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Título original: Death Car on the Freeway

Filme para televisão
1979
Not Rated
1 h 31 min

AVALIAÇÃO DA IMDb

5,4/10

538

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4 fotos

Mistério Suspense

Adicionar um enredo no seu idiomaAn unknown, psychotic driver uses his van to kill unsuspecting female drivers on the freeway.An unknown, psychotic driver uses his van to kill unsuspecting female drivers on the freeway.An unknown, psychotic driver uses his van to kill unsuspecting female drivers on the freeway.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

5,4/10

538

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Vídeos1

Clip 3:00

Death Car On The Freeway

Fotos3

Avaliações de usuários19

5,4538

Avaliações em destaque

stevenfallonnyc

Pretty good

Look at that title, that plot and that cast, and what do you get? Definitely a 70's TV-movie. And it's really not a bad one at that. For car fans there's a lot of cool old cars to look at and some decent crashes. It definitely borrows from "Duel" (one of the immensely overrated Spielberg's only decent films) but manages to come up with a fresh take on it. The best thing about this movie is that the action is for real, back in the days when movie-making was real blood and sweat, instead of the computer crap we see today. When these cars crash, you can see where if something went wrong, there would have been more trouble on the set. But that's real movie making, not drawing cartoons on a computer.

This movie definitely has the odd tricks and turns a lot of tv-movies did from the day, and still sometimes do. But given the era and the plot, that only adds to the fun. Definitely a good choice if you can find this one.

5Coventry

Duel II: Rush Hour Rage!

Who better than Hal Needham, notorious stunt driver and director of many good ol' boy car chase movies like "Smokey and the Bandit" and "Cannonball Run", could direct this modest but worthwhile TV-thriller with numerous crashes and exploding vehicles? The resemblance with Steven Spielberg's phenomenal "Duel" is unmistakable, but that doesn't necessarily makes this film a blatant rip-off. Both films center on a psychopath who, seemingly without much of a motive, uses his/her vehicle as a deadly murder weapon. In "Duel" it's a filthy old truck in the middle of nowhere, whereas in "Death Car on the Freeway" it's a Dodge van on the traffic-infested highways of California during rush hour (which is probably why he occasionally has to switch license plates and re-paint). William Wood's scenario also hints that the murderous van driver does have a motive, in fact. He exclusively targets attractive women alone in a car, so that must make him a misogynic and underdeveloped pig that can't stand that women grow stronger and more independent nowadays. So, symbolically, the person on his tail is a rather timid and initially insecure female journalist who just liberated herself from her self-centered husband and doesn't get taken seriously by her management, or the TV Company's management. The "freeway-incidents" are tense and spectacular, in spite of the obvious budget restrictions, which is a good thing because the rest of the film is overly talkative and somewhat dull. The crashing cars burst into flames illogically fast, if you ask me, but that only makes it more exciting. Although it's "just" a TV-movie, "Death Car on the Freeway" stars a fairly impressive number of familiar names, like Peter Graves, George Hamilton and Robert F. Lyons. Horror and cult fanatics should particularly keep an eye open for a brief appearance by Sid Haig.

Dethcharm

Fiddle Me This...

The premise of DEATH CAR ON THE FREEWAY is relatively simple: A maniac in a van -not a car- known as "The Fiddler" goes berserk on the titular roadway, victimizing female motorists. Reporter Jan Clausen (Shelley Hack) starts to make connections between the incidents, while the feckless police (represented by Peter Graves) dismiss her concerns and ignore obvious clues.

All is fun and games until someone gets killed.

This is an absurd, though quite entertaining made-for-TV horror-thriller that gets right down to business! Ms. Hack makes her telefilm debut as the sleuthing journalist. Her blaming of the auto industry, advertisers, Hollywood, and fragile masculinity for the carnage is laughable, but fits the narrative well.

George Hamilton plays Jan's smarmy, overbearing soon-to-be ex-husband. Watch for Frank Gorshin and Barbara Rush as her direct supervisors at the newsroom. Dinah Shore is one of the luckier victims. Even Abe Vigoda gets in on the act as a hospital patient. Cult movie mega-icon, Sid Haig plays the rather scary Maurie.

Plus, Harriet Nelson makes a quick cameo appearance.

