O Circo da Morte

Hopefully a cult-classic by now, this '80 beautiful little gem passes muster. Robbie Robertson (who I think produced it) gives a fathomable, realistic performance for a GREAT MUSICIAN, Jodi Foster is wonderful as usual (the main character), and Gary Busey, a couple of years after THE BUDDY HOLLY STORY wipes the floor of the sideshow. A fascinating delving-into slice of "somebody's life" on the road with great supporting characters. An 8 out of 10. Best performance = Gary Busey.

Little-known then, it courses the veins without trapping you into bog-ville for a small flick. Find this one for sure and you won't be disappointed. A jewel!

"Carny" is of those rare films that is truly unclassifiable. It's fiction, with actors and actresses playing scripted roles, but it almost comes closer to a documentary since there really isn't much of a plot, merely the intent to deep-dive into the daily lives and routines of traveling circus members. The one film "Carny" reminds me of the most, and I'm actually surprised that no other reviewers mentioned this, is Tod Browning's cinematic landmark "Freaks" (1932). Partially because, well, many of the supportive characters are human anomalies that make a living of their appearances, but mostly because both films zoom in on a secluded community of people that don't tolerate outsiders and behave skeptically towards newcomers. Coincidentally, both stories also revolve on a (female) newcomer breaking into the community, although the trapeze artiste in "Freaks" had evil intentions whereas Donna (the amazing Jodie Foster) in "Carny" is genuinely looking to become a part of the group.

Writer/director Robert Kaylor was obviously obsessed with the concept of traveling carnivals and the people who run them, but he sure didn't draw an attractive picture of them. "Carny" is dark and bathes in a manic & moody atmosphere. The characters are grim and unsympathetic, most notably the resident con-artist and all-round purpose fixer Patch (sublime role for "The Band" icon Robbie Robertson) and the face-painted Frankie, who - as the foulmouthed clown Bozo - sits in a cage above a water tank and goads carnival visitors into throwing shots at him. Gary Busey is fabulous in the role, and the film nicely stands out at the peak of his career, shortly after "The Buddy Holly Story" and "Big Wednesday". The decors and photography are sinister, yet beautiful, and Alex North's thoroughly unsettling score makes the wholesome even more unique. I personally found the final plotting and twists rather unnecessary, but still, a great cult gem for cinema fanatics to seek out.

I have been trying to see 'Carny' for quite some time, and I finally stumbled across an old video tape of it. I don't know if it is now available on DVD, but if not, it should be. It was released at the beginning of the 1980s but is very much a 1970s movie, and fans of that decade will appreciate it. It's very low key and character driven, and nothing all that much happens, but the acting is strong from the three leads - Gary Busey, who has been wasted in bad movies for many years, Jodie Foster in the transitional period from child to adult star, and the biggest surprise of all Robbie Robertson, guitarist and main songwriter with legendary rock'n'rollers The Band. On top of that the supporting cast features an incredible array of character actors that's hard to beat - Elisha Cook Jr, Tim Thomerson, Kenneth McMillan, Meg Foster, Tim Thomerson, Bill McKinney, Bert Remsen, Fred Ward, Woodrow Parfrey and Craig Wasson, the star of Brian De Palma's 'Body Double', just to name the most obvious ones. 'Carny' is an overlooked gem, and deserves some more attention. I really enjoyed it.

This is one of those movies that doesn't really have a story, the characters and their lives are the story. If you are ok with that then this is a pretty decent drama. It has the drama, a bit of action, tragedy, romance.

I think this might have been Gary Busy's best performance, Jodie Foster puts in a good one too. All the characters even the non actors (not sure they used real circus folk or not) seemed to do an ok job. It is cheesy and dated but it works. I felt for the characters by the end.

It doesn't really have much of an ending and you kind of don't expect one since it's about the characters and their stories don't really end.

If this didn't feature Gary Busey or Jodie Foster in it then this could easily be classed as an avant garde film. There is virtually no plot, just a cascade of freaks, fights and sex scenes. I'm not sure if it's any good - it seems unsure whether it wants to be arty or straight forward - but it's certainly interesting. Worth a look.