Dangerous Davies: The Last Detective

Though it does have the odd comedic line or two, this is the only time I recall Bernard Cribbins ever trying to tackle something that required him to speak the word "pants" in anything like a sexual context. He plays a detective constable who is assigned a tough criminal case but soon finds himself embroiled in a fifteen year old cold one involving the disappearance of a young girl. His nickname is "Dangerous" and he spends much of the next two hours - at no small risk to himself - trying to piece together what did happen to that young girl (as well as trying to nail his official quarry too). Bill Maynard - again more noted for his comedy parts - works quite well as his pal "Mod" and there is an additional smattering of familiar faces across the quite enjoyable and characterful mystery adventure. It's a bit too long, maybe we could lose twenty minutes of establishment scenes at the top of the film, but this is quite a fun drama that I rather surprisingly enjoyed.

An underrated British gem from a time when we had no film industry. A good script and a top British cast including two national treasures Maureen Lipman and stalwart Bernard Cribbins in a rare leading role) with some great comedic moments including visual gags that stand this out from the pilot if the TV series. Bill Maynard's dodgy Welsh accent is a bit off-putting but an all-around great film that saw several of an elderly cast in their final roles. The only shame is that it took more than 20 years to turn Leslie Thomas's stories into a TV series. The film is hard to find (I saw it on retro channel Talking Pictures TV some 40 years after its release but still stands up well despite a few comments which would not be acceptable today). Unlike the TV series Bernard doesn't have a St. Bernard but he does have the Dulux dog named Kitty.

In some respects this film feels really dated. Not surprising, given that (at the time of writing) it is 25 years old, and that (without giving anything away) the events the film revolves around took place another 15 years before that. It lacks the polish that overwhelmed the British film industry a decade later, but the end result is still watchable and in its own way fascinating. There are elements of almost slapstick comedy, but at the same time there are much darker themes.

Being more used to the ITV television series starring Peter Davidson, the casting of Bernard Cribbins as the lead character was at first a little jarring, but then as you get into the film it becomes clear that he was possibly the ideal choice. For one thing you get a much better understanding of Det. Constable Davies ironic nickname of "Dangerous" and the title "The Last Detective". He's a bumbling fool (or so his colleagues think), who only gets sent into a situation either as a last resort or as cannon-fodder to save the bruises of his fellow officers. Nevertheless, beneath his haphazard demeanour is a man obsessed, and with a combination of dogged - almost pig-headed - determination, keener observation than he is credited with by those around him he finds solutions to a case lesser officers have left long cold, and deemed irrelevant by his obstructive superiors.

Cribbins' portrayal of Davies leaves you understanding him as a man with a heart, determined to find justice for a long-forgotten victim. In some respects this has become a cliché in British police and crime drama, but unlike contemporary dramatisations this character is perfectly capable of callous brutality when he believes the recipient no longer worthy of consideration. The plot relies on a few awkward contrivances to create links in the chain of detection, but overall it's a surprisingly satisfying film.

I wouldn't say this film deserves a "family" categorisation, except with elder teenage children.

Back in my teens I became a big fan of the novels of witty Welshman Leslie Thomas. Rude but never sleazy, funny, bordering on slapstick but never becoming childish, emotive without being mawkish and dramatic enough to make you care. Very few of Thomas' novels appear to make their mark on screen and I reckon that's because too much of Thomas' work would have to be cut, leaving what remained on screen too uninvolving. The Peter Davison TV series of recent years has been OK - I like Davison and that show has been a decent comedy drama but it has rarely felt like classic Thomas. It has taken me some 25 years to view the Cribbins version and I love it! It really is a top class effort that makes the most of everything that made Thomas so great in the first place. The film may look a little dated now but rather than spoiling it, this simply makes the whole thing more nostalgic. And what a cast! A cavalcade of British TV screen greats including Maureen lipman, Bill Maynard, a future Doctor Who and a future Eastender. Check this one out if you are proud of your Brit heritage - if you're an American who likes our sense of humour - and there seems to be quite a few of you - then you'll love it too.

Now available on DVD, many more people have a chance to view this lost classic of British TV.

A belting story about a cold case file, a young girl's disappearance is reopened by 'The Last Detective' anyone would give a decent case to, played by Bernard Cribbins.

The story opens on the 'North West Frontier'... of London with Cribbins tackling yet another dirty police job, breaking into a besieged flat with a dustbin on his head for protection.

We soon warm to this robust and human policeman and we discover that he gets all the nasty jobs because his bosses think he's the last detective anyone in their right mind would assign to a murder case.

Then by a seeming twist of fate, a seemingly nondescript case involving a recently deceased officer is 'given' to him and through it he unfolds a mystery from long ago, aged witnesses lead him where no one has been before, to clues no one has bothered to follow and to a startling conclusion.

A good cast and a fine script, a haunting score underpins the action and the nice unexpected twist in the tale brings a brilliant end to a riveting piece of storytelling.

I can still whistle the theme tune even after so long.

See it. If you can find a copy. Whistle with me.