EXTRA CREDIT FOR: Anyone who can discern exactly what sort of music "The Fidler" plays in his van! It sounds like someone playing a violin with a harmonica for a bow, while being sucked into a wind tunnel!...

Victor Field

The TV equivalent of a drive-in version of "Duel," and okay for what it is.

With Hal Needham behind the camera and Shelley Hack - one of the last of "Charlie's Angels" - in the main role, you've probably guessed that "Death Car on the Freeway" won't be of Spielberg standards. It isn't, but I remember getting some low-brow entertainment out of this TV movie way back when.

Women drivers are being run off the road and killed by a strange man who a TV reporter (S. Hack) dubs the "Freeway Fiddler" because he always plays fiddle music before going into action; she can't finger the misogynist van driver (and indeed we never see the driver, but the resemblance between this and "Duel" pretty much ends there) but she plots to catch him before he can continue his reign of terror. The result: It's (wo)man vs. machine in a race to the death.

Writer William Wood and director Needham don't deliver a great feminist tract, nor is this an actors' showcase; but they do keep the automotive action coming, and it's not a message TV movie by any means. It's basically a pulp novel on the screen, and it's not bad - something that certainly can't be said for some of the director's bigscreen movies ("Megaforce," anyone)?

5Uriah43

A Psychotic Solution to Rude Drivers

This film essentially begins with a young woman by the name of "Becky Lyons" (Morgan Brittany) driving on one of the busy freeways in Los Angeles when she encounters another driver who won't let her get into the next lane. Frustrated that she has just missed her exit, she then tries to speed up in order to take the next offramp but, once again, that same driver prevents her from doing so. To make matters even worse, the harder she tries to distance herself from him, the more reckless he becomes--which eventually results in her having an accident that nearly kills her. Naturally, being the large city that it is, it isn't long before television reporters on the scene to question her about what happened with one particular journalist known simply as "Jan" (Shelley Hack) becoming convinced that there is more to this story than meets the eye. At first, her concerns are dismissed by a local detective named "Lieutenant Haller" (Peter Graves) who considers any possibility of it being a deliberate homicide attempt as absurd. Things change, however, when several more women experience the exact same thing--and as they inevitably turn fatal, it soon becomes clear that a serial killer is using the busy streets of Los Angeles as his hunting ground. Now, rather than reveal any more, I will just say that this film started off reasonably well but suffered somewhat when the scenes shifted from mystery to action. I say this because some of these action scenes were a bit over-the-top and not that realistic. Even so, this wasn't a bad made-for-television movie and I have rated it accordingly. Average.

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Curiosidades
Shelley Hack's TV debut.

Erros de gravação
The hubcaps on Jan's Datsun disappear and reappear at random times throughout the movie, sometimes this happens within the same scene.

Citações
Jan: Who is the Freeway Fiddler? Well of course, no one knows yet, but tonight we at least have an educated guess on that answer from Dr. Rita Glass, chief of psychiatric services at Los Angeles General Hospital, and a frequent consultant in police matters. Thank you for being with us tonight, Doctor, what can you tell us about the Fiddler?
Dr. Rita Glass: Well Jan, of course I don't know anymore about what the Fiddler looks like than anyone else, but what I can offer tonight is a sort of psychological profile based on what we already know about the killer. Let's take the attacks themselves. We already know that the victims are all women traveling the freeway alone. We also know that they were all reasonably attractive, and there is strong evidence to suggest that in each case the driver of the car performed some sort of maneuver which was perceived by the killer as an act of aggression, causing the killer to say in effect 'Hey, you women are just getting too big for your britches'.
Jan: Judging from what you just said then, what can we theorize about the Fiddler's psychological profile?
Dr. Rita Glass: He is a severely repressed personality, easily threatened, unsure of his masculinity. That he may have been dominated as a child by his mother or some other female authority figures. That he is emotionally stunted, and in a very deep sense, feels like a child. I would also have to guess that he has a strong death wish, a need to be hurt, or killed, perhaps as a punishment for being such a bad boy. After all, he cannot attack these women in such a way without placing himself in extreme danger.
Jan: Thank you, Doctor. Drawing on the doctor's profile then, we can make the following suggestions to women: Don't travel the freeway unless absolutely necessary, and don't travel alone. And if you do find yourself on the freeway, drive defensively, particularly if there is a van in the area. Remember, the Freeway Fiddler has already killed 9 women, and will almost surely, kill again.