie holds a special place in the hearts of the Class of '80. We had just bid farewell to the sensational '70s, and soon to the end of three or four stimulating and sometimes difficult school years. We were headed out into the cold, cruel world, leaving home for college then parts unknown. As we approached our watershed event, this newly released movie was like a two-hour yearbook for us. We couldn't escape the titular song on the radio. That was us up there on the screen. Those were our friends, rivals and classmates as we had faced our own dreams, frustrations, successes and failures. Except that theirs were peppered and punctuated with lively tunes from Michael Gore.

It's especially poignant for those who attended any of New York City's other elite, top-tier high schools, especially Stuyvesant, Bronx HS of Science or Brooklyn Tech. Like the kids here, we were considered the best of the best. We had no auditions, but instead rigorous entrance exams. More than the Performing Arts kids, we were expected to change the world, although not necessarily become famous. Like them, not all of us made it. But the pressure cooker environment fostered extraordinary camaraderie and esprit de corps, not unlike the toe-tapping "Hot Lunch Jam" in the cafeteria. On our own graduation day, our spirits soared almost like the jubilant crescendo in the rousing finale. The film leaves us fittingly on a single, triumphant note at the end of "I Sing the Body Electric," pointing to the blindingly bright, boundless future and all the promise it held.

"Fame" couldn't have been set anywhere else. This story would never have worked in a small or suburban school. Los Angeles has a stronger identification with movies and television, but NYC is a mecca for all of the arts. Home not only to what was then called PA, but also world-renowned Juilliard, NYC is a cultural center unmatched by any other city in the world. "Fame" is also a time capsule of the rest of the city of the time, showing the seediness, grit and grime that was endemic of a New York still struggling back from the fiscal crisis that had nearly bankrupted it. But most of all, it showed the vitality, since muted by the inroads of Giuliani, Disney and tourism. Having it filmed in and around an actual NYC school - although not the real PA - helped give it a wonderful sense of verisimilitude.

What I wouldn't give to be young again. But with "Fame," at least I can remember what it was like.