Star Wars: Episódio V - O Império Contra-Ataca
Título original: Star Wars: Episode V - The Empire Strikes Back
Depois que a Aliança Rebelde é dominada pelo Império, Luke Skywalker começa seu treinamento Jedi com Yoda, enquanto seus amigos são perseguidos por toda a galáxia por Darth Vader e pelo caça... Ler tudoDepois que a Aliança Rebelde é dominada pelo Império, Luke Skywalker começa seu treinamento Jedi com Yoda, enquanto seus amigos são perseguidos por toda a galáxia por Darth Vader e pelo caçador de recompensas Boba Fett.Depois que a Aliança Rebelde é dominada pelo Império, Luke Skywalker começa seu treinamento Jedi com Yoda, enquanto seus amigos são perseguidos por toda a galáxia por Darth Vader e pelo caçador de recompensas Boba Fett.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 27 vitórias e 21 indicações no total
Clive Revill
- Emperor
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'The Empire Strikes Back' distinguishes itself with a darker tone, deeper character development, and mature storytelling. Key themes include good versus evil, the complexity of the Force, and Luke Skywalker's growth. New characters like Yoda and Lando Calrissian enrich the narrative. The film delves into consequences, betrayal, and redemption, creating an emotionally resonant experience. Darth Vader's true identity revelation significantly impacts the saga. Visual effects, action sequences, and John Williams' score enhance the film, making it a standout sequel.
Avaliações em destaque
Congratulations have to go to line producer Gary Kurtz and director Irvin Kershner in pushing the production to out-perform A New Hope, even though the consequence was a film that came in massively over budget, and almost cost Lucas his hard fought independence from the Hollywood system.
The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.
What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.
Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.
Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.
ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.
Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.
However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.
Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.
The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.
What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.
Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.
Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.
ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.
Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.
However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.
Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.
So, "The Empire Strikes Back" is a sequel to the previous part. After the release of the first episode, the budget, the fans appeared, and, accordingly, the quality improved!
The fifth episode is the darkest and even the best in the original trilogy (in my personal opinion), and for many in the entire franchise.
Here we will hear the famous Imperial March for the first time, learn all the greatness of the Empire under the leadership of Vader, as well as the formation of Luke as a Jedi.
New characters have added color to the franchise, some have already become iconic and famous among many (the same Boba Fett).
This fascinating story will feature plot twists (for sure many people understood what I was talking about) and a very addictive atmosphere of horror.
As a result, this is what the fans needed - a successful sequel. And, of course, you need to look at it, it's a classic after all.
My Rating : 10/10 (one of the best films)
The fifth episode is the darkest and even the best in the original trilogy (in my personal opinion), and for many in the entire franchise.
Here we will hear the famous Imperial March for the first time, learn all the greatness of the Empire under the leadership of Vader, as well as the formation of Luke as a Jedi.
New characters have added color to the franchise, some have already become iconic and famous among many (the same Boba Fett).
This fascinating story will feature plot twists (for sure many people understood what I was talking about) and a very addictive atmosphere of horror.
As a result, this is what the fans needed - a successful sequel. And, of course, you need to look at it, it's a classic after all.
My Rating : 10/10 (one of the best films)
So much amazing action and beautiful cinematography makes for such an enlightening experience! In The Empire Strikes Back you know who everyone is which is great plus Yoda is introduced! I love this movie the music is soothing, there's romance, more of Darth Vader, and introduces Emperor Palpatine what more can you ask for? A lot to relish and get excited about; it's such a classic gem.
The Empire Strikes Back is the best film in the original Star Wars trilogy. It has all the great qualities that the original Star Wars has: great effects (at the time of its release), appealing characters, and lots of spellbinding action. It also has eliminated some of the problems that plagued the first: the storyline is tighter, and goes much deeper into character development. The performances are terrific, especially by Harrison Ford as Han Solo, and Billy Dee Williams as Lando Calrissian. George Lucas has also remembered to include a spellbinding battle sequence with the snowspeeder sequence near the beginning of the film. The conclusion, with a lightsaber duel between Darth Vader and Luke Skywalker, is truly one of the most suspenseful and dramatic scenes in the entire series. This is a truly wondrous film, and serves as a constant reminder that just because a movie is expensive and a blockbuster doesn't mean that it has to be shallow and two dimensional. This film will undoubtedly entertain viewers of all ages from start to finish.
An excellent sequel to Star Wars, this is easily the darkest and most serious out of all the Star Wars films, at least until Revenge of the Sith comes out. This movie benefits from the introduction of Yoda, a diminutive yet wise Jedi master who helps Luke prepare for his showdown with Darth Vader. It also introduces Lando Calrissian, Han's old gambling and smuggling buddy played very well by Billy Dee Williams. Empire is more character driven than the original and relies more on comic relief to help lighten the mood, but it doesn't go overboard with the humor. The story is more refined and the acting is better as well. Despite all of this I can't really say that I enjoyed Empire more than the original. The original Star Wars has a certain charm to it that none of the sequels (or prequels) have captured. I'd say that it is at least on par with the original though and is a fitting follow up in what is probably the greatest series of movies in the history of cinema.
Você sabia?
- CuriosidadesIn order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $30 million production himself, using a combination of his profits from Star Wars: Episódio IV - Uma Nova Esperança (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie's release. He then showed gratitude far beyond the Hollywood norm by sharing the profits with his employees (nearly $5 million in bonuses).
- Erros de gravaçãoVader kills Captain Needa for losing the Millenium Falcon. When two Imperial soldiers pick up his body to carry away, the corpse steps itself up.
- Cenas durante ou pós-créditosIn the alternate DVD version, the Emperor is still credited as being voiced by Clive Revill, despite his performance being replaced by Ian McDiarmid.
- Versões alternativasThe 1995 THX remastered Pan and Scan VHS release of the 1980 theatrical version has one difference from all other pan and scan releases and the 1992 and 1995 widescreen releases of the same. At the end of the film, the scene simply cuts away to the end credits. All other versions use a wipe to cut away to the end credits.
- ConexõesEdited into SP FX: Special Effects - The Empire Strikes Back (1980)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Guerra nas Estrelas 2 - O Império Contra-Ataca
- Locações de filme
- Hardangerjøkulen Glacier, Finse, Noruega(exterior Hoth scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 292.753.960
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.910.483
- 25 de mai. de 1980
- Faturamento bruto mundial
- US$ 550.016.086
- Tempo de duração2 horas 4 minutos
- Cor
- Proporção
- 2.39 : 1
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