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You are not alone is a movie about love. It is easy to watch and I can guarantee that if you have an open mind you will enjoy every minute of it. The action takes place at a Danish boarding school. That is the place where Kim (12 y.o) and Bo (15 y.o) meet for the first time.

I like the romantic which flows from the screen. The whole atmosphere of the movie is very relaxing and the music contributes to that. Some time ago I read that this movie became an icon for generations of young people growing up and after seeing it I can understand why.

You are not alone is sentimental movie which you will enjoy on some quiet night – it can make you a better person.

I finally got a chance to watch a movie last week...it had been over a month! This movie tells the story of two young boys that fall in love, one a post-pubescent student at a boarding school, the other the pre-pubescent son of the school's headmaster.

First, the movie is beautiful. The interaction between the two main characters is touching, and handled with tender care. The two young men (who are the actual ages they are portraying) are excellent and convincing in their roles...as are the other young actors who make up the rest of the students at the school. The interactions between all the characters in the movie are incredibly realistic...not sugar coated, or worse, over dramatized.

There are issues, however, with this movie that make it less than excellent. For one, the script is terribly fragmented. For a while, you forget that there is supposed to be a relationship developing between the two main characters. The main storyline gets lost amongst a jumble of other side stories going on inside and outside of the schools walls. While these side stories don't dull down the movie (on the contrary, they are often humorous and charming), they strip any semblance of order and purpose from the narrative.

The other issue is that all the other characters are either completely oblivious to the affection that Bo and Kim share (which is nearly impossible), or they don't care (which seems equally odd). While I've nothing against a story that is simple, innocent, and charming...you'd think that these two boys would suffer some of the hardships that come along with being young and gay. :giveup Overall, I applaud the movie for approaching it's subject material so openly, in a way that would NEVER be seen in an American film. The characters are engaging and a joy to watch. Too bad the story wasn't more cohesive. Still, worthy of a 7/10.

A film that can't be viewed from a cinematographic point. Just because it's not in technique where this film achieves something. As in any film, what gives it a strong value is the story it tells.

Due Er Ikke Alene is a wonderful escape to a time lost forever. A film about life. About misery. About love and happiness. About senslessness and about achievement. About systems and counter-systems. About people who can be under extraordinary

circumstances, and be as extraordinary as they come. About challenges and victories. About sex and about understanding.

About imagination, creation and clashes. About authority and reason.

Maybe not all these things are seen at first. They are the background. The solid background that gives credibility to the characters and power to the story.

A dreamer like Aske, puts the educational system in the limelight and leads the rest to discover why young people can think and do. Why there are reasons in life more important than just "living my life". Why the others are seldom regarded as the very motivation to do anything, and, when they become part of our lives, our view of our own can change entirely.

A naïve and deeply enchanting Bo, who only will do good. The one who makes this story so moving and so deep. His emotions, his beliefs, his feelings are rooted in a wonderful soul that cares about his friends. Someone always available to give a hand. With firm convictions and reassuring when anyone needs him. The peacemaker.

A beautiful and amazing Kim. His honesty, his absolute confidence in love and his smile make of him Bo's natural friend. What really makes this character glow is his smile. He is happy with life, even when he finds the normal bumps that lead others to despair or level things out with anger. He enjoys the small things. The ones that count. From a bit of fresh air to a bottle of wine (which, he discovers, should not be abused).

Most interesting is Ole's role. His character turns the balance of the whole story into something worth studying for any teacher, school system, etc. Ole is alone. And he needs the care provided by his peers. And, eventually, even with his bully ways, he mends his life and comes to terms with the world.

The seventies were times of amazing richness, and this is shown openly here. Maybe one of the issues that make your eyes shine is the open difference between what led to some modern educational ideas and how they clashed with the old ones. This was Denmark, and it was the seventies. The final act is freakin' awesome.

Watch this film. You won't be disappointed. Watch it thinking about the story, and this time (oh, it's me saying this... I can't believe it), just this time, forget about cinematography.

DU ER IKKE ALENE (You Are Not Alone) is a 1978 Danish landmark film written by Lasse Nielsen and Bent Petersen and directed by Nielsen and Ernst Johansen. When the period during which this film was made, a time when gay theme movies were all but verboten, this little film is a brave, delicate, tender, unpretentious tale of the bonding, both emotional and physical, that occurs between two young boys in a boarding school in Denmark. The story develops slowly and insidiously, a fact that makes some viewers find it boring or slow. But for this viewer the pacing of the story is intricately involved in this tale of the fragile first attractions that occur in young boys: everything is new, and nothing is rushed - it just happens and evolves.

Kim (Peter Bjerg) is a young prepuberal youth living with his parents: his father (Ove Sprogøe) is headmaster of a boys' school and his mother (Elin Reimer) is in line with the father's hard-line standards. Though not a student in the school, Kim does associate with the young high school age boys and finds one lad in particular, Bo (Anders Agensø), a role model who shows concern for Kim and with whom Kim bonds, emotionally and eventually physically. The manner in which this occurs is never acted out but merely suggested in the most discreet and beautiful way. But we watch as this bond develops more strongly, with each of the boys nascent to the situation in which they find themselves.

The classmates are a varied group - normal kids in a normal school situation - until one of the boys Ole (Ole Meyer), who is somewhat of a trouble-maker, posts magazine pictures of nude women in his dorm room. Reprimanded by the headmaster he is put on probation and when he ultimately posts the contraband pictures in the dorm restroom, he is threatened with expulsion. His classmates band together to protect him and Ole is maintained in the school.

Other sidebar stories that pepper the screen are swimming hole escapades where the injury of one of the boys calls forth the empathy of the entire class; there is a vignette where an older woman tries to teach one of the boys the beauties of physical love; there is a shower scene that finds Bo and Kim gently observing each other; and there is a class project for graduation that is supposed to be an enactment of the 10 Commandments, one episode of which is assigned to a student filmmaker.

It is this finished class project film, shown before the faculty and the parents, that is based on the commandment 'Love thy neighbor' and it is a beautifully wrought scene of Bo and Kim embracing and kissing in one of the more honest and sensitive moments on film. The 'non-story' film ends without an audience response: it simply fades away to a tune that speaks of 'You are not alone - there is someone like you ahead.' No, this is not a film about nudity or raw sex. Instead this film is a brave exploration of the normal period in growth when boys search for role models and find their first sensations of love emerging. It is delicate, beautifully filmed and acted, and is one of the early forays into same sex love that works on every level. Grady Harp

This is not merely an enjoyable film, but it is a very unique and important movie too. This is the case because it approaches with taste and dignity a sensitive subject matter which is often regarded as taboo. The subject is that of homosexuality between teens and preteens. Bo is a 15 year-old boy who finds himself smitten with Kim, who is younger and extremely handsome. Kim more than reciprocates Bo's interest and passion. The result is a beautiful and loving relationship between two nice and decent boys. The movie contains incidental nudity and fabricated intimacy, however it is in no way vulgar or dirty. A previous viewer remarked that the musical score is unremarkable, but I found it to be both beautiful and catchy. Any youth who has experienced feelings similar to Bo's and Kim's may have found it difficult or damaging to attempt to discuss these matters with influential people, such as parents, teachers or peers. This may tend to cause such youngsters to feel isolated and defective. This movie offers vindication and progressiveness, even if the level of acceptance which Bo and Kim enjoyed is unfortunately somewhat fantastic. Maybe it's true, as this movie suggests, that characters like Bo and Kim (and people like me) really are not all alone in this world.